Han Gong-Ju (2013)

Han Gong-Ju   Han Gong-Ju Film Poster

Release Date: April 17th, 2015 (KOR)

UK Release Date: April 13th, 2015

UK Distributor: Third Window Films

Running Time: 112 mins.

Director: Lee Sujin

Writer: Lee Sujin (Screenplay),

Starring: Chun Woo-Hee, Jung In-Sun, Kim So-Young, Lee Young-Ran,

Han Gong-Ju is the name of the main character. She is the beautiful girl with the tear-filled eyes staring out at us rather challengingly from the film poster and DVD case. It is a startling and intriguing look loaded with mystery and fright. Why is she crying? It makes you wonder and want to find out about why she is so upset, naturally, and the film takes advantage of this to tell a story of a girl recovering from a horrific incident and striving to survive in a society that constantly threatens her and lets her down because of her gender and lack of money.

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Third Window Films Release Han Gong-Ju

Third Window Films are all set to release the Korean film Han Gong-Ju on April 13th and I am excited because the reviews I have seen are positively glowing! I must admit that I have been in a bit of a slump when it comes to Korean films but I am anticipating this one being great and have watched a few recent releases so expect a review or two!

 Here’s the info on the DVD/Blu-Ray release of Han Gong-Ju:

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Mother

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Mother           Mother Korean Film Poster

Running Time: 128 mins.

Release Date: May 28th, 2009

Director: Bong Joon-Ho

Writer: Bong Joon-Ho, Park Eun-Kyo (Screenplay),

Starring: Kim Hye-Ja, Won Bin, Jin Goo, Yoon Je-moon, Jeon Mi-Sun, Chun Woo-Hee

Bong  Joon-Ho is about to make a return to the screen with his latest title Snowpiercer (2012) ¹ which is great because he is a highly talented director.

I first got to know him when BBC Four screened Memories of Murder (2003), a stunning and troubling (although still blackly comic at points) film about a bungled police investigation into a series of gruesome rapes and murders. The film also had something to say on the changing politics of a Korea shaking off authoritarian governments.

I next saw his impressive monster movie The Host (2006). The film was an unconventional movie for its genre in the sense that its focus was less about monsters and more politicised in that rather Korean way since it was about a family with its protagonists facing unsympathetic authorities and American interference as well as the beast.

Mother followed three years later earning rave reviews and even attaining the cover on Sight & Sound in the UK. Bong Joon-Ho twists a genre again to create a satisfyingly complex film.

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