Touching the Skin of Eeriness 不気味なものの肌に触れる (2014) Dir: Ryusuke Hamaguchi

Touching the Skin of Eeriness  Touching the Skin of Eeriness Film Poster

不気味なものの肌に触れる  「Bukimina mono no Hada ni Fureru」 

Release Date: March 01st, 2014

Running Time: 54 mins.

Director: Ryusuke Hamaguchi

Writer: Tomoyuki Takahashi (Screenplay)

Starring: Shota Sometani, Kiyohiko Shibukawa, Natsumi Seto, Jun Murakami, Ayumi Mizukoshi, Hoshi Ishida, Aoba Kawai,

IMDB

It’s all “show, don’t tell” in Ryusuke Hamaguchi’s Touching the Skin of Eeriness, a medium-length film that uses body language and interpretive dance rather than words to speak.

Made before Happy Hour (2015), his big international breakout, Touching the Skin of Eeriness was a project that Hamaguchi originally envisioned as a pilot film designed to get funding for a larger project named FLOOD. Featuring Shota Sometani (Himizu) in a lead role just as he became a big star in Japan with mainstream movies Parasyte, Wood Job!, and Bakuman, it was a departure for the actor who shines in one of Hamaguchi’s most opaque films where the focus is on the intimate physical movements of the actors and the background atmosphere to relay information.

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Japanese Films at the Cannes Film Festival 2021

Following last year’s Covid-19-forced cancellation, the Cannes Film Festival will return as a physical event and run from July 06-17. Although we are still in the middle of a pandemic, screenings will be allowed to operate at full capacity. One safeguard in place is that people present a vaccination certificate or a valid health pass via a PCR test.

Genki Cannes Film Festival Logo

As for the festival and its films, the event features over 63 films from around the world, with Oliver Stone’s JFK Revisited: Through The Looking Glass getting it’s premiere alongside In Front Of Your Face by Hong Sang-soo and Jane Par Charlotte by Charlotte Gainsbourg.

In the Official Competition section, made up of 24 titles, there is a wealth of talent which will get its world premiere – Wes Anderson’s The French Dispatch and Leos Carax’s Annette (the opening films of the fest) are early standouts. We have one title from Japan. Continue reading “Japanese Films at the Cannes Film Festival 2021”

Mini Theater Aid: A Crowdfunding Campaign to Support Japanese Independent Cinemas!

This is a quick post just to promote a crowdfunding event to support independent cinemas across Japan during the Coronavirus epidemic. 
Mini Theater Aid Logo

It’s called Mini Theater Aid and it launched earlier today and lasts until May 15th with a target amount 100,000,000 yen that is hoped to be raised. It was set up by the directors Koji Fukada (Harmonium, Au revoir l’ete) and Ryusuke Hamaguchi (Happy Hour) in response to the closure of small cinemas up and down Japan as the country tries to contain Coronavirus infections.

Due to the recent declaration of a state of emergency, public venues have had to close and this means they will not be able to make money. In the absence of paying customers and any support from the government in paying rent and salaries and so forth, these cinemas may find themselves struggling as the shutdown unfolds. This emergency fund will help guarantee that these establishments, all of which are important to the cinema ecosystem of Japan, can keep going. It’s these cinemas that sustain indie films since they give the movies limited runs across the year as the films tour the country. In short, without these cinemas, indie film directors, film students and audiences would struggle to screen their works and people would struggle to see these films, especially in a community setting.

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Japanese Films at the Cannes Film Festival 2018 Review Round-Up: Ryusuke Hamaguchi’s “Asako I & II”

Making his Cannes debut is Ryosuke Hamaguchi who came to the world’s attenton with his five hour film Happy Hour (2015) which took a top prize at the Locarno Film Festival. Here, he adapts

Asako I & II

Asako I and II Film Image

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Happy Hour ハッピーアワー (2015)

Happy Hour   

Happy Hour Film Poster
Happy Hour Film Poster

Happy Hour ハッピーアワー(2015)

ハッピーアワー「Happi- Awa-」 

Release Date: December, 2015

Seen at the London Film Festival

Running Time: 317 mins.

Director: Ryusuke Hamaguchi

Writer: Ryusuke Hamaguchi, Tadashi Nohara, Tomoyuki Takahashi (Screenplay)

Starring:  Rira Kawamura, Hazuki Kikuchi, Maiko Mihara, Sachie Tanaka, Shuhei Shibata, Ami Kugai, Sachiko Fukunaga, Reina Shiihashi,

Website IMDB

Happy Hour is a film unlikely to get licensed in the West. With a five hour seventeen minute running time dedicated to showing the lives of four middle-aged women, distributors might think that the film is likely to test the patience of many and for some in the audience I was with when I saw it at the London Film Festival that proved to be true. For viewers with patience this is less the endurance test it sounds like and more an example of a character-driven story rich in small incidents and details that build up to show lives of three-dimensional characters whose stories are quietly compelling. While slow it paints a fascinating picture of contemporary Japan with a little social commentary added.

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