jam Dir: Sabu (2018) [New York Asian Film Festival 2019]

jam    jam Film Poster

Release Date: December 01st, 2018

Duration: 102 mins.

Director:  SABU

Writer: SABU (Screenplay),

Starring: Sho Aoyagi, Keita Machida, Nobuyuki Suzuki, Shintaro Akiyama, Mariko Tsutsui, Yuta Ozawa, Kanta Sato,

Website IMDB

Sabu’s films frequently feature hapless heroes thrown into dangerous circumstances where they are subject to spates of seemingly random encounters, weird coincidences and serendipitous occurrences that all eventually fit together like a jigsaw to reveal smartly constructed narratives that seem free-form but actually tease the idea of fate guiding everything. Jam (2018) features this, however, unlike Sabu’s earlier titles like Dangan Runner (1996) and Postman Blues (1997) which are high tension bounce-about thrillers complete with adrenaline fuelled chases, this one follows the trend of his latest works like Mr Long (2017) and Miss Zombie (2013) by being more contemplative and downbeat. Jam still has time for an awesome chase.

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Third Window Films Release “DANGAN RUNNER” on November 12th on DUAL FORMAT Blu-ray/DVD

Third Window Films are back again with the release of a 90s classic Dangan Runner by the director SABU (Mr. Long, Happiness, Miss Zombie). It is his directorial debut and is the world’s first Blu-ray and remastered DVD release and it contains a treasure trove of extras including an interview with the director. It gets released on November 12th on Blu-ray and DVD. Here are the details.

Special Features:

Dual format DVD & BLURAY

First 1000 copies come with collectable slipcase

Interview with director SABU

VCinema: A Video Essay by Tom Mes

Audio Commentary by Jasper Sharp

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Japanese Films at the Berlin International Film Festival 2017

This year’s edition of the Berlin International Film Festival takes place from February 09th until the 19th and it features three really interesting directors in the shape of Naoko Ogigami and SABU and Yuya Ishii, all of whom brings their latest films. It’s a nice mix of drama and action from these three. Yuya Ishii is growing as a director and Naoko Ogigami is always one to watch. There is a classic special effects movie and a classic anime and so there’s lots for audiences to take in. It’s another good year for Japanese films in Berlin and SABU’s is really exciting because it looks like one of those great crime films from the ‘90s that used to get ranked out by the likes of Takashi Miike and it is a Japanese-Hong Kong co-production.

Let’s take a gander at the films:mittsu-no-hikari-film-image

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Don’t Look Up (1996) 女優霊 Dir: Hideo Nakata

Happy Halloween! This is the time of year when people celebrate the supernatural and ghoulish aspects of popular culture and national myths. I do my part by highlighting horror movies on Halloween night. So far I have reviewed Nightmare DetectiveStrange CircusShokuzaiPOV: A Cursed Film and Charisma. This is the fifth year of this strand
and I am doing it in Tokyo, Japan. The last two weeks has seen the city go into img_1496Halloween overdrive and I am told it is a recent phenomenon. For my part I have viewed things from afar (such as from on top of Roppongi Hills and down onto a parade) rather than get stuck in what looks like a proper melee in jam-packed crowds (boring, I know, but I want to eat my ghost cakes and pumpkin Kitkats and drink my Halloween juice).

Anyway, this year’s film is from the ‘90s and it came from a young director who is now a familiar name thanks to a scary person who curses people via VHS. This isn’t Ringu, it’s an earlier film…

Don’t Look Up   jyoyurei poster

女優霊Joyu-rei

Release Date: March 02nd, 1996

Running Time: 75 mins.

Director: Hideo Nakata

Writer: Hiroshi Takahashi (Screenplay), Hideo Nakata (Original Story)

Starring: Yurei Yanagi, Yasuyo Shirashima, Kei Ishibashi, Ren Osugi, SABU, Daisuke Iijima, Naomi Kojima, Reita Serizawa,

IMDB

We are in Japan in the ‘90s. A promising young director, Toshio Murai (Yurei Yanagi), and his beautiful lead actors Hitomi Kurokawa (Yasuyo Shirashima) and Saori Murakami (Kei Ishibashi) and the crew are working hard on a film in a studio that has been around since the Second World War. It’s a huge place with a set that is built like a traditional house from the 1940s, props and scenery and other feature both modern and from the time of the studios construction as well as a lot of film canisters containing rolls of films from forgotten television shows and movies. It is an ideal location for the war drama being filmed and also place with a lot of memories. There is nothing so out of the ordinary at first glance and with so many people on set it looks like a lot of fun. Unless one looks up.

jyourei-2

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