Whole, Lupin’s Daughter, Baragaki: Unbroken Samurai, Skeleton Flowers, Bunshi no Neiro A scientist and a Musician, Pretenders, MIRRORLIAR FILMS plus, and Other Japanese Film Trailers

Happy Weekend!

Riona Hazuki in Retribution

I hope you are well.

This week, I have been covering films at the Yamagata International Documentary Film Festival 2021. My reviews include International Competition winner Inside the Red Brick Wall, Afternoon Landscapes, and Transform!. All of these were fascinating and I am really happy that I got the chance to see them. I have a few more reviews to come from the fest so please stay tuned to this site!

What is released this weekend?

Continue reading “Whole, Lupin’s Daughter, Baragaki: Unbroken Samurai, Skeleton Flowers, Bunshi no Neiro A scientist and a Musician, Pretenders, MIRRORLIAR FILMS plus, and Other Japanese Film Trailers”

A Preview of Japan Cuts 2019 (JULY 19–28)

Japan Cuts 2019 is back with its annual showcase of the latest in Japanese films carefully curated by its team of programmers. It is due to kick off in New York in a month’s time and runs from JULY 19–28. The selection looks good and there’s a handy trailer to build up anticipation by revealing a glimpse of all the films on offer!

There is a distinctly youthful and fresh feeling to the roster of directors and writers as well as the stories they tell. Lots of directors are, or were, making their debuts after cutting their teeth in various production roles or they are at the indie end of the spectrum and under-exposed on the festival circuit. Then there is a lot of youth-oriented stories with a lot of coming-of-age tales. That’s not to say that the older generations are forgotten as a documentary and some legendary filmmakers are also on board with Shinya Tsukamoto in New York to show Bullet Ballet as well as his latest film Killing and there is also a doc called I Go Gaga, My Dear about an elderly couple which is getting a lot of play at different fests so that’s a good sign. I’ve seen quite a few of these films, mostly at this year’s Osaka Asian Film Festival, and so I’ll put links to my reviews if you want to read them.

Some of these films are going to be accompanied by directors and actors and a full list plus bios can be found here. This year’s recipient of the CUT ABOVE Award for Outstanding Achievement in Film is Shinya Tsukamoto, one of the first directors I went and wrote a biography for and reviewed a whole bunch of his films (my favourite being Vital). He is just one of many guests so please check the official website to find out more.

All information comes from old trailer posts and the JAPAN CUTS website.

Here is what has been programmed!

Continue reading “A Preview of Japan Cuts 2019 (JULY 19–28)”

Whole Dir: Bilal Kawazoe (2019) Osaka Asian Film Festival 2019

Whole

Duration: 45 mins.

Release Date: 2019

Director: Bilal Kawazoe

Writer: Usman Kawazoe (Screenplay),

Starring: Usman Kawazoe, Aoi Ibuki, Kai Hoshino Sandy,

Website IMDB   OAFF

This review was first published on V-Cinema on March 14th

In recent years, the rise of mixed-race Japanese has become a hot topic with “hafu”, a word which is taken from the English word “half”, becoming more visible thanks to sports and entertainment personalities like tennis champ Naomi Osaka and 2015’s Miss Universe Japan Ariana Miyamoto. Even if Japan is pretty ethnically mixed, hafu are visibly different and are often presented as glamorous and fashionable by advertising execs. This ignores the reality of discrimination and ostracisation they face, something which Bilal Kawazoe’s film, WHOLE examines as one of the few recent Japanese efforts to look at this issues surrounding being biracial in a homogeneous society.

Continue reading “Whole Dir: Bilal Kawazoe (2019) Osaka Asian Film Festival 2019”