Wow, I had no idea that 2020 would turn out like this when I wrote last year’s end post. We’re a few days away from the end of what has been a plague year. I almost got caught out at the start when I was in Japan and the borders were going to be closed, back at the end of March, but I escaped with the help of some friends. Since then, I have been in work on reduced duties or at home waiting to be called in for odd jobs. When not working, I was doing shopping with my mother and checking in on my grandmother.
During this time of waiting, I watched a lot of films, some as part of the Osaka Asian Film Festival, Nippon Connection, Japan Cuts and the New York Asian Film Festival, a lot just for pleasure. I took part in a physical film festival in Japan and I helped organise and execute an online film festival twice and during all of this I wrote a lot of reviews. Probably more reviews than in previous years. On top of it all, I also helped start a podcast about Asian films called Heroic Purgatory where I discuss films with fellow writer John Atom (the Christmas special is already out and the second season coming in 2021!).
When I was able to go to the cinema I watched a wide variety of things. In the UK, the last film I watched was Parasite with my mother. In Japan, I went to numerous screenings at the Osaka Asian Film Festival and an animation festival at the Yujiku Asagaya (just before Tokyo’s lockdown). At home with a lot of time on my hands I got into the cinema of Mario Bava and re-watched lots of Lucio Fulci and Dario Argento movies. I waded through hours of 70s and 80s horror movies from America and I went back to some tried and trusted Japanese classics. Most of all, I tried to get more Japanese indie films out there and so I think this is reflected in my list of top films from 2020.
Not for the faint of heart, GFP Bunny is the third film directed by media activist Yutaka Tsuchiya. Following on from his debut The New God (1999) and sophomore feature Peep “TV” Show (2003), GFP Bunny is a continuation of his exploration of alienated youth using media to shape their personalities. It finds its troubling story in a real-life criminal case from 2005 where a 16-year-old girl poisoned her mother with thallium and documented the act online.
Crowned winner of the Best Picture Award in the Japanese Eyes section of the 2012 Tokyo International Film Festival, GFP Bunny is challenging viewing in both story and style. It opens confrontationally with the stomach-churning sight of a frog being dissected before deluging audiences with scientific research, scenes of bullying and near-murder and a girl’s search for identity but, instead of a straight retelling of the case via a lurid drama or factual documentary, director Yutaka Tsuchiya opts for a metafiction that is delivered through a docu-drama format which he uses to address ideas of “Surveillance in a Marketing-orientated Society”, “Characterisation of Identity” and “Biotechnology” (Source).
I have been writing about films here for a decade and ever since I started writing badly translated synopses to highlight interesting films, I have had a list in my mind of titles that I want to watch. I add and subtract films from said list but many listed here have remained in my mind. These ten films I have never forgotten and since it has been ten years since I first started blogging, I want to make an effort and track them down to review them the next time I am in Japan. Which is… SOON!
Will I see any of these films? Who knows, but I want to watch them.
2013 has ended and I haven’t published my best ofs yet. I better start now. I have to admit that 2013 year has been rather excellent in terms of my experience with Japanese films considering I saw so many in their year of release, played a small part in helping bring one over to the UK and interviewed a few directors and yet, and yet… There were a few releases that I wish I had seen. Every trailer post always brings up a few titles I wish I could see in a cinema and so here’s a list of 14 Japanese films released in 2013 I hope I get to see in 2014!
Shin Shing Shin is a film which was directed by Kouhei Sanada who was mentored by Kiyoshi Kurosawa at the Tokyo National University of Fine Arts and Music. That same university played a massive part in another title below, Fairy Tale. The film’s title comes from a song of the same name by the folk rock band Happy End who hail from the 70’s. Is this it and it is a road movie which stars Miwako Wagatsuma who was in Sentimental Yasuko and End of Puberty and Megumi Kagurazaka who was in Cold Fish and The Land of Hope.
Tomoyuki (Ishida) is a high school student who lives with the Tekiya family, a group of strangers with no other place to go. A girl named named Yuki (Wagatsuma) joins the group but when their home is demolished they head off on a journey that leads them from town to town with no particular destination in mind.
This was a victim of my bad translation skills… The first in a long line of victims… Anyway this is written and directed by the poet Kenji Fukuma, a man with two other directorial efforts to his name – Summer for the Living (2011), which starred Saori Kohara, and My Dear Daughter of Okayama (2008). He reunites with the actress Kohara for this fantasy drama about the emotions of a 20-year-old Tokyoite which interweaves interviews, poetry and dances so that the film blurs dreams and reality.
Watashi wa Sasaki Yuki. Hatachi desu.
20-year-old Yuki Sasaki who lives by herself in Tokyo. One day she chances upon a poetry reading by poetess Yumi Fuzuki and the experiences makes her lose sight of her purpose in life. In the process, another Yuki (Kawano) appears before her. We see her reality and dreams in a series of interviews and performances like dancing and poetry that are captured on film.
This week has been very busy for me. A promotion… or maybe a sideways move between departments… at work means I get more hours at the gallery and less time watching films and anime and writing. I’d cry but it places me in the rather unique position of possibly getting sent to Japan on business… Fingers crossed, this actually works out!
I spent most of this week watching the final episodes of Red Data Girl, My Youth Rom-Com and Aku no Hana and wrote up reviews for World War Z and The Berlin File and desperately trying to whip together a review for See You Tomorrow, Everyone which is proving harder than expected. In a post film discussion with Alua and Tired Paul I was certain about what I thought but putting it into words has been tough.
What films are released today?
GFP Bunny
Japanese Title: GFP BUNNY タリウム少女のプログラム
Romaji: GFP Bunny Tariumu Shoujo no Puroguramu
Running Time: 82 mins.
Director: Yutaka Tsuchiya
Writer: Yutaka Tsuchiya
Starring: Yuka Kuramochi, Kanji Furutachi, Makiko Watanabe, Takahashi,
Trailer of the week. Heck, I’ve wanted to see this film for so long it hurts. I don’t need to see the rest. I so want to see this film and the chances of it coming to the UK seem slim but one can always hope. It sounds so twisted and it seems to push the medium plus it has some great actors. It has appeared at the Rotterdam International Film Festival which I reported on and where the following blurb comes from…
Yutaka Tsuchiya is considered one of the more interesting names amongst indie film makers in Japan and scored major kudos with his film Peep “TV” Show. He has been largely silent since then but now he has released this interestingly titled film which stars Kanji Furutachi who has appeared in trashy genre pieces like Dead Waves and great films like The Woodsman & the Rain and Dreams for Sale. He is supported by Sion Sono regular Makiko Watanabe (Himizu, Love Exposure).
Apparently based on a true story (with some key facts changed), we follow the actions of Thallium Girl (Kuramochi) who is slowly poisoning her mother with thallium and records her detached world view in her diary. It is clear she has some mental problems which are exacerbated by bullying at school. This just causes her to retreat from reality into a darker place.
Final Gintama: The Movie – Be Forever Yorozuya
Japanese Title: 劇場版 銀魂 完結篇 万事屋よ永遠なれ
Romaji: Gekijouban Kanketsuhen Yorozuya Yo Eien Nare
This is billed as the final Gintama movie. It’s based on one of those anime series that has 100+ episodes and lots of battles. Kind of like Naruto. I must admit I haven’t seen it but I’m not into shounen anime so there. Actually the setting sounds interesting – a ronin who is engaged as an odd-jobs sort of chap in Edo era Japan under alien domination. This new film is written by original manga-ka Hideaki Sorachi and directed by Yoichi Fujita, the man who handled a lot of the television episodes as well as the comedy Binbogami Ga! The seiyuu from the TV anime are returning with Tomokazu Sugita (Kyon in The Melancholy of Haruhi Suzumiya) reprising the role of Gitoki, Rie Kugimiya (Masako in Ghost Hunt) voicing Kagura and Daisuke Sakaguchi (Hyou in Mononoke) voicing Shinpachi.
The Rotterdam International Film Festival 2013 takes place from January 23rd to February 03rd. There is a fair-sized contingent of Japanese films at the Rotterdam International Film Festival. Some look absolutely brilliant (particularly GFP Bunny) and others look rather challenging!
Some, if not all but one of these have already been released in Japan and some have already had their European premieres (For Love’s Sake, 11:25) but overall it is a good line-up with a mixture of enjoyable titles and we get to see the latest titles from filmmakers like Hideo Nakata of Ringu fame and Masahiro Kobayashi who specialises in bleakies.
There is no common thread in the subject matter although two do deal directly with the March 11th disaster. The festival has proven to be the place where titles and filmmakers from Asia break out on the international stage. Will Ryutaro Ninomiya gain anything like the prominence of Kiyoshi Kurosawa? Is Yutaka Tsuchiya the next Sion Sono? Are these comparisons glib? Yes to all of them because there is a new generation of indie talent on display alongside some familiar names and it is too early to make any comparisons. So early, there are trailers and posters missing because nobody has thought to make one easily available!
Of all of the films on offer I know I’d want to see all but Japan’s Tragedy. If I had a choice of three I would settle for GFP Bunny, The Complex and 11:25 because I have not seen them and they appeal to me the most.
This indie film premiered at last year’s Vancouver International Film Festival. I am really not all that familiar with it and used the wrong Kanji when typing the title! The film deals with the loneliness felt by people in their day-to-day lives. No poster but an excerpt from the film.
The action takes place at a vending machine repair workshop in Yokohama. Yoda (Hosokawa) is the outsider there and doesn’t fit in with the other guys. As a result he gets picked on by some of the knuckleheads. The only person who goes out of his way to befriend Yoda is Sakata (Ninomiya) but this causes Yoda a degree of discomfort.
Starring: Kanji Furutachi, Makiko Watanabe, Takahashi, Yuka Kuramochi
Yutaka Tsuchiya is considered one of the more interesting names amongst indie film makers in Japan and scored major kudos with his film Peep “TV” Show. He has been largely silent since then but now he has released this interestingly titled film which stars Kanji Furutachi who has appeared in trashy genre pieces like Dead Waves and Joker Game and has appeared in major titles like My Back Page and indie films like Being Mitsuko, The Woodsman and the Rain, Dreams for Sale and Odayaka. He is supported by Odayaka co-star and Sion Sono regular Makiko Watanabe (Himizu, Love Exposure). Here is the Trailer.
Apparently based on a true story (with some key facts changed), we follow the actions of Thallium Girl (Kuramochi) who is slowly poisoning her mother with thallium and records her detached world view in her diary. It is clear she has some mental problems which are exacerbated by bullying at school. This just causes her to retreat from reality into a darker place.
It might be fair to say that Hideo Nakata has never been able to capture the same success that he had with Ringu. He has tried his hand at other genres like thrillers but he keeps returning to horror with mixed results. The only other title in his filmography that can compare to Ringu is Dark Water. The Complex sounds a bit like that film in so far as it takes place in a haunted apartment building but what else does it offer? It stars the beautiful Atsuka Maeda who is a former member of AKB48 and starred in The Drudgery Train, one of the more interesting titles released in Japan last year. Here is a CM/trailer fresh from Japanese television.
Asuka (Maeda) has moved into the Kuroyuri apartment complex. It is a place with a chequered history as mysterious deaths occurred there 13 years ago. It isn’t long before she starts hearing the sound “garigarigari” from the apartment next door where an old man lives and it isn’t long before he is found dead! This is the start of a series of horrifying events that strike the apartment. Asuka calls upon Sasahara (Narimiya), a man who cleans up the homes of the recently deceased, to help solve the mystery.
Genkinahito 