Osaka Asian Film Festival 2017: Poetry Angel ポエトリーエンジェル Dir: Toshimitsu Iizuka

Poetry Angel   poetry-angel-film-poster

ポエトリーエンジェル Poetori- Enjeru   

Running Time: 95 mins.

Director: Toshimitsu Iizuka

Writer: Toshimitsu Iizuka (Screenplay),

Starring: Amane Okayama, Rena Takeda, Shingo Tsurumi, Jun Miho, Akihiro Kakuta, Maho Yamada, Tateto Serizawa, An Ogawa, Kento Yamazaki,

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Here’s a movie pitch which may not stun you:

Poetry Angel” is a film about a farmer and a schoolgirl in small-town Japan seeking a way to express themselves and unleash their creativity through the art of “Poetry Boxing.”

Everything up until “Poetry Boxing” sounds like business as usual since films about self-expression are common but newbie director/writer Toshimitsu Iizuka has cannily hitched his succinct and sweet human drama to the relatively unknown real-life sport of Poetry Boxing and strikes gold with results so entertaining you may want to step into the ring yourself.

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Isn’t Anyone Alive? 生きてるものはいないのか (2012)

Isn't Anyone Alive Review Header Image

Isn’t Anyone Alive?                                                         Isn't Anyone Alive DVD Case

Japanese Title: 生きてるものはいないのか

Romaji: Ikiterumono Inainoka

Japanese Release Date: 18th February, 2012

UK DVD Release Date: 22nd October, 2012 (Third Window Films)

Running Time: 113 mins.

Director: Gakuryu Ishii (aka Sogo Ishii)

Writer: Gakuryu Ishii (Screen Adaptation), Shiro Maeda(Original Story, Screenplay)

Starring: Shota Sometani, Rin Takanashi, Hakka Shiraishi, Asato Iida, Mai Takahashi, Yumika Tajima, Ami Ikenaga, Kota Fudauchi, Keisuke Hasebe, Hiroaki Morooka, Tatsuya Hasome, Eri Aoki, Konatsu Tanaka, Kiyohiko Shibukawa, Shoshiro Tsuda, Tateto Serizawa, Chizuko Sugiura, Jun Murakami

Isn’t Anyone Alive? is the latest film from Gakuryu Ishii (formerly Sogo Ishii), a  director I have recently discovered after watching his talky serial killer thriller Angel Dust which I loved. This is his first film after taking a decade out to take up a teaching post at Kobe Design University. Ishii once again shows his skill as a director but instead of cult killers he is tackling the absurd.

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