Japanese Films at the Vancouver International Film Festival 2019

Vancouver International Film Festival 2013 Logo

The Vancouver International Film Festival 2019 runs from September 26th to October 11th and it has a fantastic selection of East Asian films with one particular highlight being the HK flick, Still Human, winner of the Audience Award at this year’s Osaka Asian Film Festival. There is a nice compliment of Japanese films, three of which are found in the Gateway strand while Melancholic and Still Human are in Dragons and Tigers. Here’s the round-up of Japanese films.

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Hard-core ハード・コア Dir: Nobuhiro Yamashita (2018) [New York Asian Film Festival 2019]

Hard-core    Hardcore Film Poster

ハード・コア Ha-do Koa

Release Date: November 23rd, 2018

Duration: 124 mins.

Director: Nobuhiro Yamashita

Writer: Kosuke Mukai (Screenplay), Marley Carib Takashi Imashiro (Original Manga),

Starring: Takayuki Yamada, Takeru Satoh, YosiYosi Arakawa, Kei Ishibashi, Suon Kan, Takako Matsu, Kisetsu Fujiwara,

Website IMDB

Nobuhiro Yamashita is a director who has a particular forte for downbeat stories, whether they are slacker comedies or dramas, most of which contain misanthropic and misaligned characters who make for uncomfortable yet interesting leads (think The Drudgery Train). Here, he adapts an obscure manga from the early 90s by writer Marley Carib and illustrator Takashi Imashiro where the characters and the story are sometimes bizarre, sometimes sorrowful but secretly gentle, all of which plays out in a slow and uneven story.

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Japanese Films at the Udine Far East Film Festival 2019 (April 26th to May 4th)

The Udine Far East Film Festival 2019 runs from April 26th to May 4th and has a lot to offer audiences eager for the latest in Asian cinema. This year’s edition has a special on retrospective on Korean cinema entitled ‘100 Years Of Korean Cinema’, which has 23 films programmed, and organisers are also going to hand Hong Kong star Anthony Wong the Golden Mulberry Award for Outstanding Achievement. Two of his film, Wong’s debut My Name Ain’t Suzie (1985) and the recent Still Human (2018), will also be screened.

Indeed, there are a few films I’ve already seen as part of work in Osaka with The Crossing and Still Human being my absolute must-recommends. From Japan, there are nine films in total, a few from the festival circuit such as a collection of political dystopian tales, Ten Years Japan, and Melancholic, an acerbic workplace comedy involving onsen and contract killers.

On top of film screenings, there’s also the industry side of things and Focus Asia 2019, a section where 15 projects are mainlined for international co-productions by a group of judges, has selected two Japanese projects, the first an offshoot of Ten Years Japan, Plan 75, by Chie Hayakawa and produced by Eiko Mizuno-Gray, and the second looks totally new. The Convenience Store features the film critic Mark Schilling (Japan Times), producer Emi Ueyama (Wasted Eggs, At the Terrace) and director Satoshi Miki (Adrift in Tokyo).

That was an unwieldy paragraph. On to the trailers!

Here is what on offer:

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