Japanese Films at the Berlin International Film Festival 2018

The 68th Berlin International Film Festival, running from February 15th to the 25th, has a pretty good line-up of films but I’m super interested in the Japanese contingent. Thanks to the great media communication, the last few weeks have been building up lots of anticipation. I’ve been covering this festival for a while now and this year is as strong as many others.

Here are the Japanese films that have been programmed, just click on the titles to be taken to the festival listing.

Berlinale 2018 Logo

The Arsenal – Institute for Film and Video Art has programmed the Forum as part of the Berlinale, selecting 44 films, 35 of which world premieres. The International Forum of New CinemaForum is a bit like the wild west in the sense that the filmmakers selected come from different backgrounds and practice different forms of cinema from drama to avant garde, experimental works closer to art pieces to to observational documentaries, with subjects like political reportage and drama being given equal importance. There are a huge variety of films and topics few formal limitations when it comes to the selection of films, resulting in even greater freedom.

Continue reading “Japanese Films at the Berlin International Film Festival 2018”

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Midnight Bus, Between Men and the Gods, Rokuroku: The Promise of the Witch, Ramen Heads, The Swan is Laughing, Inabe, Sato-kun, Saraba Seijaku, Hoshi Meguri no Machi, CINEMA FIGHTERS, The Crimes That Bind, Kaze no Iro, Chotto Mate Yakyubu!, Uchuu Senkan Yamato 2202: Ai no Senshi-tachi “Tenmei-hen” (Karma Chapter), The Testament of Sister New Devil Departures, Ryuichi Sakamoto PERFORMANCE IN NEWYORK: async, Mitsuya seizaemon zanjitsu roku kanketsu-hen Japanese Film Trailers

Happy weekend!

The Tokyo Night Sky is Always the Densest Shade of Blue Sosuke Ikematsu and Friends

I hope everyone is doing fine.

I managed to watch a couple of films but have spent most of my free time editing documents. Nevertheless, I’m happy to be doing such a thing and I hope to complete it today.

On Monday I went to the cinema to see Three Billboards outside Ebbing Missouri. It was a really powerful black comedy about breaking the cycle of violence. It has a fantastic script and performances given by the cast who are all perfect as characters who endure tragicomic and complex lives but, most importantly, they keep going and never give up. The ironic and violent situations veer between scary and amusing and there’s that cracking dialogue in the early part of the film before it segues into something gently philosophical as characters contemplate how they can move on from bad events. The film treats them tenderly, thankfully. Great performances from all. McDormand and Rockwell for the Oscar wins!

Three Billboards outside Ebbing Missouri Film Image

I really want to watch A Silent Voice (2017) again. I last saw it at Kotatsu but often think about it. It has been a pretty busy week for me. I posted a review for Memoirs of a Murderer (2017) and The Dark Maidens (2017).

I’m reconsidering my top ten films of 2017 a lot because I want to move a few films around. Blade Runner 2049 will remain at the top but The Tokyo Night Sky is Always the Densest Shade of Blue is pure wonder and I think it should be joint number one.

This post has a lot of films and the highlights are the shorts and Rokuroku.

So, what’s released this weekend?

Continue reading “Midnight Bus, Between Men and the Gods, Rokuroku: The Promise of the Witch, Ramen Heads, The Swan is Laughing, Inabe, Sato-kun, Saraba Seijaku, Hoshi Meguri no Machi, CINEMA FIGHTERS, The Crimes That Bind, Kaze no Iro, Chotto Mate Yakyubu!, Uchuu Senkan Yamato 2202: Ai no Senshi-tachi “Tenmei-hen” (Karma Chapter), The Testament of Sister New Devil Departures, Ryuichi Sakamoto PERFORMANCE IN NEWYORK: async, Mitsuya seizaemon zanjitsu roku kanketsu-hen Japanese Film Trailers”