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The Blood of Wolves 孤狼の血 Dir: Kazuya Shiraishi (2018)

The Blood of Wolves      The Blood of Wolves Film Poster

孤狼の血 Korou no chi

Running Time: 126 mins.

Release Date: May 12th, 2018

Director: Kazuya Shiraishi

Writer: Junya Ikegami (Screenplay), Yuko Yuzuki (Original Novel)

Starring: Koji Yakusho, Tori Matsuzaka, Yoko Maki, Tomoya Nakamura, Pierre Taki, Shido Nakamura, Yosuke Eguchi, Renji Ishibashi,

Website IMDB

Director Kazuya Shiraishi follows his Roman Porno, Dawn of the Felines with this blistering film.

Hiroshima is a prefecture with lots of natural beauty but filmmakers do like to find drama in the dark underbelly of the place, perhaps most famously with Kinji Fukasaku’s 1970s crime film series Battles without Honour and Humanity which was based on the experiences of a post-war yakuza boss from Hiroshima. Kazuya Shiraishi takes audiences into the same world with The Blood of Wolves, a film which feels like a throwback to an earlier time due to its raw violence, emotions, and the character archetypes in play. Shiraishi is no stranger to the crime genre thanks to his previous films The Devil’s Path (2013) and Twisted Justice (2016) but this is his best crime film yet and it is all down to a magnetic performance from lead actor Koji Yakusho and his character’s no-holds barred attitude to policing.

The Blood of Wolves Film Image 6

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Dynamite Graffiti 素敵なダイナマイトスキャンダル Dir: Masanori Tominaga (2018)

Dynamite Graffiti   Dynamite Graffiti Film Poster

素敵なダイナマイトスキャンダル Suteki na Dainamaito Sukyandaru

Running Time: 138 mins.

Release Date: March 17th, 2018

Director: Masanori Tominaga

Writer: Masanori Tominaga (Screenplay), Akira Suei (Autobiographical Essay)

Starring: Tasuku Emoto, Atsuko Maeda, Toko Miura, Machiko Ono, Kazunobu Mineta, Yutaka Matsushige, 

Website IMDB

Adult magazines are big business worldwide, including in Japan where it is still possible to walk into some convenience stores and see them on open display although in the run-up to the Tokyo Olympics, this is getting cleaned up. Masanori Tominaga’s biopic Dynamite Graffiti tells the history of raunchy magazine mogul Akira Suei, starting from childhood to the peak of his infamy in the 1980s when his publications had a circulation of over 300,000 copies a month and he publicly challenged censors with his magazine’s content.

Tominaga aims big and scores some smiles with behind-the-scenes looks at the smut trade but the scale of his script’s ambitions in trying to capture changing times delivers a cast of characters who are little more than cyphers while Suei remains a joker.

Continue reading “Dynamite Graffiti 素敵なダイナマイトスキャンダル Dir: Masanori Tominaga (2018)”

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The Path Leading to Love アイニ向カッテ Dir: Kohei Takayama (2017) Osaka Asian Film Festival 2018

The Path Leading to Love

アイニ向カッテ Ai ni Mukatte

Running Time: 76 mins.

Release Date: 2018

Director: Kohei Takayama

Writer: Kohei Takayama (Screenplay),

Starring: Ippei Tanaka, Yumi Mukai, Mika Dehara, Suzuka Minagawa, Koichi Sakaguchi,

Alcohol addiction and writers go together like cookies and cream, or so it seems. The combination of self-destructive artist and liquid fire has been the subject of films like The Lost Weekend (1945), Leaving Las Vegas (1995) and works based on the life and novels of Charles Bukowski. The need to blot out reality comes from many sources and The Path Leading to Love is a quietly powerful film that shows how alcohol blights the life of someone too filled with doubt, cowardice, weakness, and selfishness to overcome it for the sake of others.

The drunk is Shosuke (Ippei Tanaka). He could be a promising manga artist but he cannot even approach the foothills of creativity because his alcoholism pushes away his desire to work. It also pushed away his ex-girlfriend Sawako and threatens his relationship with his current partner, the loyal but lovelorn Yasuko.

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An Interview with Rina Tanaka, Ryo Kato, Fixy Lee, Takehito Sato, and Kaori Takeshita, the Cast and Crew of the film “Filled With Steam” at the Osaka Asian Film Festival 2018

At the Osaka Asian Film Festival, Filled with Steam (2017) was one of the films screened at the Housen section, a place reserved for films that received support from the Housen Cultural Foundation. This organisation aims to further film study and production in graduate schools across Japan with the aim of “preserving and helping grow film culture in Japan” through funding shorts and features. This is the second year that OAFF ran a dedicated Housen section and this year there were three films, Girl Returned (2017), Protest (2016), and Filled with Steam.

Filled with Steam is a bittersweet 30-minute dramedy that details a relationship full of secrets as a woman named Midoriko (Ayako Mizuno) and her husband Daisuke (Takehito Sato) drift apart. Midoriko is visiting a pregnancy classroom run by a flamboyant teacher named Miho (Kaori Takeshita) unbeknownst to Daisuke but a series of twists forces the couple to confront the substance of their marriage. Directed by Rina Tanaka, the film displays a talented director working with great people and interesting material to make a thought-provoking human drama. It was warmly received by its audience at its world premiere at the National Museum of Art, Osaka, but questions remained for this correspondent about the use of comedy and the late-stage intervention of a baby. Fortunately. the cast and crew of the film provided answers in a group interview.

Filled with Steam Team
Fixy Lee, Takehito Sato, Rina Tanaka, Ryo Kato, KAori Takeshita

This interview was conducted after the screening with the help of Kayoko Nakanishi, a member of OAFF’s International Press team, who acted as an interpreter and got involved in the lively interview with some questions and comments due to her own enjoyment of the film. Taking part in the interview from the film’s cast and staff were the director, Rina Tanaka, a graduate with a Masters from the Tokyo University of the Arts, Film & New Media, Directing course, the actors Takehito Sato and Kaori Takeshita, the film’s writer Ryota Kato and the editor, Fixy Lee.

Continue reading “An Interview with Rina Tanaka, Ryo Kato, Fixy Lee, Takehito Sato, and Kaori Takeshita, the Cast and Crew of the film “Filled With Steam” at the Osaka Asian Film Festival 2018″

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Passage of Life  僕の帰る場所 Dir:  Akio Fujimoto (2017) Osaka Asian Film Festival 2018

Passage of Life    Passage of Life Film Poster

僕の帰る場所 「Boku no kaerubasho

Running Time: 100 mins.

Release Date: November 25th, 2017

Director:  Akio Fujimoto

Writer: Akio Fujimoto (Screenplay)

Starring: Kaung Myat Thu, Khin Myat Thu, Issace, Htet Myat Naing, Yuki Kitagawa, Kanji Tsuda,

IMDB Website

Immigration is a thorny issue the world over and Japan is not immune to it since its tough stance and refusal to take large numbers of refugees draws criticism from nations which have more open policies. Whether this criticism is fair or not is put to the side in Passage of Life, as drama trumps politics.

One of two films at the Osaka Asian Film Festival looking at the immigrant experience of people who are of Burmese extraction and living in Japan, the other being My Country, My Home, it is shot with remarkable confidence considering it is the debut feature-film from Osaka-born director Akio Fujimoto who uses a documentary film style to show the uncertainties of life as an immigrant feeling the pull of two different cultures.

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An Interview with Daisuke Miyazaki, director of “TOURISM”, at the Osaka Asian Film Festival 2018

Daisuke Miyazaki was born in 1980 in Yokohama, Kanagawa. A passion for analysing films turned into a career when he started making them while studying at Waseda University. In 2004, he participated in New York University’s summer school that took place in Japan. His thesis The 10th Room won the Christine Choi Award, which is the grand prix at the KUT Film Festival held by the NYU. His following film Love Will Tear Us Apart was invited to be a special screening at the Image Forum Film Festival 2006, which is the largest experimental film festival in Japan.

The next stage in his career was to work his way up through the film world from lighting assistant to acting as an assistant director for Kiyoshi Kurosawa on Tokyo Sonata(2008). Miyazaki’s first feature film, End of the Night (2011), was exhibited at the Montreal Festival du Nouveau Cinema International Film Festival, and received a special award at the Toronto Shinsedai Film Festival. His work on the omnibus film 5TO9 was screened at the Osaka Asian Film Festival 2016 (OAFF) and his second feature Yamato (California) was screened at OAFF 2017.

He returned to OAFF in 2018 with his latest feature film, Tourism, an amusingly hip youth movie following two Japanese girls named Nina (Nina Endo) and Su (SUMIRE) who get lost in Singapore, which was shot in the space of five days. This is the first of a planned five film run which could take Miyazaki around the world.

Daisuke Miyazaki

Miyazaki kindly took part in an interview at the ABC Hall in Osaka midway through the festival where he went into detail about the shoot and his background.

Continue reading “An Interview with Daisuke Miyazaki, director of “TOURISM”, at the Osaka Asian Film Festival 2018”

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Tourism Dir: Daisuke Miyazaki (2018) Osaka Asian Film Festival 2018

Tourism    Tourism Film Poster

Running Time: 77 mins.

Release Date: 2018

Director: Daisuke Miyazaki

Writer: Daisuke Miyazaki (Screenplay),

Starring: Nina Endo, Sumire, Takayuki Yanagi,

IMDB

Daisuke Miyazaki is fast becoming a director to watch., quickly following up his last film Yamato (California) (2017) with Tourism, the second of a two-part video installation commissioned by the ArtScience Museum in Singapore and Singapore International Film Festival for an exhibition called “Specters and Tourists”. The project aimed to explore the nature of contemporary life and an under-seen side of Singapore. Nina Endo, one of the stars of “Yamato (California)”, takes the lead role here (as well as acting as stylist and co-producer) and is paired up with SUMIRE, a popular fashion model and daughter of Tadanobu Asano, to make a cute double-act that Miyazaki sends to Singapore on a journey off the beaten track.

This story happened a while ago, in two countries on a certain planet.”

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An Interview with Anshul Chauhan, Orson Mochizuki, and Takaeshi Kawaguchi Director and Actors of “Bad Poetry Tokyo” at the Osaka Asian Film Festival 2018

Bad Poetry Tokyo (BPT) is the debut feature film from Anshul Chauhan, an animator turned indie film director. Born in India in 1986, Anshul’s main job is working as an animator in Japan. His career stretches back to 2006 with work in both TV and film and it has progressed to include some recently released major titles such as Final fantasy XV: Kingsglaive and Gantz: O. Life as a live-action director began with short films which is how he met his lead actors for BPT. With his actors lined up and having gained some experience, he finally made the leap into features with this BPT, a dark drama built around an acting tour de force from a trio of talented actors, Shuna Iijima and her co-stars, Orson Mochizuki and Takashi Kawaguchi

Continue reading “An Interview with Anshul Chauhan, Orson Mochizuki, and Takaeshi Kawaguchi Director and Actors of “Bad Poetry Tokyo” at the Osaka Asian Film Festival 2018”

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Dynamite Graffiti 素敵なダイナマイトスキャンダル Dir: Masanori Tominaga (2018)

Dynamite Graffiti   Dynamite Graffiti Film Poster

素敵なダイナマイトスキャンダル Suteki na Dainamaito Sukyandaru

Running Time: 138 mins.

Release Date: March 17th, 2018

Director: Masanori Tominaga

Writer: Masanori Tominaga (Screenplay), Akira Suei (Autobiographical Essay)

Starring: Tasuku Emoto, Atsuko Maeda, Toko Miura, Machiko Ono, Kazunobu Mineta, Yutaka Matsushige, 

Website IMDB

Adult magazines are big business worldwide, including in Japan where it is still possible to walk into some convenience stores and see them on open display although in the run-up to the Tokyo Olympics, this is getting cleaned up. Masanori Tominaga’s biopic Dynamite Graffiti tells the history of raunchy magazine mogul Akira Suei, starting from childhood to the peak of his infamy in the 1980s when his publications had a circulation of over 300,000 copies a month and he publicly challenged censors with his magazine’s content.

Tominaga aims big and scores some smiles with behind-the-scenes looks at the smut trade but the scale of his script’s ambitions in trying to capture changing times delivers a cast of characters who are little more than cyphers while Suei remains a joker.

Continue reading “Dynamite Graffiti 素敵なダイナマイトスキャンダル Dir: Masanori Tominaga (2018)”

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Bad Poetry Tokyo 東京不穏詩 Dir: Anshul Chauhan (2017) Osaka Asian Film Festival 2018

Bad Poetry Tokyo    Bad Poetry Tokyo Film Poster

東京不穏詩 Tōkyō fuon uta

Running Time: 114 mins.

Release Date: 2018

Director: Anshul Chauhan

Writer: Anshul Chauhan, Rand Colter (Screenplay), Anshul Chauhan (Original Story)

Starring: Shuna Iijima, Orson Mochizuki, Takashi Kawaguchi, Nana Blank, Kohei Mashiba, Kento Furukoshi,

Website    IMDB

Fake it till you make it. It’s a useful mantra to live by. Appear confident and people will accept it. We all do it, but every once in a while the mask will slip. What happens when you simply run out of energy to hold that mask up?

Jun Fujita (Shuna Iijima) is 30 years old. She majored in English at Tokyo University and dreams of appearing in Hollywood movies. For the time being, though, she works as a hostess at a shady club where her boyfriend Taka (Orson Mochizuki) is employed as a barman. Some of that is true, some of that is false. Life hasn’t turned out the way Jun imagined when she fled her home in Nagano Prefecture five years ago. Still, she yearns to be an actress and is about to make it when betrayed by her lover. Broken and made savage by the experience, she heads back to her sleepy countryside hometown to lick her wounds. As far as she can tell, things seemingly haven’t changed much when she first arrives and is reunited with her father and her old lover Yuki (Takashi Kawaguchi), which is a problem because there are ugly secrets about her past that made her flee in the first place.CO01_BadPoetryTokyo

The drama of Bad Poetry Tokyo opens with a sequence showing Jun perpetrating a violent attack while her narration tells us some of what has driven her to this point. It then cuts back to an earlier period of time so viewers can trace the sequence of events that has to the moment that the weight of the world has become too heavy for Jun to bear.

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