Love’s Whirlpool 愛の渦  Director: Daisuke Miura (2014)

Love’s Whirlpool  Love's Whirlpool Film Poster

愛の渦   「Ai no Uzu」

Release Date: March 01st, 2014

Duration: 123 mins.

Director: Daisuke Miura

Writer: Daisuke Miura (Script/Stage Play/Original Novel)

Starring: Mugi Kadowaki, Sosuke Ikematsu, Yoko Mitsuya, Hirofumi Arai, Kenichi Takito, Ryusuke Komakime, Tokio Emoto, Yu Nobue, Eriko Nakamura, Muck Akazawa, Tetsushi Tanaka, Yosuke Kubozuka,

Website   IMDB

“Birds do it, bees do it
Even educated fleas do it
Let’s do it, let’s fall in love”

From the song “Let’s Do It, Let’s Fall in Love

A group of people gather at a well-furnished apartment in Roppongi for sex. They have from midnight to 5AM. The rules are simple: use condoms, shower between partners, respect women’s requests, and leave quietly without exchanging information at the end. It is meant to be no-strings sex, but for some it becomes more meaningful as the emotions that drove them to the party are tapped…

This is the set-up to Daisuke Miura’s Love’s Whirlpool, an erotic drama from 2014. It is adapted from his own 2005 stage-play that raised eyebrows for its nudity but ultimately went on to win awards. The film itself became a something of a hit on the indie circuit and it is easy to see why as it bridges the gap between mainstream cinema and pink films as known actors engaging in explicit depictions of sex you might see in softcore. The hook for those of a less prurient nature is the way that psychological drama and social status emerges amongst a group of anonymous strangers simply seeking sex.

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Miyamoto 宮本から君へ Dir: Tetsuya Mariko (2019)

Miyamoto   From Miyamoto To You Film Poster

宮本から君へ Miyamoto kara Kimi e

Release Date: September 27th, 2019

Duration: 129 mins.

Director: Tetsuya Mariko

Writer: Tetsuya Mariko, Takehiko Minato (Screenplay), Hideki Arai (Manga)

Starring: Sosuke Ikematsu, Yu Aoi, Arata Iura, Kenichi Matsuyama, Tokio Emoto, Kanji Furutachi, Jiro Sato, Pierre Taki,

Website IMDB

Miyamoto is based on a seinen manga by Hideki Arai that ran from 1990 to 1994 in the magazine Weekly Morning. This slice-of-life story, based somewhat on Arai’s background, detailed the maturation of Hiroshi Miyamoto, a young man Miyamoto 宮本から君へ Mangafrom Yokohama who is uncertain of himself as he is fresh out of college and new to living life in Tokyo. Scenes of work and romance are tied to his struggle to establish himself as a man and start a family and everything is given the gaman/gambarimasu treatment with some shocking moments of violence and lots of hot-blooded emotions as he holds true to ideals of love and honour even if it puts him in a world of hurt.

For many international audiences, this 2019 movie adaptation will be their first contact with the franchise. It is a direct continuation of a 2018 drama. Both the drama and film were written and directed by Tetsuya Mariko, the man who helmed the absolutely bleak portrait of lost youth Destruction Babies (2016). Indeed the movie version of Miyamoto was filmed from September 09th to October 30th after the TV show finished airing in the summer of 2018, and so, a director with a strong vision reunites with a cast of great actors as they adapt the middle part of the manga and the main character, the titular Miyamoto, moves on to romancing a new woman, Yasuko.

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After the Storm 海よりもまだ深く Dir: Hirokazu Koreeda (2016)

After the Storm   

After the Storm Film Poster
After the Storm Film Poster

海よりもまだ深く 「Umi yori mo mada fukaku」

Release Date: May 21st, 2016

Running Time: 117 mins.

Director: Hirokazu Koreeda

Writer: Hirokazu Koreeda (Original Story, Screenplay)

Starring: Hiroshi Abe, Kirin Kiki, Lily Franky, Sosuke Ikematsu, Yoko Maki, Satomi Kobayashi, Isao Hashizume, Taiyo Yoshizawa

IMDB   Website

After the Storm is a story of everyday human failings and the constant hope for a better tomorrow that motivates us. Kore-eda cast a cadre of familiar actors who he had worked with in previous films including Kirin Kiki and Hiroshi Abe, both of whom were in Still Walking (2008) as mother and son Toshiko and Ryota. This family drama could be a sort of sequel to Still Walking due to similarities – Kiki’s character Toshiko (とし子) turns into Yoshiko (淑子) here while Abe’s character is named Ryota (良多) in both films – and callbacks likethe butterfly motif and it features a deceptive simpleness in its approach, a story of a family gathering made complex by tangled emotions tinged with bitter history.

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How Selfish I Am! (2013) 自分の事ばかりで情けなくなるよ

How Selfish I Am        How Selfish I Am Film Poster

Japanese: 自分の事ばかりで情けなくなる

Romaji: Jibun no Koto Bakaride Nasakenaku Naru Yo

Running Time: 106 mins.

Release Date: October 26th, 2013

Director: Daigo Matsui

Writer: Daigo Matsui (Screenplay), Sekaikan Ozaki (Original Work)

Starring: Maho Yamada, Sei Ando, Shunsuke Daito, Mei Kurokawa, Sekaikan Ozaki, Sosuke Ikematsu, Kaonashi Hasegawa, Taku Koizumu,  Yukiji Ogawa,

Website

How Selfish I Am is an episodic musical drama exploring the loves and travails of a group of people in Tokyo, all of whom are connected together by the music of the rock group CreepHyp. A glib comparison might be Short Cuts by Raymond Carver/Robert Altman on a smaller scale with a post-rock soundtrack but just as much darkness and more visual and aural dazzle.

The film is the culmination of a long collaboration between How Selfish I Am Sekaikan Ozakifilmmaker Daigo Matsui and the band CreepHyp, this is the final result of a series music videos made over the last few years¹ based on a story originally conceived by CreepHyp’s frontman, Sekaikan Ozaki. The episodic nature of the original music videos is carried over to a feature film format and expanded upon as it draws everything together into a final product which acts a musical showcase for the band, a creative director, and a strong ensemble cast.

The film is told over the course of a few years and from multiple perspectives split between two girls and two guys, all of whom are scudding along the bottom of the Tokyo social scene.How Selfish I Am Kumiko Ando 2

We start off with Kumiko (Ando), a lonely girl working at a cosplay bar/brothel who pines after her ex-boyfriend (Onoue).

How Selfish I Am YamadaKumiko is followed by Mie (Yamada), a mousy, introverted and put-upon office lady who adores CreeHyp, and has a Twitter addiction (@mieephyp0819 – yes, I write down Twitter handles in films) and a ticket to CreepHyp’s concert which she may miss because of problems at work.

How Selfish I Am DaitohTsuda (Daito), the guy collecting tickets at the concert, is undergoing something of a meltdown as his beloved pop idol is about to retire.

The final, and longest sequence, involves a young homeless man named Rikuo (Ikematsu) who lives in two vans with a young woman (Kurokawa) who, due to a trauma in her past that has damaged her, refuses to speak.

How Selfish I Am Kurokawa and Ikematsu

The four stories weave together to create a sometimes funny but mostly tragic series of tales demonstrating the bleaker side of the Tokyo dream, all loneliness, frustration and desperation.

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The Story of Yonosuke 横道世之介 (2013)

Genki The Story of Yonosuke Review Header Yonosuke (Kora)

The Story of Yonosuke                      A Story of Yonosuke Film Poster

Japanese Title: 横道世余之介

Romaji: Yokomichi Yonosuke

Release Date: February 23rd, 2013 (Japan)

UK Release Date: N/A

UK Distributor: Third Window Films

Running Time: 160 mins.

Director: Shuichi Okita

Writer: Shiro Maeda (Screenplay), Shuichi Yoshida (Original Novel)

Starring: Kengo Kora, Yuriko Yoshitaka, Sosuke Ikematsu, Ayumi Ito, Gou Ayano, Arata, Kimiko Yo, Aki Asakura, Mei Kurokawa, Tasuku Emoto, Aimi Satsukawa, Keiko Horiuchi, Noriko Eguchi,

I was made a fan of Shuichi Okita after watching The Woodsman & the Rain, a film which is a wonderfully observed and rather touching comedy about the art of filmmaking and human bonds. Despite potentially weighty subjects I found it was an amusing and gratifying film that worked through its great characters and well-observed dry comedy. Okita is back a year after that film with a more complex one as he directs Shiro (Isn’t Anyone Alive?) Maeda’s adaptation of Shuichi’s Yoshida’s novel which flits between different time periods with a large cast of characters stretching between the ’80s and now.

The Story of Yonosuke Arrival in Tokyo (Kora)Tokyo 1987, Yonosuke Yokomichi (Kora) has left a small port city and lumbers into Tokyo to attend university. It blows his mind. There are huge buildings covered with ads for Sony and Kiss Mint gum, he sees amateur idol groups performing J-pop on the street and fashionable people everywhere.

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