Kokutai 國體 (2019) Dir: Ryushi Lindsay

Kokutai    Kokutai Poster 02    

國體 「Kokutai

Release Date: September 23rd, 2020

Duration: 10 mins.

Director: Ryushi Lindsay

Writer: N/A

Starring: N/A

Website IMDB

Baseball has never looked so menacing.

Kokutai is roughly translatable as ‘body politic’ and it is the title of Ryushi Lindsay’s debut movie. An experimental documentary, Kokutai looks askance at the pomp and ceremony of high school baseball in Japan and, through careful and selective assemblage of footage, reveals the fascist aesthetics that are present.

Baseball is not normally thought of as a place of violent political leanings but this 10-minute montage strikes a defiantly different note as it plays out sequences from Koshien baseball tournaments and goes heavy displaying imagery drenched in fascist overtones. 

Continue reading “Kokutai 國體 (2019) Dir: Ryushi Lindsay”

Idol アイドル (2020) Dir: Ryushi Lindsay

Idol    Idol Poster No Creds Laurel 02    

アイドルAidoru

Release Date: September 23rd, 2020

Duration: 20 mins.

Director: Ryushi Lindsay

Writer: Ryushi Lindsay (Script),

Starring: Ryoka Neya (Miyabi), Miyu Sasaki (Kasumi), Sawa Takahashi (Ami), Akira Takanohashi (Yoshimura), Yui Matsuura (Rie), Yuki Mayama (Junya),

Website IMDB

Ryushi Lindsay is a British-Japanese filmmaker based in Japan and the UK. Even with just a couple of shorts to his name, he is beginning to carve out an interesting filmography as he works across genres and approaches subjects with an eye for the politics that underlie things.

Lindsay’s debut film, the experimental baseball documentary Kokutai (2019), finds uncomfortable parallels with the pomp and circumstance of fascistic events of the past and the current martial aesthetics of Japan’s popular national high school baseball tournaments. His latest, Idol, is a drama set in the world of girl groups.

Long a ubiquitous facet of Japanese entertainment, pop idols present a broad range of issues ripe for examination, from the objectification of performers to their role in the mass media in defining femininity and gender relations. These issues were looked at in Kyoko Miyake’s 2017 documentary Tokyo Idols. Idol uses it as background for a dark drama but focuses on the economic drivers that make the parents push their children to perform as we get front row seats of one parasitic parent’s extreme behaviour.

Taking place over two nights in Tokyo, the story enters at the point of crisis for a young single mother named Miyabi as her child idol daughter Kasumi is unceremoniously dropped from the line-up of a stage act just minutes before a performance and replaced by someone more popular. At first Miyabi argues against her daughters firing, then begs with the manager for another chance, all to no avail. She won’t give up and this sets in motion a foolish plan involving another child idol named Ami that will have viewers tensing up with a sense of foreboding.

Continue reading “Idol アイドル (2020) Dir: Ryushi Lindsay”