Third Window Films Release dual-edition DVD/Blu-ray of hitman black comedy “Melancholic” on September 07th, 2020

Third Window Films are going to issue a dual-edition DVD/blu-ray release of the Melancholic Blu-Rayindie film Melancholic on September 07th with a selection of great extras typical for TWF.

Extra features:

Dual Format (Both DVD and Blu-ray included)
Behind the Scenes
Q&A with director and cast
Melancholic Short Film
Trailer

Here’s the trailer and synopsis and a little extra info:

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Genkina hito’s Top Ten Films of 2019 and He Says Goodbye to a Tumultuous Year

Welcome to my penultimate post of 2019

Miss Hokusai Image 1

This is a melange of things including my New Year’s Resolution and my top ten films of 2019 rolled into one.

We’re about to start a new decade and I think we all managed to hold on to our collective sanity having lived through an era of austerity, unprecedented corporate greed and malfeasance and political extremism with fascism and chauvinist/supremacist politics back in vogue. Of course, we’ve been here before many times in the past such as the 30s and 50s so we can beat this. All it takes is organising, holding officials, business and media to account and protecting our democratic institutions.

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A Preview of Japan Cuts Hollywood 2019

Japan Cuts Hollywood Header 2

JAPAN CUTS Hollywood is a 3-day film festival organised in cooperation with JAPAN CUTS in New York. There is a unique slate of titles different from the New York fest (except for Melancholic) and some short films and a History Channel documentary called Defending Japan. Guests will also be in attendance.

Here’s what is programmed:

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Japanese Films at the Vancouver International Film Festival 2019

Vancouver International Film Festival 2013 Logo

The Vancouver International Film Festival 2019 runs from September 26th to October 11th and it has a fantastic selection of East Asian films with one particular highlight being the HK flick, Still Human, winner of the Audience Award at this year’s Osaka Asian Film Festival. There is a nice compliment of Japanese films, three of which are found in the Gateway strand while Melancholic and Still Human are in Dragons and Tigers. Here’s the round-up of Japanese films.

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Melancholic, Dragon Quest: Your Story, Emoshonaruremon tabidachi wa itsumo remon no aji ga suru, anata wa don’na aji ga suru?, Yasashī shatsu kanatasoutarou no tabi, Give Me the Sun, Tokyo Trial – International Military Tribunal for the Far East 4K Digital Restoration, Dear Mr. Yasuo Otsuka, Summer Girl, Watashitachi ha, Japanese Film Trailers

Welcome to the weekend.

I hope everyone is feeling good.

My coverage of some of the festival films screened in New York is over so I’ve got time to do other things like read books and practice Japanese. Well, instead of doing that, I watched a bunch of Seijun Suzuki films!

Anyway, here the week started with the publishing of an interview I did with Takuji Suzuki, the director of the film Randen: The Comings and Goings on a Kyoto Tram. I did it at the Osaka Asian Film Festival. It was also published on VCinema. I then followed that up with news on Naomi Kawase coming to the UK in September to take part in the Open City Documentary Festival where she will present her films and an extended talk and Q&A. The final post of the week was a review of The Gun which screened at the New York Asian Film Festival.

What is released this weekend?

Continue reading “Melancholic, Dragon Quest: Your Story, Emoshonaruremon tabidachi wa itsumo remon no aji ga suru, anata wa don’na aji ga suru?, Yasashī shatsu kanatasoutarou no tabi, Give Me the Sun, Tokyo Trial – International Military Tribunal for the Far East 4K Digital Restoration, Dear Mr. Yasuo Otsuka, Summer Girl, Watashitachi ha, Japanese Film Trailers”

A Preview of Japan Cuts 2019 (JULY 19–28)

Japan Cuts 2019 is back with its annual showcase of the latest in Japanese films carefully curated by its team of programmers. It is due to kick off in New York in a month’s time and runs from JULY 19–28. The selection looks good and there’s a handy trailer to build up anticipation by revealing a glimpse of all the films on offer!

There is a distinctly youthful and fresh feeling to the roster of directors and writers as well as the stories they tell. Lots of directors are, or were, making their debuts after cutting their teeth in various production roles or they are at the indie end of the spectrum and under-exposed on the festival circuit. Then there is a lot of youth-oriented stories with a lot of coming-of-age tales. That’s not to say that the older generations are forgotten as a documentary and some legendary filmmakers are also on board with Shinya Tsukamoto in New York to show Bullet Ballet as well as his latest film Killing and there is also a doc called I Go Gaga, My Dear about an elderly couple which is getting a lot of play at different fests so that’s a good sign. I’ve seen quite a few of these films, mostly at this year’s Osaka Asian Film Festival, and so I’ll put links to my reviews if you want to read them.

Some of these films are going to be accompanied by directors and actors and a full list plus bios can be found here. This year’s recipient of the CUT ABOVE Award for Outstanding Achievement in Film is Shinya Tsukamoto, one of the first directors I went and wrote a biography for and reviewed a whole bunch of his films (my favourite being Vital). He is just one of many guests so please check the official website to find out more.

All information comes from old trailer posts and the JAPAN CUTS website.

Here is what has been programmed!

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Melancholic メランコリック Dir: Seiji Tanaka (2018)

Melancholic      Melancholic Film Poster

メランコリック  Merankorikku

Running Time: 113 mins.

Release Date: N/A

Director: Seiji Tanaka

Writer: Seiji Tanaka (Screenplay),

Starring: Yoji Minagawa, Yoshitomo Isozaki, Mebuki Yoshida, Makoto Hada, Hiroko Shinkai, Keiji Yamashita, Takanori Minagawa

Website IMDB

Seiji Tanaka’s debut feature Melancholic won him a share of the best director prize in the Japanese Cinema Splash section at last years Tokyo International Film Festival (Masaharu Take also won for his film, The Gun (2018)) and one can see why as it manages to combine a number of tones and genres to create a film that feels fresh and original as well as socially conscious. Its tone has a litheness that makes it unpredictable. When I thought I had it figured as something along the lines of a hard-boiled crime film like Ken and Kazu (2016) after its opening, it switched up its style and continued to be unpredictable until the end.

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Japanese Films at the Udine Far East Film Festival 2019 (April 26th to May 4th)

The Udine Far East Film Festival 2019 runs from April 26th to May 4th and has a lot to offer audiences eager for the latest in Asian cinema. This year’s edition has a special on retrospective on Korean cinema entitled ‘100 Years Of Korean Cinema’, which has 23 films programmed, and organisers are also going to hand Hong Kong star Anthony Wong the Golden Mulberry Award for Outstanding Achievement. Two of his film, Wong’s debut My Name Ain’t Suzie (1985) and the recent Still Human (2018), will also be screened.

Indeed, there are a few films I’ve already seen as part of work in Osaka with The Crossing and Still Human being my absolute must-recommends. From Japan, there are nine films in total, a few from the festival circuit such as a collection of political dystopian tales, Ten Years Japan, and Melancholic, an acerbic workplace comedy involving onsen and contract killers.

On top of film screenings, there’s also the industry side of things and Focus Asia 2019, a section where 15 projects are mainlined for international co-productions by a group of judges, has selected two Japanese projects, the first an offshoot of Ten Years Japan, Plan 75, by Chie Hayakawa and produced by Eiko Mizuno-Gray, and the second looks totally new. The Convenience Store features the film critic Mark Schilling (Japan Times), producer Emi Ueyama (Wasted Eggs, At the Terrace) and director Satoshi Miki (Adrift in Tokyo).

That was an unwieldy paragraph. On to the trailers!

Here is what on offer:

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