Following on from releasing info on the outline of this year’s Osaka Asian Film Festival 2022 and confirming that there will be in-person screenings and online screenings, many of which will be available to international audiences, the organisers have detailed the Opening and Closing films that will be screened in cinemas in Osaka. Details below!
The organisers of the Osaka Asian Film Festival have released the outline of their 2022 edition with confirmation that there will be in-person screenings and, for the second year running, online screenings. Many of these online screenings will be available to international audiences. Details below!
万引き家族 「Manbiki Kazoku」
Release Date: June 08th, 2018
Duration: 121 mins.
Director: Hirokazu Kore-eda
Writer: Hirokazu Kore-eda (Screenplay),
Starring: Lily Franky, Sakura Ando, Kirin Kiki, Miyu Sasaki, Mayu Matsuoka, Kairi Jyo, Yoko Moriguchi, Yuki Yamada, Moemi Katayama, Akira Emoto, Kengo Kora, Chizuru Ikewaki, Sosuke Ikematsu,
Hirokazu Kore-eda is often compared to Yasujiro Ozu due to his depictions of families in Japan but he is quite political. Through various detailed tapestries of the rich and poor, nuclear and unconventional family units and different individuals, he has charted a myriad of lives all over the archipelago of his home nation and captured the changing dynamics of a country where tradition, social mores and people’s bonds are seemingly degrading as society adapts to new ways of thinking about work and family and people live atomised lives. Shoplifters tells the story of a most unconventional family by normal Japanese standards and, in so doing, it offers some quite stringent critiques of the exploitation of labour, the indifference of authorities and the resulting breakdown of relationships. It is a refreshingly open politicisation of content for a Japanese mainstream film and it feels akin to the social realist films of Ken Loach. This political bite could partly be the reason why the film went on to wow critics and net the prestigious Palme d’Or at the 2018 Cannes Film Festival but, as in all Kore-eda films, it is the performances that sway hearts and make audiences cry.
DESTINY 鎌倉ものがたり 「DESTINY Kamakura Monogatari」
Running Time: 129 mins.
Release Date: December 09th, 2017
Director: Takashi Yamazaki
Writer: Takashi Yamazaki (Screenplay), Ryohei Saigan (Original Manga)
Starring: Masato Sakai, Mitsuki Takahata, Shinichi Tsutsumi, Sakura Ando, Min Tanaka, Tamao Nakamura, Mikako Ichikawa, Jun Kunimura, Tomokazu Miura,
Kamakura is one of the old capitals of Japan and the most magical place in the country according to Destiny: The Tale of Kamakura. In this CG-heavy adventure, a young woman discovers her new husband’s titular home town is where the borders between life, death, fairytale and reality are blurred as she and her beloved embark on a magical fantasy adventure.
Hirokazu Kore-eda won the Palme d’Or at the 71st Cannes Film Festival for his latest film, Shoplifters.
Congratulations, Hirokazu Kore-eda!
This was his fifth time in the competition section and his win marks, to quote the critic Peter Debruge over at Variety,
“just the second time this century that an Asian film has claimed the festival’s top prize (the other being Apichatpong Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives” in 2010).”
This latest drama features an unconventional family living happily together on the margins of Japanese society through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. It marks yet another film where Kore-eda has worked with child actors and got amazing results as the different reviews have pointed out (round-up of reviews post).
Cate Blanchett, the Cannes Jury president said, “We were completely bowled over by ‘Shoplifters.’ How inter-meshed the performances were with the directorial vision”.
The film has already been picked up for US distribution thanks to Magnolia Films. The company’s president, Eamon Bowles said,
“In a long career of incredible peaks, Hirokazu Kore-eda has delivered one of his best works. ‘Shoplifters’ is an incredible story that deals with familial bonds in a way I’ve never seen before”. SOURCE
There is a small selection of Japanese films at the Cannes Film Festival 2018 with two in the Competition section. The biggest name is Hirokazu Kore-eda who has appeared at Cannes six times in the Competition and Un Certain Regard sections, picking up the Jury Prize for Like Father, Like Son (2013). Due to his focus on families in films like I Wish (2011) and Our Little Sister (2015), he is often called the Ozu of modern Japanese cinema by critics and this one features an unconventional family by normal Japanese standards since it features a group of people living happily together on the margins through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. So, what are the highlights of the reviews?
I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!
Here’s a snippet of my review of the film Petal Dance (2013) images plus a link to the full review follow. The film itself is a further refinement of Hiroshi Ishikawa’s style which is all about long takes, unscripted dialogue, minimalist aesthetics, and a love of showcasing huge skies and Aoi Miyazaki’s acting.
The film section on the Japan Society (New York) website has a listing for a screening of Love Exposure (2009). There’s this sentence:
“In anticipation of the upcoming 10th edition of JAPAN CUTS: Festival of New Japanese Film (July 14-24, 2016) we screen Sion Sono’s notorious masterpiece about love, family, religion and upskirt photography.”
That sentence leads me to assume that Sion Sono’s two latest films, Whispering Star and Love and Peace will get screened at Japan Cuts this year. The two have been on the festival circuit and are at this year’s Nippon Connection.
100 Yen Love
百円の恋 「Hyaku-en no Koi」
Running Time: 113 mins.
Release Date: December 20th, 2014
Director: Masaharu Take
Writer: Masaharu Take (Screenplay),
Starring: Sakura Ando, Hirofumi Arai, Miyoko Inagawa, Saori, Shohei Uno, Tadashi Sakata, Yuki Okita,
The sports film is a popular genre because most of us participate or are interested in sports. It is also popular because sport offers an arc of development for the main protagonist who journeys from the bottom to the top through training, usually for a make-or-break final match. 100 Yen Love works with this formula and in a year when boxing films have made a comeback with Southpaw (2015) and Creed (2015), it proves to be a strong and distinctive drama thanks to a terrific performance from leading lady Sakura Ando as Ichiko, a girl who goes from zero to not quite hero but is inspirational nonetheless.
Japanese Title: 贖罪
Running Time: 300 mins.
Director: Kiyoshi Kurosawa
Writer: Kiyoshi Kurosawa (Script), Kanae Minato (Original Novel)
Starring: Kyoko Koizumi, Eiko Koike, Sakura Ando, Chizuru Ikewaki, Yu Aoi, Mirai Moriyama, Ryo Kase, Teruyuki Kagawa, Hirofumi Arai
For the last few years I have reviewed a J-horror film or something twisted for this blog for Halloween. Well, I was reviewing lots of J-horror anyway but I would only write about something really good, usually from my favourite directors like Nightmare Detective (Shinya Tsukamoto) and Strange Circus (Sion Sono). This year I will review Penance directed by Kiyoshi Kurosawa.
It was originally broadcast on the Japanese TV station WOWOW in five parts. A shorter version running at 270 minutes toured western film festivals like Venice and the East End Film Festival so it could be watched in one go. It has picked up for distribution by Music Box Films for release in the UK/Canada and US some time next year. I have watched the original episodes made for Japanese TV.
Penance is a five-episode TV drama based on Kanae Minato’s 317 page novel of the same name (Minato also wrote the novel which the film Confessions is based on) and is Kurosawa’s follow-up to the magnificent Tokyo Sonata.
Emiri Aachi is an elementary school student whose family have moved from urban Tokyo to sleepy Ueda due to her father’s work. She makes friends with four girls named Sae, Maki, Akiko and Yuka. Emiri is the fashionable one who has all of the latest things and she brings some excitement into the lives of the girls but strange things are going on including the theft of French dolls. One day when the five girls are playing volleyball at school they are approached by a man dressed in work-clothes. He has been watching them intently and asks for their help in repairing the ventilation system in the school gym.