Bad Poetry Tokyo (BPT) is the debut feature film from Anshul Chauhan, an animator turned indie film director. Born in India in 1986, Anshul’s main job is working as an animator in Japan. His career stretches back to 2006 with work in both TV and film and it has progressed to include some recently released major titles such as Final fantasy XV: Kingsglaive and Gantz: O. Life as a live-action director began with short films which is how he met his lead actors for BPT. With his actors lined up and having gained some experience, he finally made the leap into features with this BPT, a dark drama built around an acting tour de force from a trio of talented actors, Shuna Iijima and her co-stars, Orson Mochizuki and Takashi Kawaguchi
The 17th edition of the New York Asian Film Festival (NYAFF) will run from June 29 – July 15, 2018 and there are 14 Japanese films programmed for the event. There are many guests arriving in New York and a real variety of films which makes the Japanese content really exciting to see.
Indeed, the Opening Night film is the North American premiere of Tominaga Masanori’s Dynamite Graffiti, an earthy dramedy about the life of Suei Akira, who is described as “Japanese porn mag king”.
Japan Cuts 2018 is due to kick off in New York soon! This is the 12th edition of the festival which screens the largest collection of contemporary Japanese films in North America. It runs from JULY 19–29 and there is everything from indies to blockbusters, anime to documentaries and short films, and lots of off-screen action like parties, live music and more over a 10-day festival.
The full list of films can be found here and some features are preceded by short films. There is an impressive list of films covering a variety of topics from refugee-life to the fight for equality by people facing discrimination due to sexual orientation, the desire to create new worlds by travelling to places mainstream films never go, to a much-anticipated adaptation of a popular manga/anime. These films are made by people from different backgrounds and the guests at the festival include a lot of female filmmakers, proving that Japan is a hotbed of talent from all sorts of places.
There will be many guests including legendary screen veteran Kirin Kiki who will receive the 2018 CUT ABOVE Award for Outstanding Performance in Film.
Here is what has been programmed!
Japanese Films at the Edinburgh International Film Festival (June 20th to July 01st) and while compared to past editions of the festivals it’s disappointing, these are two top titles the event presents probably the best chance to see them in the UK.
Here they are!
It’s the month of May!
I hope everybody is feeling top of the line!
After the chaos of April which turned out to be a bit of a Sion Sono month, I’m reaching back into March and my film work in Japan.
Thanks to the kindness of the organisers I worked at the Osaka Asian Film Festival as a writer/journalist again and I dove deep into finding out more about the Japanese indie film scene. To do this, I watched many films and interviewed directors, actors, and editors. It was a great experience meeting so many gifted people. Inspiring, uplifting, and fun!
I beat my last attempt and hit a new year’s resolution!
The Annecy International Animation Film Festival is back from June 11th to the 16th and it’s packed with anime feature films, TV anime, and conferences. The Japanese presence is heavy this year and everything looks high quality from the student works to the feature films from the likes of Naoka Yamada (A Silent Voice) and Mamoru Hosoda (The Wolf Children)! Netflix has a presence here thanks to their positive contribution to anime and it’s an exciting TV anime. The student works look equally enticing with one from Tokyo University of the Arts. I feel glad to see so much diversity in content and approach!
Here are the titles:
The Cannes Film Festival takes place between May 08th and 19th and the official selection was announced earlier today. Now, it is entirely possible that more Japanese films will be added so I’ll update this list if and when it happens.
Without further ado, here are the films!
The Udine Far East Film Festival plays from April 20th to the 28th and it is the 20th year it has been in operation. There are over 80 films programmed with a strong contingent from Japan. Also at the festival are many films from across the rest of Asia, some of which got there world premieres at the Osaka Asian Film Festival last month – No. 1 Chung Ying Street. More interestingly, there’s a celebration of Brigitte Lin so that means screenings of Chungking Express and Dragon Inn!!!!
This is a film blog dedicated to Japanese cinema so I’m covering the Japanese films now but I will endeavour to get reviews for as many of these titles as possible!
What are the Japanese films programmed for the festival?
In big news for UK anime fans, veteran writer Mari Okada will attend two screenings of her film Maquia: When the Promised Flower Blooms in April. This is a film which she wrote and directed and it is getting two special screenings ahead of a cinema release in the UK and Ireland on June 27th. Indeed, it’s her debut as a director and Okada will do a live Q&A session at both screenings so go on down to the screenings to find out how it was made and, just as importantly, to make the very talented Mari Okada feel welcome in the UK!
Here are the details:
The Japanese Film Festival Ireland is back for its 10th year and the event kicks off on April 08th and lasts until the 21st as a diverse programme of films made in Japan over the last year and a half are screened. This list features some of the best films to have been given a release including two titles by Masaaki Yuasa, the hottest talent in anime right now, and also, The Sower, a finely controlled human drama that is both beautiful and haunting. It made me cry every time I watched it. I have watched it around five times! That shows you its power!
A selection of the films will be hosted at each of the venues stretching from Cork, Galway, Limerick, Tipperary, Dublin, Sligo, Waterford and finally to Dundalk over the next month so check out the website to see which venues have which films.
Here are the films programmed:
種をまく人 「Tane o maku hito」
Running Time: 117 mins.
Release Date: 2016
Director: Yosuke Takeuchi
Writer: Yosuke Takeuchi (Screenplay)
Starring: Kentaro Kishi, Suzuno Takenaka, Tomomitsu Adachi, Arisa Nakajima, Ichika Takeuchi,
I had the pleasure of watching this as part of the Osaka Asian Film Festival where I also met its director, Yosuke Takeuchi. It’s a fine film, one of the best I have seen in recent years. Its genesis comes from the personal life of the director and also the life of Vincent van Gogh and how the artist lived a humble and naive existence to the full despite the treatment he faced from society. That story is reflected in not just one of the main characters, the titular “Sower”, but also the people around him. Through their story, a wider one about the treatment of outsiders occurs. This is a remarkable drama that I have seen five times and I am impressed by it which is why I am highlighting it as part of this festival.
Here’s my review for V-Cinema for The Sower.
Synopsis: Mitsuo was one of those brave souls who answered the call for volunteers to clear out the debris left behind by the Tohoku Earthquake and Tsunami. The strain of the task proved to be too much and he spent three years in psychiatric care. Upon his release, Mitsuo finds solace in reuniting with his brother and his nieces Chie and Itsuki. But a tragic accident soon disrupts the newly found happiness when the two girls are left in his care and Itsuki is killed. Though he had no direct involvement in the incident, Mitsuo is blamed and this causes him and the people around him to deal with the burden of guilt and the struggle for atonement.