Make-Believers 夢見びと Dir: Kenjo McCurtain (2020)

Make-Believers    Make-BelieversCityPoster

夢見びと Yumemibito

Release Date: May 01st, 2020

Duration: 128 mins.

Director: Kenjo McCurtain

Writer: Kenjo McCurtain (Script),

Starring: Takashi Kawaguchi, Yuki Morikawa, Saiki Masuda, Shouta Hatori, Sayuri Hirayama, Takashi Ohkado, Nayu Kazetani,  

IMDB

When I think of musicals, it is usually the big, brassy, and ballsy American studio productions that transport audiences to a heightened sense of euphoria through elaborate sets given a Technicolor sheen, widescreen views, honking energetic scores, and dancers like Gene Kelly and Fred Astaire tripping light fantastic.

From Busby Berkeley, to Baz Luhrmann (Moulin Rouge), to Damian Chazelle (La La Land) and, beyond Hollywood, the bonkers Bollywood productions in India that go the maximalist route, my expectations for musicals have been set so high that it is easy to forget they can be small and intimate affairs where the spectacular is toned down to capture the most intimate.

Which brings me to Make-believers, a film on the indie end of the spectrum which I found on Kickstarter a year ago. It is billed as a romantic musical that aims to be “a first-of-its-kind, Hollywood-influenced, musical romance set in Japan.” In its way, the film succeeds as it has the requisite parts and puts them together successfully. Tone down expectations of glamour and sweeping emotions and you have a fun and sweet indie musical that utilises some dazzling costumes and agile dancers to make cute dance sequences which are built into a solid dramatic core featuring a universal story of being true to oneself.

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Bad Poetry Tokyo 東京不穏詩 Dir: Anshul Chauhan (2017) Osaka Asian Film Festival 2018

Bad Poetry Tokyo    Bad Poetry Tokyo Film Poster

東京不穏詩 Tōkyō fuon uta

Running Time: 114 mins.

Release Date: 2018

Director: Anshul Chauhan

Writer: Anshul Chauhan, Rand Colter (Screenplay), Anshul Chauhan (Original Story)

Starring: Shuna Iijima, Orson Mochizuki, Takashi Kawaguchi, Nana Blank, Kohei Mashiba, Kento Furukoshi,

Website    IMDB

Fake it till you make it. It’s a useful mantra to live by. Appear confident and people will accept it. We all do it, but every once in a while the mask will slip. What happens when you simply run out of energy to hold that mask up?

Jun Fujita (Shuna Iijima) is 30 years old. She majored in English at Tokyo University and dreams of appearing in Hollywood movies. For the time being, though, she works as a hostess at a shady club where her boyfriend Taka (Orson Mochizuki) is employed as a barman. Some of that is true, some of that is false. Life hasn’t turned out the way Jun imagined when she fled her home in Nagano Prefecture five years ago. Still, she yearns to be an actress and is about to make it when betrayed by her lover. Broken and made savage by the experience, she heads back to her sleepy countryside hometown to lick her wounds. As far as she can tell, things seemingly haven’t changed much when she first arrives and is reunited with her father and her old lover Yuki (Takashi Kawaguchi), which is a problem because there are ugly secrets about her past that made her flee in the first place.CO01_BadPoetryTokyo

The drama of Bad Poetry Tokyo opens with a sequence showing Jun perpetrating a violent attack while her narration tells us some of what has driven her to this point. It then cuts back to an earlier period of time so viewers can trace the sequence of events that has to the moment that the weight of the world has become too heavy for Jun to bear.

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