Body Remember (2020)

Body Remember    Body Remember Film Poster

Release Date: N/A

Duration: 85 mins.

Director: Keita Yamashina

Writer: Ippei Miyake, Keita Yamashina (Script), 

Starring: Yume Tanaka, Yohei Okuda, Ryuta Furuya,
Takaya Shibata, Momoka Ayukawa, Keita Yamashina,

Website IMDB

A trend in recent Japanese indie films is the use of self-reflexive stories that prompt both the characters and the audience to constantly interrogate what is real. Body Remember, the directorial debut by actor Keita Yamashina, is one such example as it blurs the lines between dream, reality, and fantasy from start to finish in a playful adventure in interpretation as experienced by an artist and writer committing to the page a sultry woman’s murky past.

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Stay (2019) Dir: Naoya Fujita

Stay    Stay Film Poster   

Release Date: September 05th, 2020

Duration: 38 mins.

Director: Naoya Fujita

Writer: Suzuyuki Kaneko (Script), 

Starring: Keita Yamashina, Ruka Ishikawa, Takaki Uda, Yumi Endo, Kenta Yamagishi, Kohei Nagano, Suzuyuki Kaneko,

Website

Stay, by director Naoya Fujita, has been screened at the Tama New Wave Festival, Skip City D-Festival and the Osaka Asian Film Festival which is where I saw it as part of the package of films supported by the Housen Cultural Foundation, an organisation which provides financial backing to students in graduate schools across Japan. The inspiration for the story comes from the time when Fujita encountered a traditional Japanese-style home and was immediately taken with it, imagining what it would be like for a community to form around it and this idea evolving into one asking the question of what constitutes a family.

My Lovely Days, Yuka-chan no Aishita Jidai ゆかちゃんの愛した時代  (2018) Dir: Yun Hayama

My Lovely DaysYuka-chan no Aishita Jidai Film Poster

ゆかちゃんの愛した時代 Yuka-chan no Aishita Jidai

Release Date: July 11th, 2020

Duration: 30 mins.

Director: Yun Hayama

Writer: Yun Hayama, Nishio Hiroshi (Script),

Starring: Yun Hayama, Keita Yamashina, Sayu Higashi, Marc Panther, Shiho Tanaka,

With the retirement of Emperor Akihito and the ascension of Crown Prince Naruhito to the Chrysanthemum throne, the transition from the Heisei era to the Reiwa era¹ sparked a lot of nostalgia in Japanese who looked back over the cultural shifts felt during the 80s and 90s. Yun Hayama indulges in the same thing and is clearly writing from experience with this film which is a flashback to the fun of the 90s.

It is April 30th, 2019, and the Heisei era will end in an hour. At one coffee shop in Osaka, Yuka Yukawa, a local talent born in 1989 (the first year of the Heisei era) is having a meeting with her manager Masao (Keita Yamashina). While Masao is pressuring her to do work (including, quite cynically, a film with an erotic scene), Yuka is more interested in talking about her memories of the Heisei era and as she talks her sweet and infectious desire for the Heisei era begins to overflow into the conversation.

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