Ushiku 牛久 Dir: Ian Thomas Ash (2021) [Yamagata International Documentary Film Festival 2021]

Ushiku

牛久 Ushiku

Release Date: N/A

Duration: 84 mins.

Director: Ian Thomas Ash

Writer: N/A

Starring: N/A

Website

Selected to play in the Perspectives Japan section of the Yamagata International Documentary Festival, Ushiku gives an alternate view of Japan by allowing people stuck in the country’s notoriously difficult refugee system a chance to speak out.

Winner of the Asian Perspective Award at DMZ Docs and Nippon Connection’s Nippon Docs Award, Ushiku is the latest documentary from Ian Thomas Ash, a Tokyo-based American filmmaker who often tackles taboo subjects – see his 2013 documentary A2-B-C about the effects of radiation on children in certain areas around Fukushima. For his latest work, he travels to the Ushiku refugee centre in Ibaraki Prefecture to get first-hand accounts from inmates who have spent years locked up in the hope that they can become part of the 0.5% of applicants who get accepted by their host nation – the lowest refugee intake out of all the G7 countries.

Continue reading “Ushiku 牛久 Dir: Ian Thomas Ash (2021) [Yamagata International Documentary Film Festival 2021]”

Alone Again in Fukushima  ナオト、いまもひとりっきり Dir: Mayu Nakamura (2021) [Yamagata International Film Festival 2021]

Alone Again in Fukushima   Alone Again in Fukushima Film Poster

ナオト、いまもひとりっきり 「Naoto, Ima mo Hitorikkiri 」

Release Date: N/A

Running Time: 95 mins.

Director: Mayu Nakamura

Writer: N/A

Starring: Naoto Matsumura, Daisuke Matsumura, Shinichi Hangai, Toshiko Hangai,

Website

“He has a heart. Only a person with a heart would do what he is doing.” I’m paraphrasing the words of Shinichi Hangai in his description of Naoto Matsumura, a former builder who, in the aftermath of the 2011 Tohoku earthquake and tsunami, stayed behind to care for Hangai’s cattle when people living in the shadow of he Fukushima nuclear reactors were ordered to evacuate. On top of farm animals, Matsumura became a guardian to a whole host of other creatures great and small in an extraordinary story of humanity in the face disaster. A decade on from the 3/11 disaster, director Mayu Nakamura releases an update on Matsumura who remained near a danger zone to continue with his selfless act.

Continue reading “Alone Again in Fukushima  ナオト、いまもひとりっきり Dir: Mayu Nakamura (2021) [Yamagata International Film Festival 2021]”

Afternoon Landscape Dir: Sohn Koo-yong (2020) South Korea [Yamagata International Documentary Film Festival 2021]

Afternoon Landscape

Release Date: N/A

Duration: 73 mins.

Director: Sohn Koo-yong

Writer: N/A

Starring: Noh Seung-hyun

Website 

Featured in Yamagata International Film Festival’s New Asian Currents program, a section dedicated to works that invite you “… to worlds captured and imagined by the filmmakers”, Sohn Koo-yong’s Afternoon Landscape draws us into scenes of a town in Seoul on a balmy summer’s day that feel they are drawn from memory.

Life moves at a quiet pace in these scenes, the settings of which feel like a suburban place as we see sleepy sun-dappled streets, riversides, small clothing stores, and more. Mountains form a backdrop for some places and there is a sense that these areas are where the city and countryside meet. The soundscape of cicadas, passing traffic, flowing water, and leaves that rustle together with every gust of wind add to the atmosphere of these slice-of-life moments which feel rife with nostalgia.

Continue reading “Afternoon Landscape Dir: Sohn Koo-yong (2020) South Korea [Yamagata International Documentary Film Festival 2021]”

Inside the Red Brick Wall 理大圍城 Dirs: Hong Kong Documentary Filmmakers (2020) [Yamagata International Documentary Film Festival 2021]

Inside the Red Brick Wall    Inside the Red Brick Wall Film Poster

理大圍城

Release Date: 2020

Duration: 88 mins.

Director: Hong Kong Documentary Filmmakers

Writer: N/A

Starring: N/A

IMDB

Winner of the 27th Hong Kong Film Critics Society prize for Best Film, Inside the Red Brick Wall is, along with Taking Back the Legislature, part of a diptych of films released by an anonymous collective known as Hong Kong Documentary Filmmakers that chart the civil unrest in Hong Kong in 2019 as people took to the streets throughout the year to protest the erosions of their democratic rights after the government revealed its Extradition Bill. The resulting pushback by the authorities grew in brutality and even lethality as the protests wore on. In one of the most infamous examples late in 2019, police lay siege to protestors who had gathered at Hong Kong Polytechnic University.

For 13 days, protestors who had gathered at the university to support the blockading of the nearby Cross-Harbour Tunnel endured police attacks that turned the environment into a veritable war zone until, amidst dwindling supplies and morale, they had to face the difficult decision of whether to hold out or face the uncertain consequences of surrendering to authorities who had been documented on social media using extreme force when arresting journalists, medics, and university staff who had earlier tried to leave. This action was caught by members of the film collective who were at the university and determined to document the experience at a time when police were preventing journalists from reporting.

Continue reading “Inside the Red Brick Wall 理大圍城 Dirs: Hong Kong Documentary Filmmakers (2020) [Yamagata International Documentary Film Festival 2021]”

Double Layered Town / Making a Song to Replace Our Positions 二重のまち 交代地のうたを編む Dirs: Haruka Komori, Natsumi Seo (2021) [Japan Cuts 2021]

Double Layered Town / Making a Song to Replace Our Positions   Nijuu no machi koutai-chi no uta o amu Film Poster

二重のまち 交代地のうたを編む Nijuu no machi koutai-chi no uta o amu

Release Date: February 27th, 2021

Duration: 79 mins.

Director: Haruka Komori, Natsumi Seo,

Writer: Natsumi Seo

Starring: Haruka Koda, Haruka Sakai, Kou Leon Yonekawa, Aoshi Miura,

Website

From an outsider’s perspective, the destruction inflicted by the 2011 Tohoku earthquake and tsunami wiped away whole towns, cities, and lives from the landscape of North East Japan. For people who lived through the disaster and remain alive, those things never disappeared, they still exist as memories underneath the changed landscape. This is the sense captured by Double Layered Town / Making a Song to Replace Our Positions, a documentary that records a workshop designed to bring out these memories.

Continue reading “Double Layered Town / Making a Song to Replace Our Positions 二重のまち 交代地のうたを編む Dirs: Haruka Komori, Natsumi Seo (2021) [Japan Cuts 2021]”

Heroic Purgatory Podcast Covers Japan Society’s Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi (June 04 – July 02)

Kazuo Hara and Sachiko Kobayashi are a husband-and-wife team of filmmakers who emerged out of the Japanese New Wave and have spent their careers documenting iconoclasts and outsiders in Japan. Their films have had a major impact on filmmakers and now audiences in North America can view them from their own homes.

From: https://www.japansociety.org/arts-and-culture/films/cinema-as-struggle-the-films-of-kazuo-hara-and-sachiko-kobayashi

On the 50th anniversary of the founding of Shisso production, Japan Society is currently screening the films of Kazuo Hara and Sachiko Kobayashi in the US (and in some cases, Canada) via their virtual cinema in a season called Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi (June 04 – July 02). This season contains many of their works (7 documentaries and 1 narrative feature) made during this period.

Thanks to the people at the Japan Society, I have been able to review the films and also talk about them on the Heroic Purgatory podcast with fellow writer, John Atom (here’s a link to his work).

In the podcast we cover each of the films in this retrospective series, starting with their first production, Goodbye CP (1972), their most famous work, The Emperor’s Naked Army Marches On (1987), the rarely-seen The Many Faces of Chika — the pair’s only narrative feature – and, briefly (very briefly because we had yet to watch it), the five-hour long MINAMATA Mandala (2020), which is currently on the festival circuit. I hope you take the time to listen to the podcast and get the chance to watch some of these films.


Here are links to where you can rent the films:

Goodbye CP    Extreme Private Eros: Love Song 1974    The Emperor’s Naked Army Marches On    A Dedicated Life     The Many Faces of Chika    Sennan Asbestos Disaster    Reiwa Uprising     MINAMATA Mandala

Here are the prices:

Rentals: $10 / 20% off members

Bundle 1: $30 / 20% off members
Includes: Goodbye CP, Extreme Private Eros: Love Song 1974, The Emperor’s Naked Army Marches On, A Dedicated Life and Sennan Asbestos Disaster – Available in the US and Canada.

Bundle 2: $20 / 20% off members
Includes: The Many Faces of Chika, Reiwa Uprising and Minamata Mandala

 

The Emperor’s Naked Army Marches On ゆきゆきて、神軍 Dir: Kazuo Hara, Producer: Sachiko Kobayashi (1987)

The Emperor’s Naked Army Marches On  The Emperor’s Naked Army Marches On Film Poster

ゆきゆきて、神軍  「Yuki yukite, shingun

Release Date: August 01st, 1987

Duration: 122 mins.

Director:  Kazuo Hara

Producer: Sachiko Kobayashi

Writer: N/A

Starring: Kenzo Okuzaki, Shizumi Okuzaki,

IMDB

The Emperor’s Naked Army Marches On is regarded as one of the finest documentaries ever made. It derives its power from its subject, a World War II veteran and political agitator named Kenzo Okuzaki who is on a quest to expose war crime by any means necessary. In his journey he ends up indicting Japanese society and its silence over the war. The idea of a documentary about him was first envisaged by Shohei Imamura but due to the refusal of television companies to touch such a controversial subject, it fell to Kazuo Hara and Sachiko Kobayashi to film it.

Continue reading “The Emperor’s Naked Army Marches On ゆきゆきて、神軍 Dir: Kazuo Hara, Producer: Sachiko Kobayashi (1987)”

Extreme Private Eros: Love Song 1974 極私的エロス 恋歌1974 Director: Kazuo Hara Producer: Sachiko Kobayashi (1974)

Extreme Private Eros: Love Song 1974    Extreme Private Eros Love Song 1974 Film Poster

極私的エロス 恋歌1974 Gokushiteki erosu renka 1974

Release Date: June 18th 1972

Duration: 98 mins.

Director: Kazuo Hara

Producer: Sachiko Kobayashi

Writer: N/A

Starring: Miyuki Takeda, Sachiko Kobayashi, Kazuo Hara

IMDB

Released two years after Goodbye CP, Extreme Private Eros: Love Song 1974 finds Kazuo Hara turning the camera on his own life by filming Miyuki Takeda, a radical feminist, the mother of his son, and his ex-wife. Hara narrates this documentary, which he describes as an attempt to stay connected to Takeda, and films her in intimate situations to work through his unresolved feelings, going so far as to invite his collaborator/girlfriend Sachiko Kobayashi as an actor used to stimulate drama.

Once again using a handheld camera and black-and-white film, Hara spent periods from 1972 to 1974 documenting Takeda’s life as she moves from Tokyo to Okinawa with their infant son, embarks upon relationships with a woman named Sugako and then a Black American G.I. with whom she gets pregnant, then returns to Tokyo to give birth in Hara’s apartment completely unassisted.

Continue reading “Extreme Private Eros: Love Song 1974 極私的エロス 恋歌1974 Director: Kazuo Hara Producer: Sachiko Kobayashi (1974)”

Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi (June 04 – July 02) – View Ground-breaking Documentaries via Japan Society

Currently underway at the Japan Society is a season of films made up of the works of Kazuo Hara and Sachiko Kobayashi, all of which can be streamed in the US (and in some cases, Canada) via their virtual cinema.

From: https://www.japansociety.org/arts-and-culture/films/cinema-as-struggle-the-films-of-kazuo-hara-and-sachiko-kobayashi

Kazuo Hara and Sachiko Kobayashi are a husband-and-wife team of filmmakers who emerged out of the Japanese New Wave.

Hara started out as photographer with an interest in disability after working at a school for disabled children. Kobayashi was an aspiring screenwriter living with the effects of polio. They met when Hara had his first photographic exhibition in Ginza in 1969 with the subject being the pupils at the school he worked at. Their relationship grew quickly from being acquaintances to becoming artistic collaborators with the founding of Shisso production and the making of their first film – with Hara as director and Kobayasi as producer – before culminating in their marriage in 1973.

Influenced by the social unrest at the time and inspired by New Wave figures such as Shohei Imamura and Nagisa Oshima, Hara and Kobayashi began to explore the lives of the underprivileged and iconoclasts through deeply humanist and challenging documentaries done in cinema vérité style. Their films are a realm where the camera not only documents what is going on but also acts as a tool to render their subject more open to intimate involvement with the filmmakers. The end result is that the “protagonists” expose their private lives in moments that move the film away from any sense of objectivity and moral judgements. Boundaries of various kinds disappear and viewers are left with a document that is quite revealing on both a personal and societal level but also challenging in how we regard the subjects and their position in society.

The film of Hara and Kobayashi have gone on to be highly regarded around the world with many documentary filmmakers citing them as inspirations. To understand the impact of their works, Japan Society has put together a career-spanning online retrospective that celebrates the 50th Anniversary of the founding of Shisso Productions. This retrospective series includes nearly all of the pair’s films, starting with their first production, Goodbye CP (1972) and culminating in their latest, MINAMATA Mandala (2020).

Highlights include The Emperor’s Naked Army Marches On, which follows a veteran named Kenzo Okuzaki who enlists his wife and some others to join him in a crusade to expose war crimes that took place in World War II; Extreme Private Eros: Love Song 1974 sees Hara turn the camera on his own life and document the fallout of his marriage/divorce with radical feminist, Miyuki Takeda; and the rarely-seen The Many Faces of Chika—the pair’s only narrative feature. Also featured are their most recent works such as Reiwa Uprising, which charts the political fortunes of candidates in a newly established leftist political party, and MINAMATA Mandala, which was shot over 15 years and documents the legal and medical battles endured by the residents of Minamata, a city where some of the populace suffered the infamous neurological disease due to industrial wastewater from a chemical factory causing severe mercury poisoning.

In order to get a better sense of the season, the curator, K. F. Watanabe, gave an interview.

Continue reading “Cinema as Struggle: The Films of Kazuo Hara and Sachiko Kobayashi (June 04 – July 02) – View Ground-breaking Documentaries via Japan Society”

Keep Rolling 好好拍電影 Dir: Man Lim Chung (2020) [Osaka Asian Film Festival 2021]

Keep Rolling    Keep Rolling Film Poster

好好拍電影

映画をつづける Eiga o tsuzukeru

Release Date: 2020

Duration: 111 mins.

Director: Man Lim-chung

Writer: N/A

Starring: Ann Hui, Andy Lau, Tsui Hark, Sylvia Chang,

IMDB   OAFF Link

Compared to fellow Hong Kong auteurs like John Woo, Tsui Hark, and Wong Kar-wai, Ann Hui’s name isn’t as well known but this veteran filmmaker has quietly created a catalogue of varied works that have made her one of the most acclaimed directors in the world. Her most recent success is being a recipient of the Golden Lion for Lifetime Achievement at the 2020 edition of the Venice International Film Festival where her latest film Love After Love played. This accolade comes after a four decade career that has notable achievements such as winning Best Director at the Golden Horse Awards three times and Best Director at the Hong Kong Film Awards six times. With more film projects on the horizon, she shows no signs of slowing down despite the fact that she has reached the age of 73. Trying to get a handle on such a career is intimidating but the biographical documentary Keep Rolling provides the perfect entry into the life of Ann Hui.

Continue reading “Keep Rolling 好好拍電影 Dir: Man Lim Chung (2020) [Osaka Asian Film Festival 2021]”