The Modern Lovers, Aoi no zarazara Japanese Film Trailers

Happy weekend, everyone!

vagrant story

I hope you are all well!

I started this week with a review of Coming Back Sunny and an interview with its director, Noriko Yuasa. I then posted about the festival I write for, the Kotatsu Japanese Animation Festival, hosting a streaming event. I then posted a review for Woman of the Photographs and an interview with its director, Takeshi Ksuhida.

In terms of films, I have watched The Girl with All the Gifts, the Scorcese version of Cape Fear, Interview with the Vampire and Sleepy Hollow.

I’m currently playing Vagrant Story (which is where the above image is from – found at the US Gamer website) because I’m waking up really early in the morning and don’t want to turn my computer on.

What is released this weekend?

Continue reading “The Modern Lovers, Aoi no zarazara Japanese Film Trailers”

Interview with “The Modern Lovers” Director Atsuro Shimoyashiro at the Osaka Asian Film Film Festival 2020

Atsuro Shimoyashiro was at this year’s Osaka Asian Film Festival with The Modern Lovers, a sexually explicit story about two former lovers reuniting, raking over their past relationship and realizing their regrets. His path to the festival is an interesting example of an indie film warrior. After dropping out of college, Shimoyashiro studied at the Film School of Tokyo and has had an interesting career working in music and indie movies. He directed films like Walk in the Room (2016), which was selected for TAMA NEW WAVE and the Kanazawa Film Festival 2017, and Voyage Garden (2018), which was selected for O!!DO Short Film Festival. He has also produced music for films, including two by Shinji Imaoka, Long Goodbye: Private Detective Kurinosuke Furui (2017) and Reiko and the Dolphin (2019).

The Modern Lovers is something else. A hip movie with an atmosphere choked with longing, lust and a little bitterness. Due to the nudity involved and its brief story, it brings to mind the pink films of the Roman Porno genre despite being an indie drama. There seems to be some creative connection since legendary pink film director Shinji Imaoka makes a brief appearance in a bar scene and Shimoyashiro has collaborated with him. It may be tempting to see Shimoyashiro as a new generation of pink film director but he is firmly on the indie side of things, as he explained when he sat down to talk about The Modern Lovers and his inspirations. This interview was conducted with the help of translators Keiko Matsushita and Takako Pocklington.

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The Modern Lovers 東京の恋人 Director Atsuro Shimoyashiro (2019) [Osaka Asian Film Festival 2020]

The Modern Lovers    The Modern Lovers Film Poster

東京の恋人Tokyo no Koibito

Release Date: June 27th, 2020

Duration: 81 mins.

Director: Atsuro Shimoyashiro

Writer: Atsuro Shimoyashiro, Naoaki Akamatsu (Script),

Starring: Ryu Morioka, Nanami Kawakami, Mutsuo Yoshioka, Ruri Shinato, Tomoki Kumura, Shinji Imaoka, Teruko,

OAFF

The dreams we forgo and the promises we break can define our lives as we grow older, a realization that the protagonist of Atsuro Shimoyashiro’s steamy indie drama gradually comes to when he reconnects with an old flame for one last tryst.

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Osaka Asian Film Festival 2020 Programme Announcement

Earlier this month, the organisers of the Osaka Asian Film Festival (OAFF) 2020 announced the full line-up for the festival which takes place from March 6-15. This is the best event to see a cross-section of Asian cinema and nearly all of the films will have English subs – the only exceptions we know so far are “Birthday”, ” House of Hummingbird”, and “Malmoe The Secret Mission”.

Despite the issues surrounding Coronavirus, the festival is still going ahead but one section, the co-hosted event “Come to Life! vol.2 Gutai and Nakanoshima”, has been cancelled due to the decision of the co-host organiser. This means six films have been removed which brings the number of selected films screened from a record 64 to 58 in total. This number includes 12 World Premieres, 12 International Premieres, and 3 Asian Premieres with films submitted from countries and regions such as Taiwan, Hong Kong, Poland, South Korea, Japan, and South East Asia.

Continuing on from previous editions of the festival, OAFF remains a beacon of progressive programming as 25 female directors find their works selected with over half the films in the Competition section directed by women. The festival programme features characters from across the world contesting with issues such as war, crime, bullying, LGBTQ+ rights, immigration and unionising in the workplace. OAFF continues to give a platform to filmmakers who face challenging issues, whether the films reckon with historical injustice or paint a brighter future through showing diverse characters navigating their way in our tumultuous world.

Please check the full line-up of OAFF 2020 which can be found here. Tickets for the films screening at the fest are already on sale.


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