Hard-core ハード・コア Dir: Nobuhiro Yamashita (2018) [New York Asian Film Festival 2019]

Hard-core    Hardcore Film Poster

ハード・コア Ha-do Koa

Release Date: November 23rd, 2018

Duration: 124 mins.

Director: Nobuhiro Yamashita

Writer: Kosuke Mukai (Screenplay), Marley Carib Takashi Imashiro (Original Manga),

Starring: Takayuki Yamada, Takeru Satoh, YosiYosi Arakawa, Kei Ishibashi, Suon Kan, Takako Matsu, Kisetsu Fujiwara,

Website IMDB

Nobuhiro Yamashita is a director who has a particular forte for downbeat stories, whether they are slacker comedies or dramas, most of which contain misanthropic and misaligned characters who make for uncomfortable yet interesting leads (think The Drudgery Train). Here, he adapts an obscure manga from the early 90s by writer Marley Carib and illustrator Takashi Imashiro where the characters and the story are sometimes bizarre, sometimes sorrowful but secretly gentle, all of which plays out in a slow and uneven story.

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At the Terrace (2016) テラスにて Dir: Kenji Yamauchi

I have been a bit quiet lately because I have embarked on a new project on another website (more on that) and I have moved to another city in Japan for a couple of weeks. I have also been hanging out with friends who took me to an onsen and then a maid cafe. Despite a hectic schedule I managed to watch one film, At the Terrace. My review for the film At the Terrace is up over at V-Cinema. Here’s a preview with trailer and images following:

At the Terrace

Terasu ni te テラスにて

Release Date: October 2016 (Tokyo International Film Festival)

Running Time: 95 mins.

Director: Kenji Yamauchi

Writer: Kenji Yamauchi (Screenplay),

Starring: Kei Ishibashi, Kami Hiraiwa, Ryuta Furuta, Kenji Iwaya, Hiroaki Morooka, Takashi Okabe, Atsushi Hashimoto,

JFDB

Playwright and director Kenji Yamauchi premiered his film At the Terrace during the 2016 edition of the Tokyo International Film Festival where it garnered positive buzz from critics for its mix of sensuous and caustic comedy. Based on one of his plays, Trois Grotesques, Yamauchi refuses to cleave away too far from his source and keeps things simple with a film shot in a single location with a cast of seven actors, all of whom were players in the preceding play itself. Perhaps because of their familiarity with the material, the director and his cast bring about a film that, while not being particularly cinematic, proves to be awfully amusing and painfully funny as it explores some bitter feelings and bad behaviour bubbling away underneath polite Japanese exteriors of a group of acquaintances.

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Don’t Look Up (1996) 女優霊 Dir: Hideo Nakata

Happy Halloween! This is the time of year when people celebrate the supernatural and ghoulish aspects of popular culture and national myths. I do my part by highlighting horror movies on Halloween night. So far I have reviewed Nightmare DetectiveStrange CircusShokuzaiPOV: A Cursed Film and Charisma. This is the fifth year of this strand
and I am doing it in Tokyo, Japan. The last two weeks has seen the city go into img_1496Halloween overdrive and I am told it is a recent phenomenon. For my part I have viewed things from afar (such as from on top of Roppongi Hills and down onto a parade) rather than get stuck in what looks like a proper melee in jam-packed crowds (boring, I know, but I want to eat my ghost cakes and pumpkin Kitkats and drink my Halloween juice).

Anyway, this year’s film is from the ‘90s and it came from a young director who is now a familiar name thanks to a scary person who curses people via VHS. This isn’t Ringu, it’s an earlier film…

Don’t Look Up   jyoyurei poster

女優霊Joyu-rei

Release Date: March 02nd, 1996

Running Time: 75 mins.

Director: Hideo Nakata

Writer: Hiroshi Takahashi (Screenplay), Hideo Nakata (Original Story)

Starring: Yurei Yanagi, Yasuyo Shirashima, Kei Ishibashi, Ren Osugi, SABU, Daisuke Iijima, Naomi Kojima, Reita Serizawa,

IMDB

We are in Japan in the ‘90s. A promising young director, Toshio Murai (Yurei Yanagi), and his beautiful lead actors Hitomi Kurokawa (Yasuyo Shirashima) and Saori Murakami (Kei Ishibashi) and the crew are working hard on a film in a studio that has been around since the Second World War. It’s a huge place with a set that is built like a traditional house from the 1940s, props and scenery and other feature both modern and from the time of the studios construction as well as a lot of film canisters containing rolls of films from forgotten television shows and movies. It is an ideal location for the war drama being filmed and also place with a lot of memories. There is nothing so out of the ordinary at first glance and with so many people on set it looks like a lot of fun. Unless one looks up.

jyourei-2

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