Samurai Marathon  サムライマラソン Dir: Bernard Rose (2019) [New York Asian Film Festival 2019]

Samurai Marathon 

サムライマラソン Samurai MarasonSamurai Marathon Film Poster

Duration: 104 mins.

Release Date: February 22nd, 2019

Director:  Bernard Rose

Writer: Hiroshi Saito, Kikumi Yamagishi Bernard Rose (Screenplay), Akihiro Dobashi (Original Novel)

Starring: Takeru Satoh, Shota Sometani, Mirai Moriyama, Nana Komatsu, Munetaka Aoki, Hiroki Hasegawa, Etsushi Toyokawa, Naoto Takenaka, Danny Huston, Junko Abe, Mugi Kadowaki, Mariko Tsutsui,

Website IMDB

Every May in Annaka city, Gunma Prefecture, a marathon is held that claims to be the oldest in Japan. Its origins can be traced back to when Commodore Perry arrived off the coast of the country in 1854 with his black ships and, through threat of aggression, ended 260 years of Japan’s self-imposed isolation. Leaders across the land reacted differently to his arrival. One cautious feudal lord, Katsuaki Itakura of the Annaka clan, tested the abilities of his samurai by holding a marathon. This story is brought to life by British director Bernard Rose – famous for Candyman (1992) – who worked from the novel “The Marathon Samurai: Five Tales of Japan’s First Marathon” by Akihiro Dobashi. The resulting film, Samurai Marathon will sweep audiences away in its neatly executed adventure that, once it gets running, provides plenty of action and amusement.

The film’s set-up is a sprint to get everyone to the starting line. Opening with the arrival of Commodore Perry (Danny Huston) and his treaty demands it dashes into Katsuaki Itakura’s (Hiroki Hasegawa) organising a marathon 36 miles long to toughen up his warriors in mind and body for potential attacks from foreigners. The promise of a wish being granted to the winner is the motivation for the ensemble of runners which consists of fighting men of all stripes from lower-class spear-men like Hironoshi Uesugi (Shota Sometani), who dreams of being raised to the status of a higher-class samurai, an aged samurai recently put out to pasture named Mataemon Kurita (Naoto Takenaka), to the chief retainer’s son, Heikuro Tsujimura (Mirai Moriyama) who wants to marry Itakura’s daughter Princess Yuki (Nana Komatsu). All are vying to win and all are introduced quickly as are the people connected to them such as wives and children. By the time we get to the starting line at the 40-minute mark we get a vertical view of samurai society and become connected to characters who are all distinctly sketched.

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Destruction Babies ディストラクション・ベイビーズ Dir: Tetsuya Mariko (2016)

Destruction Babies   

destruction-babies-film-poster
destruction-babies-film-poster

ディストラクション・ベイビーズ 「Deisutorakushon Beibi-zu

Running Time: 108 mins.

Director:  Tetsuya Mariko

Writer: Tetsuya Mariko, Kohei Kiyasu (Screenplay),

Starring: Yuya Yagira, Masaki Suda, Nana Komatsu, Nijiro Murakami, Sosuke Ikematsu, Denden,

Website IMDB

Writer-director Tetsuya Mariko’s fourth feature film is a realistic take on the idea of anger begetting more anger with nothing to break the cycle as a teen named Taira terrifies Shikoku with a wave of violence that draws a variety of innocents and other outsiders into a twisted game.

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The World of Kanako 渇き (2014)

The World of Kanako      The World of Kanako Film Poster 2

Japanese Title:

Romaji: Kawaki

Running Time: 113 mins

Release Date: June 27th, 2014 (Japan)

Seen at the BFI London Film Festival

Director: Tetsuya Nakashima

Writer: Tetsuya Nakashima (Screenplay), Akio Fukamachi (Novel),

Starring: Koji Yakusho, Nana Komatsu, Satoshi Tsumabuki, Joe Odagiri, Fumi Nikaido, Ai Hashimoto, Miki Nakatani, Jun Kunimura, Asuka Kurosawa,

Website

On paper The World of Kanako sounds incredibly formulaic: based on a novel by Akio Fukamachi, it’s about an ex-cop and bad father who goes in search of his missing daughter who may be involved in a world of trouble. The World of Kanako is anything but formulaic. It resists falling into cliché by being a visually and aurally staggering assault on the senses so meticulously designed, written, and directed by Tetsuya Nakashima, and acted out by big name actors given the chance to play evil characters that it makes an old plot feel new and exciting.

The film begins with the quote:

An era is only confused by a confused mind – Jean Cocteau

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