Genkina hito’s Top Ten Films of 2017

Welcome to my top ten films of 2017.

The Long Excuse Mistress

LAst year was dominated by work/fun at two festivals. There was the Osaka Asian Film Festival at the start of the year while I was in Japan and the Kotatsu Japanese Animation Festival 2017 during the autumn when I returned to the UK. Both experiences were great because I got to do what I love the most, writing about films. I also got to work with some really great people and made friends. I have to say thank you to all of them. I hope these people stay with me. As far as I’m concerned, they have my loyalty for what it’s worth. Once I got back from Japan, I made sure to take my family to see as many films as possible. Going to the cinema was something we already did as a family but spending more time together is important. As a result of all this activity, I saw lots of films this year. Due to the type of films I cover or circumstances or pure choice, I flit between years so not everything has been released in 2017. Here’s an article on VCinema I contributed to about a year in cinema and here are my top ten for 2017:

I hope you discover something in this list that interests you.

I’ve updated my Top Ten Films page for these entries.

FINAL JUSTICE

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Japan Foundation Touring Film Programme 2018 Preview – (Un)true Colours Secrets and Lies in Japanese Cinema

The 2018 Japan Foundation Touring Film Programme (February 02nd to March 28th) has had its line-up of films revealed by the organisers and its a veritable feast of excellent contemporary titles with a classic and an anime added which looks/is fantastic respectively. I’ll come out cheering for The Long Excuse which is just fantastic. I cannot recommend this film enough. There’s also Sword of the Stranger which is pure action thrills, and Joy of Man’s Desiring and Room for Let which look exquisite. What’s the theme behind all of these films? Here’s more from the organisers:

Everybody has once told a lie or kept something hidden from others. Whether for good intentions or otherwise, it is a fundamental and intriguing aspect of human nature which has provided inspiration to countless storytellers and filmmakers.

With diverse cinematic voices, The Japan Foundation Touring Film Programme 2018 features some of the best examples of cinema from Japan and will look at how the country’s filmmakers have been drawn to portraying the “(un)true” colours of human nature. The twists and turns of life portrayed in the programme are at times heart-rending, at other times hilarious, but always enthralling.

Without further ado, here are the films!

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Japanese Girls Never Die  「アズミ・ハルコは行方不」Dir: Daigo Matsui 2016

Japanese Girls Never Die  

japanese-girls-never-die-film-poster
japanese-girls-never-die-film-poster

アズミ・ハルコは行方不  Azumi Haruko wa yukue fumei

Running Time: 100 mins.

Director: Daigo Matsui

Writer: Mariko Yamauchi (Original Novel), Misaki Setoyama (Screenplay)

Starring: Yu Aoi, Mitsuki Takahata, Maho Yamada, Shono Hayama, Taiga, Kanon Hanakage, Ryo Kase, Motoki Ochiai, Tomiyuki Kunihiro, Akiko Kikuchi,

IMDB Website

In this film, Japanese girls are mad. Justifiably so if you look at reality. Despite Japan being a country on the bleeding edge of culture and cool, the way women are treated leaves a lot to be desired. Shinzo Abe, the current Prime Minister of Japan (I’m dating this review with a reference to him), has pledged to make Japan’s economy boom again and one of his methods is to get more women into the workplace and not just in menial positions but in leadership roles – womenomics. Rather contradictorily, he wants this whilst also trying to persuade women to boost the birthrate of a country with workplace environments that often penalise people for taking time off to look after family matters. Unfortunately, his grand plans have faltered and women still find themselves trapped in lowly positions never mind other issues such as stalkers and whatnot. Japanese Girls Never Die, based on the novel Haruko Azumi Is Missing by Misaki Setoyama, manages to tackle many issues of that women face in a bright neon blaze of righteous anger and anime-inspired visuals that will drive home the injustices that women endure.

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Japanese Films at the New York Asian Film Festival 2017

The 16th New York Asian Film Festival takes places from June 30th until July 16th. There are almost 60 films on the programme with many highlights from Hong Kong, Japan, Taiwan, China, South Korea and elsewhere. 

This year’s festival features a new Main Competition from which seven films from first- and second-time directors are receiving their Nort American premiere and the festival will honour many actors such as the Star Asia Lifetime Achievement awardee Tony Leung Ka-fai (Hong Kong).

I am interested in the Japanese films on the bill and have watched a few. All of the Japanese films screen in July and there are some really good titles on offer. Not only that but some directors and an actor will be in town. People, if you love films and want to find out more, go see Naoko Ogigami when she does her Q&A.

Here are more details (click on the titles to be taken to the festival page for the film you want to find out more about):

NYAFF 2017 OFFICIAL POSTER

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Japanese Film Festival Ireland Full Programme Line-Up

It’s 23:49 in Osaka and I want to go to sleep but I have important news! The Japan Film Festival Ireland has reached its ninth year and this year’s addition features anime, dramas, and mediums. There are 21 in all and each movie I would like to see. The screenings take place in Dundalk, Cork, Galway, Maynooth, Sligo, Limerick, Dublin, and Waterford and so people in Ireland will get to see really great examples of Japanese cinema.

Here’s the lowdown on the various films being screened. Click on the titles to be taken to the festival page which has more information:

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Japanese Films at the Rotterdam International Film Festival 2017

It’s a grey day in Osaka and pretty cold but I’m staying indoors for most of it since I am cleaning video game consoles. Anyway, The Rotterdam International Film Festival starts later this month and it features a plethora films from Japan that range from the familiar to the new, plus there’s some interesting little shorts. It’s a programme packed with Japanese films but actually using the website to find them was irritating due to the search options, the way information was hidden and the overall look. I’m not a fan. I searched for it so you don’t have to.

Enough of my whining, there are many great films on offer from Roman Porno to yakuza comedy and this is another great year for Rotterdam.

Here’s what’s on offer (click on the titles to be taken to pages with more information):

haruneko-film-imag

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