Miss Hokusai 百日紅 ~Miss HOKUSAI~ (2015) Dir: Keiichi Hara

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

Here’s a snippet of my review of the film Miss Hokusai (2015), the latest from Keiichi Hara Colorful (2010). It tells the story of one of Katsushika Hokusai’s daughters, O-Ei, who was an artist in her own right. It is a historical tale played with some comedy and a touch of fantasy and rich in period detail.

Miss Hokusai Image

The film is based on a manga from an award-winning creator Hanako Sugiura who is an interesting person. She was the daughter of a kimono merchant and

Hinako Sugiura
From the website Prominent People of Minato City

made her manga debut in 1980 in the experimental magazine Garo, the place where artists Yoshihiro Tatsumi, Oji Suzuki, and Usamaru Furuya all came to fame. The website Prominent People of Minato City states that Sugiura defined her work with intricately researched historical stories about Japan’s Edo period with a focus on customs and manners and her unique storytelling won the Japan Cartoonists’ Association Award in 1984 and the Bunshun Manga Award in 1988. She retired from being a manga artist in 1995 and became a regular participant on NHK’s television program Comedy: Oedo de gozaru (Comedy; This is Edo) and was popular as the expert guide who gave interesting easy-to-understand commentaries about Edo culture. She passed away in 2005 at the age of 46.

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The Bride of Rip Van Winkle リップヴァンウィンクルノ花嫁 (2016) Dir: Shunji Iwai

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

A Bride for Rip Van Winkle Nanami (Haru Kuroki)

Here’s a snippet of my review of the film A Bride for Rip Van Winkle (2016), the latest from the auteur Shunji Iwai. It is one of three films directed by him at the New York Asian Film Festival which is where he will pick up a lifetime achievement award. You can find more images plus a trailer and a link to the full review further down the post.

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Twisted Justice 日本で一番悪い奴ら (2016) Kazuya Shiraishi

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

Here’s a snippet of my review of the film Twisted Justice (2016) which plays at the New York Asian Film Festival. You can find more images plus a trailer and a link to the full review further down the post.

Twisted Justice Film Image 9

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Petal Dance 「ペタル ダンス」 (2013) Dir: Hiroshi Ishikawa (4/5)

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

Here’s a snippet of my review of the film Petal Dance (2013) images plus a link to the full review follow. The film itself is a further refinement of Hiroshi Ishikawa’s style which is all about long takes, unscripted dialogue, minimalist aesthetics, and a love of showcasing huge skies and Aoi Miyazaki’s acting.

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Su-ki-da 「好きだ,」(2006) Dir: Hiroshi Ishikawa (4/5)

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

My second review for V-cinema was for the film Su-ki-da which is the second film from Hiroshi Ishikawa. It’s an improvement on the first film and has a great performance from Aoi Miyazaki. Ishikawa makes a slightly more conventional film in the shape of a romance but with Ishikawa’s long game way of storytelling. I’m going to write about all three of Ishikawa’s films. This is just a snippet of the review with images and links to a little research. The full review can be found through a link at the bottom just before a bunch of images:

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Tokyo.Sora 「Tokyo.Sora」(2002) Dir: Hiroshi Ishikawa (3.5/5)

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

My first review for V-Cinema is of Tokyo.Sora, a film from Hiroshi Ishihara. He has three films under his belt and this is his debut. This is just a snippet of the review with images and links to a little research. The full review can be found through a link at the bottom:

Tokyo.Sora   

Tokyo Sora Film Poster
Tokyo Sora Film Poster

Tokyo.SoraTokyo.Sora

Release Date: October 29th, 2002

Running Time: 127 mins.

Director: Hiroshi Ishikawa

Writer: Hiroshi Ishikawa

Starring: Yuka Itaya, Haruka Igawa, Manami Honjou, Ayano Nakamura, Hidetoshi Nishijima, Sun Cheng-Hwa, Keishi Nagatsuka,

IMDB

Hiroshi Ishikawa has had a long career in filmmaking but only has a few features films to his name. His work as a TV commercial and music video director stands in stark contrast to the slow moving dramas he writes and directs where not a lot is said out loud and the audience is expected to tease out just what is going on from the accretion of detail in slow-paced films. From this, his debut, to his more current film, the world of his characters inhabit is a very lonely place.

Continue reading “Tokyo.Sora 「Tokyo.Sora」(2002) Dir: Hiroshi Ishikawa (3.5/5)”