Genkina hito’s Top Ten Films of 2017

Welcome to my top ten films of 2017.

The Long Excuse Mistress

LAst year was dominated by work/fun at two festivals. There was the Osaka Asian Film Festival at the start of the year while I was in Japan and the Kotatsu Japanese Animation Festival 2017 during the autumn when I returned to the UK. Both experiences were great because I got to do what I love the most, writing about films. I also got to work with some really great people and made friends. I have to say thank you to all of them. I hope these people stay with me. As far as I’m concerned, they have my loyalty for what it’s worth. Once I got back from Japan, I made sure to take my family to see as many films as possible. Going to the cinema was something we already did as a family but spending more time together is important. As a result of all this activity, I saw lots of films this year. Due to the type of films I cover or circumstances or pure choice, I flit between years so not everything has been released in 2017. Here’s an article on VCinema I contributed to about a year in cinema and here are my top ten for 2017:

I hope you discover something in this list that interests you.

I’ve updated my Top Ten Films page for these entries.

FINAL JUSTICE

Continue reading “Genkina hito’s Top Ten Films of 2017”

Osaka Asian Film Festival 2017: Poetry Angel ポエトリーエンジェル Dir: Toshimitsu Iizuka

Poetry Angel   poetry-angel-film-poster

ポエトリーエンジェル Poetori- Enjeru   

Running Time: 95 mins.

Director: Toshimitsu Iizuka

Writer: Toshimitsu Iizuka (Screenplay),

Starring: Amane Okayama, Rena Takeda, Shingo Tsurumi, Jun Miho, Akihiro Kakuta, Maho Yamada, Tateto Serizawa, An Ogawa, Kento Yamazaki,

Website IMDB

Here’s a movie pitch which may not stun you:

Poetry Angel” is a film about a farmer and a schoolgirl in small-town Japan seeking a way to express themselves and unleash their creativity through the art of “Poetry Boxing.”

Everything up until “Poetry Boxing” sounds like business as usual since films about self-expression are common but newbie director/writer Toshimitsu Iizuka has cannily hitched his succinct and sweet human drama to the relatively unknown real-life sport of Poetry Boxing and strikes gold with results so entertaining you may want to step into the ring yourself.

Continue reading “Osaka Asian Film Festival 2017: Poetry Angel ポエトリーエンジェル Dir: Toshimitsu Iizuka”

Osaka Asian Film Festival 2017 Programme Preview Part 3: Independent Japanese Films

oaff2017_posterart_english

The full line-up for the 2017 Osaka Asian Film Festival (OAFF) (March 03rd – March 12th) was revealed last month and for the 12th edition of OAFF, the number of selected films has reached an impressive 58 in total, including 16 films in Competition and they are coming from 19 countries and regions, including China, Hong Kong, Korea, the USA, and Japan. I took a look at many of those films in the two previous posts, one highlighting the competition and opening/closing films and one looking at the Thai, Hong Kong and special screening films. This preview will look at the independent Japanese films. Again, I helped write the synopses for many them only this time it was with the help of staff-members with the Housen films who would help me translate things from Japanese and discuss the exact meanings of certain words used. Thanks go out to them. Also, there are three films at the start that weren’t assigned to me so I didn’t cover them. I did write director biographies which I threw into this post. Who knows when I may call upon them.

Here’s what’s on offer from the Japanese cinema selection (you can click on any of the titles to be taken to the corresponding festival page which will have more information):

besoin-de-amour

Continue reading “Osaka Asian Film Festival 2017 Programme Preview Part 3: Independent Japanese Films”