A Preview of Japan Cuts 2019 (JULY 19–28)

Japan Cuts 2019 is back with its annual showcase of the latest in Japanese films carefully curated by its team of programmers. It is due to kick off in New York in a month’s time and runs from JULY 19–28. The selection looks good and there’s a handy trailer to build up anticipation by revealing a glimpse of all the films on offer!

There is a distinctly youthful and fresh feeling to the roster of directors and writers as well as the stories they tell. Lots of directors are, or were, making their debuts after cutting their teeth in various production roles or they are at the indie end of the spectrum and under-exposed on the festival circuit. Then there is a lot of youth-oriented stories with a lot of coming-of-age tales. That’s not to say that the older generations are forgotten as a documentary and some legendary filmmakers are also on board with Shinya Tsukamoto in New York to show Bullet Ballet as well as his latest film Killing and there is also a doc called I Go Gaga, My Dear about an elderly couple which is getting a lot of play at different fests so that’s a good sign. I’ve seen quite a few of these films, mostly at this year’s Osaka Asian Film Festival, and so I’ll put links to my reviews if you want to read them.

Some of these films are going to be accompanied by directors and actors and a full list plus bios can be found here. This year’s recipient of the CUT ABOVE Award for Outstanding Achievement in Film is Shinya Tsukamoto, one of the first directors I went and wrote a biography for and reviewed a whole bunch of his films (my favourite being Vital). He is just one of many guests so please check the official website to find out more.

All information comes from old trailer posts and the JAPAN CUTS website.

Here is what has been programmed!

Continue reading “A Preview of Japan Cuts 2019 (JULY 19–28)”

A Preview of of the Japanese Film Festival Ireland 2019

Ireland will get a slew of the latest cinematic delights from Japan when theJapanese Film Festival Ireland 2019 Image Japanese Film Festival Ireland gears up for its latest run. It all starts on April 6th and last until the 20th with screenings of a selection of films at venues in Dublin, Galway, Tipperary, Limerick, Cork, Sligo, Waterford and Dundalk.

There are many highlights, many of which have set screens ablaze at the likes of Japan Cuts 2018, three of the biggest titles to get a release in 2019 from Third Windows Films and the latest anime to be licensed Anime Limited. There is also a slew of indie films, only a couple of which have been screened at something like the Japan Foundation Touring Film Programme 2019.

As is always the case, whether new or old, whether confirmed for a home format release or not, seeing these films on the big screen and sharing it with others is an exciting proposition and I hope you can find something that sparks your imagination.

Here are the films:

Continue reading “A Preview of of the Japanese Film Festival Ireland 2019”

Japanese Films at the Glasgow International Film Festival 2019

The Glasgow Film Festival (February 20th – March 03rd) will launch for its 15th edition in just under a month’s time and there are three Japanese films on offer and one Japan-China co-production. Two of the titles come from Third Window Films and two have not been licensed for the UK as far as I am aware so this might be your best chance to see them.

Here is what is on offer:

Continue reading “Japanese Films at the Glasgow International Film Festival 2019”

Japanese Films at the International Film Festival Rotterdam 2019

The International Film Festival Rotterdam 2018 starts on January 23rd and ends on February 03rd. There are many Japanese titles, nearly all of them being indies and all but two in the Bright Future strand which is dedicated to supporting new artists such as Natsuka Kusano and Koki Tanaka. There is also the Voices strand which is a place for more established directors like Shinya Tsukamoto. The indies towards the end of this post look fascinating.

Here are the films!

Continue reading “Japanese Films at the International Film Festival Rotterdam 2019”

Hardcore, Gangoose, Lady in White, NEET NEET NEET, THE COLLECTORS Saraba Seishun no Shinjuku Jam, Kazoku no Hanashi, Zan, Killing, souvenir the movie Mariya Takeuchi Theater Live, ONLY SILVER FISH WATER TANK OF MARY’S ROOM, Kaijuu Girls (Black): Ultra Kaijuu Gijinka Keikaku, The Reality Behind What We See ~The Poet, Yoshimasu Gozo, in Kyoto~ Japanese Film Trailers

Happy weekend, people!

Radiance Film Image 2

I hope everyone is feeling awesome!

This week I posted about the 2018 edition of the London International Animation Festival with the many wonderful animated films from Japan. I also posted a review for Vision (2018) which I wrote for V-Cinema earlier this month. I have watched a zombie film from Japan called I Am a Hero (2016). You may have read my manga review which I posted two or three years ago as part of my Summer of Splatter. I also started watching Jojo’s Bizarre Adventure: Golden Wind.

I hope everyone managed to watch something great!

What is released in Japan this weekend?

Continue reading “Hardcore, Gangoose, Lady in White, NEET NEET NEET, THE COLLECTORS Saraba Seishun no Shinjuku Jam, Kazoku no Hanashi, Zan, Killing, souvenir the movie Mariya Takeuchi Theater Live, ONLY SILVER FISH WATER TANK OF MARY’S ROOM, Kaijuu Girls (Black): Ultra Kaijuu Gijinka Keikaku, The Reality Behind What We See ~The Poet, Yoshimasu Gozo, in Kyoto~ Japanese Film Trailers”