Japanese Girls Never Die  「アズミ・ハルコは行方不」Dir: Daigo Matsui 2016

Japanese Girls Never Die  

japanese-girls-never-die-film-poster
japanese-girls-never-die-film-poster

アズミ・ハルコは行方不  Azumi Haruko wa yukue fumei

Running Time: 100 mins.

Director: Daigo Matsui

Writer: Mariko Yamauchi (Original Novel), Misaki Setoyama (Screenplay)

Starring: Yu Aoi, Mitsuki Takahata, Maho Yamada, Shono Hayama, Taiga, Kanon Hanakage, Ryo Kase, Motoki Ochiai, Tomiyuki Kunihiro, Akiko Kikuchi,

IMDB Website

In this film, Japanese girls are mad. Justifiably so if you look at reality. Despite Japan being a country on the bleeding edge of culture and cool, the way women are treated leaves a lot to be desired. Shinzo Abe, the current Prime Minister of Japan (I’m dating this review with a reference to him), has pledged to make Japan’s economy boom again and one of his methods is to get more women into the workplace and not just in menial positions but in leadership roles – womenomics. Rather contradictorily, he wants this whilst also trying to persuade women to boost the birthrate of a country with workplace environments that often penalise people for taking time off to look after family matters. Unfortunately, his grand plans have faltered and women still find themselves trapped in lowly positions never mind other issues such as stalkers and whatnot. Japanese Girls Never Die, based on the novel Haruko Azumi Is Missing by Misaki Setoyama, manages to tackle many issues of that women face in a bright neon blaze of righteous anger and anime-inspired visuals that will drive home the injustices that women endure.

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The Long Excuse 「永い言い訳 」 Dir:  Miwa Nishikawa 2016

The Long Excuse The Long Excuse Film Poster

永い言い訳 Nagai Iiwake

Running Time: 123 mins.

Director:  Miwa Nishikawa

Writer: Miwa Nishikawa (Screenplay/Original Novel),

Starring: Masahiro Motoki, Eri Fukatsu, Pistol Takehara, Maho Yamada, Tamaki Shiratori, Kenshin Fujita, Keiko Horiuchi, Haru Kuroki,

Website IMDB

Miwa Nishikawa loves writing about the worst traits of people. Nishkawa’s previous feature films, Wild Berries (2003), Sway (2006), Dear Doctor (2009), and Dreams for Sale (2012) have protagonists who are unctious liars, unappreciative egotists, unrepentant cheats, and utter scoundrels. In this film, based on a novel she wrote, Nishikawa asks the audience to follow a character whose emotional life is a cold-hearted absence borne by self-absorption, a man who has disappeared into himself and lost sight of what really matters in life, other people.

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Japanese Films at the New York Asian Film Festival 2017

The 16th New York Asian Film Festival takes places from June 30th until July 16th. There are almost 60 films on the programme with many highlights from Hong Kong, Japan, Taiwan, China, South Korea and elsewhere. 

This year’s festival features a new Main Competition from which seven films from first- and second-time directors are receiving their Nort American premiere and the festival will honour many actors such as the Star Asia Lifetime Achievement awardee Tony Leung Ka-fai (Hong Kong).

I am interested in the Japanese films on the bill and have watched a few. All of the Japanese films screen in July and there are some really good titles on offer. Not only that but some directors and an actor will be in town. People, if you love films and want to find out more, go see Naoko Ogigami when she does her Q&A.

Here are more details (click on the titles to be taken to the festival page for the film you want to find out more about):

NYAFF 2017 OFFICIAL POSTER

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Miss Hokusai 百日紅 ~Miss HOKUSAI~ (2015) Dir: Keiichi Hara

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

Here’s a snippet of my review of the film Miss Hokusai (2015), the latest from Keiichi Hara Colorful (2010). It tells the story of one of Katsushika Hokusai’s daughters, O-Ei, who was an artist in her own right. It is a historical tale played with some comedy and a touch of fantasy and rich in period detail.

Miss Hokusai Image

The film is based on a manga from an award-winning creator Hanako Sugiura who is an interesting person. She was the daughter of a kimono merchant and

Hinako Sugiura
From the website Prominent People of Minato City

made her manga debut in 1980 in the experimental magazine Garo, the place where artists Yoshihiro Tatsumi, Oji Suzuki, and Usamaru Furuya all came to fame. The website Prominent People of Minato City states that Sugiura defined her work with intricately researched historical stories about Japan’s Edo period with a focus on customs and manners and her unique storytelling won the Japan Cartoonists’ Association Award in 1984 and the Bunshun Manga Award in 1988. She retired from being a manga artist in 1995 and became a regular participant on NHK’s television program Comedy: Oedo de gozaru (Comedy; This is Edo) and was popular as the expert guide who gave interesting easy-to-understand commentaries about Edo culture. She passed away in 2005 at the age of 46.

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The Bride of Rip Van Winkle リップヴァンウィンクルノ花嫁 (2016) Dir: Shunji Iwai

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

A Bride for Rip Van Winkle Nanami (Haru Kuroki)

Here’s a snippet of my review of the film A Bride for Rip Van Winkle (2016), the latest from the auteur Shunji Iwai. It is one of three films directed by him at the New York Asian Film Festival which is where he will pick up a lifetime achievement award. You can find more images plus a trailer and a link to the full review further down the post.

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Twisted Justice 日本で一番悪い奴ら (2016) Kazuya Shiraishi

I recently landed a role as contributor to V-Cinema and I have reviewed a number of films for the website. I have been something of a fan and enjoyed listening to their podcasts when they have covered Japanese cinema so I’m pretty excited to be a part of the team and helping to highlight Japanese cinema. Writing reviews is something I enjoy doing and I hope people enjoy reading my reviews!

Here’s a snippet of my review of the film Twisted Justice (2016) which plays at the New York Asian Film Festival. You can find more images plus a trailer and a link to the full review further down the post.

Twisted Justice Film Image 9

Continue reading “Twisted Justice 日本で一番悪い奴ら (2016) Kazuya Shiraishi”

Japanese Films at the New York Asian Film Festival 2016

The 2016 New York Asian Film Festival takes place from June 22nd to July 09th and it is the 15th edition of the event. This year’s run features art-house and mainstream films, crime and romance, and a healthy stock of Japanese titles with guests jetting in from Japan! I’ll be reviewing a couple of these so stay tuned.

What’s on the programme?

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