Stream Contemporary Japanese Film with the Chicago Japan Film Collective (May 25th to 31st)

Chicago Japan Film Collective is the first Japanese film festival in Midwest. From May 25 to the 31, they will stream nine films, a mixture of dramas and documentaries, many of them highly acclaimed by critics and audiences alike – you can read some of my reviews and interviews with two of the directors via links below!!! – that give you a good insight into what contemporary indie films in Japan look like.

An early-bird ticket is available and costs only $13 until the 15th. I cannot emphasise how much value for money this is considering you get nine high-quality films. Tickets are handled by Eventive and it looks easy to register with. I’m assuming that this is region-locked and probably only available in America.

What plays at the festival?

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A Preview of the Tokyo International Film Festival 2020

TIFF Logo

The 33rd Tokyo International Film Festival (TokyoIFF) runs from October 31st to November 09th and it is a physical event. Information on this page shows the various measures that will be taken by staff such as temperature checks, ensuring audiences wear masks, empty seats around viewers and other methods of ensuring physical distancing.

In terms of films, TokyoIFF has a pretty busy and diverse programme that pitches a lot of dramas alongside restored classics, animation and super sentai. On top of that, there are many interesting talks and other events scheduled with a range of guests.

Here is the festival’s trailer!

Like my last TokyoIFF post, I’ll keep this brief by writing in detail about films I haven’t covered before (or not that often) and I’ll also focus on titles from the indie end of the spectrum as well as utilising the main sections TokyoIFF has created to provide structure to this post.

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A Preview of Japan Cuts 2020 (July 17th – 30th)

Japan Cuts Hollywood Header

From July 17th – 30th, Japan Cuts will launch for its 2020 edition which is going to be an entirely online experience. There are 30 features and 12 shorts that will be shown across 14 days with filmmaker video introductions, live virtual Q&As and panel discussions for audiences across the entire United States (yes, this fest is geo-locked, much like the upcoming Fantasia festival).

The selection is, as ever, good as it covers indies and mainstreamers, features and shorts, anime and live-action and all covering a diverse array of subjects. I’ve covered all of these in other festival posts and seen quite a few and will be plugging my own reviews and interviews in this highlight post which has been split up into the following sections, all of which, I hope will help people decide what they want to see:

 Opening Film | Centrepiece Presentation | Animation |Feature Films | Shorts | Documentaries | Tora-san

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Nippon Connection 2020: Documentaries

This post is an offshoot from the earlier this week and it focuses on all of the documentaries that will be screened. Check out each description to see if each film is available for worldwide screening because quite a few of these are.

Nippon Docs

This section brings together a really diverse range of subjects and themes like art and culture, feminism, workplace rights, mental health, refugees fighting for recognition and a man in a campervan trying to forget a failed love. There are three shorts and 11 features. Book-Paper-Scissors and An Ant Strikes Back are polar opposites in content and ones I want to see. Actually, I want to see all of these films!!!

There are a lot of great films on offer and many of them are available for global audiences to stream. Here are details on the features:

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Signal 100, Saint Young Men Third Century, The Phone of the Wind, Our 30 Minute Sessions, His, Romance Doll and Other Japanese Film Trailers

Happy weekend!

I hope you are all well.

I have the weekend off work so I’m happy. This week, I’ve been focusing more on movies with prep work for a lot of reviews and actually watching films. I also went to see 1917 after work with some colleagues.

In terms of this blog, I posted reviews for My Dad and Mr. Ito (2016) and The Graceful Brute (1962). My reviews for Her Sketchbook (2017) and The Actor (2016) were also posted on VCinema.

What is released this weekend?

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