The Udine Far East Film Festival 2019 runs from April 26th to May 4th and has a lot to offer audiences eager for the latest in Asian cinema. This year’s edition has a special on retrospective on Korean cinema entitled ‘100 Years Of Korean Cinema’, which has 23 films programmed, and organisers are also going to hand Hong Kong star Anthony Wong the Golden Mulberry Award for Outstanding Achievement. Two of his film, Wong’s debut My Name Ain’t Suzie (1985) and the recent Still Human (2018), will also be screened.
Indeed, there are a few films I’ve already seen as part of work in Osaka with The Crossing and Still Human being my absolute must-recommends. From Japan, there are nine films in total, a few from the festival circuit such as a collection of political dystopian tales, Ten Years Japan, and Melancholic, an acerbic workplace comedy involving onsen and contract killers.
On top of film screenings, there’s also the industry side of things and Focus Asia 2019, a section where 15 projects are mainlined for international co-productions by a group of judges, has selected two Japanese projects, the first an offshoot of Ten Years Japan, Plan 75, by Chie Hayakawa and produced by Eiko Mizuno-Gray, and the second looks totally new. The Convenience Store features the film critic Mark Schilling (Japan Times), producer Emi Ueyama (Wasted Eggs, At the Terrace) and director Satoshi Miki (Adrift in Tokyo).
That was an unwieldy paragraph. On to the trailers!
Here is what on offer:
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