Genkina hito’s Top Ten Films of the Year (2021)

Bear with me while I mix personal reflections and obvious observations of cinema for this year!

While 2021 saw cinemas open for longer and many festivals going ahead around the world, the Covid-19 pandemic still causes uncertainty in the market as new variants put exhibitors on edge and ready to cancel events while audiences seem to be put off going to see films that aren’t big Marvel properties. In these trying times, streaming films online is increasingly becoming the de facto way to view the latest releases for many but cinemas aren’t out for the count!

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Heroic Purgatory Podcast Covers the New York Asian Film Festival 2021 (August 06th – 22nd)

The New York Asian Film Festival launches tonight and will run from August 6th to August 22nd as a hybrid event with around 70 films split between cinemas and online streams and the HEROIC PURGATORY podcast is taking part. 

As I described in my preview, it’s a beautiful and exciting mix of experiences from 12 separate territories/nations with a mix of big-budget blockbusters to indie movies and the quality of the selection is so good, you can see why the festival is the premiere event for Asian films in North America – maybe even the West!

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Three Sisters 세자매 Director: Lee Seung-won (2020) [Osaka Asian Film Festival 2021]

Three Sisters    Three Sisters Film Poster

세자매 Se Ja-mae

Release Date: January 27th, 2021

Duration: 115 mins.

Director: Lee Seung-won

Writer: Lee Seung-won (Script), 

Starring: Moon So-ri, Kim Sun-young, Jang Yoon-ju, Cho Han-cheul, Hyun Bong-sik, Kim Ga-hee,

OAFF IMDB KoBiz

Three Sisters is the latest feature from Lee Seung-won, a writer and director with a background in theatre. Much like his two previous films, Communication & Lies (2015) and especially Happy Bus Day (2017), it plies the territory of damaged people and broken family relations. The main difference with Three Sisters compared to Lee’s earlier works is that it is less abrasive due to its finely polished visual sheen and also its script which sneaks tragedy on audiences behind black comedy and a non-linear narrative. These varying tones serve Lee’s desire to show acting at its best as he provides his leads with drama found through well-realised characters dealing with an explosive legacy.

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