Japanese Films at the Cannes Film Festival 2018 Review Round-Up: Mamoru Hosoda’s “Mirai”

Mamoru Hosoda’s new Mirai no Mirai (Mirai of the Future) was screened at Cannes in the Directors’ Fortnight section and it took a while for a bunch of reviews to be published online but they are there to be discovered and they are all full of praise for the film.

Mirai

Mirai of the Future Film Image

Mirai of the Future    Mirai of the Future Film Poster

未来のミライ Mirai no Mirai

Running Time: 100 mins.

Release Date: July 20th, 2018

Director:  Mamoru Hosoda

Writer: Mamoru Hosoda (Screenplay/Original Work)

Starring: Haru Kuroki (Mirai-chan), Moka Kamishiraishi (Kun-chan), Gen Hoshino (Father), Koji Yakusho (Father), Kumiko Aso (Mother), Mitsuo Yoshihara (Mysterious Man), Yoshiko Miyazaki (Grandmother)

Animation Production: Studio Chizu

Website ANN MAL

Synopsis: A family living in a small house in a corner of a Yokohama dotes on a spoiled four-year-old boy named Kun-chan. When he gets a little sister named Mirai, he feels that his new sister stole his parents’ love from him. Jealousy and resentment well up until he meets an older version of Mirai, who has come from the future and takes him on an adventure.

As previously written, great plaudits for the film. Universal praise. A lot of focus is placed on Hosoda’s own experiences of being a father in a family where a newborn girl took the attention of the parents away from the elder sibling, a boy, and this dose of reality gives the story its hearty content.  

…Hosoda turns life lessons into an exuberant and enriching story full of intriguing ideas…

…From the very start Hosoda nails the chaos and pure joy of family life.” Katherine McLaughlinSciFiNow

Films based on families are what Hosoda tends to do and he tends to mix human drama with the fantastical to make it palatable. There were unconventional families showing the dedication and beauty of personal connections in Wolf Children, Summer Wars, and The Boy and the Beast. The film is closer to The Girl Who Leapt Through Time since it has time-travel with a coming-of-age story and we have time-travel again with all the familiar themes.

Once Hosoda’s fantastical premise kicks in, Mirai unfolds into an episodic, almost plotless story of a child finding their place in the world, and discovering the responsibilities and relationships that help make up their developing identity.” Michael Leader – Little White Lies

The story sounds simple enough and easy to dive into, much like Hosoda’s other films. The real richness comes from the characters and family dynamics.

The film gets praise for its character design/animation as well as the design of locations such as the house. It shows the care and attention that Hosoda typically puts into his films. The Girl Who Leapt Through Time and Summer Wars really capture the imagination with their locations which are so rich with details, well, I have tried on a number of occasions hunting down an old post from a blogger which went into detail about specific rooms and the symbolism of decorations.

“…the character design walks the line with grace between big-eyed anime cutesiness and closely observed realism, capturing with insightful wit the way dogs and kids move and wiggle, especially given the fact that they have different centers of gravity compared to adults. There are also some finely timed slapstick moments, and altogether, the story lasts a comparatively sprightly and pleasant 98 minutes, displaying a brevity that would serve more cartoons from the region well.” Leslie FelperinThe Hollywood Reporter

This film is going to be good!

Hirokazu Kore-eda wins the Palme d’Or for “Shoplifters” at Cannes 2018

Hirokazu Kore-eda won the Palme d’Or at the 71st Cannes Film Festival for his latest film, Shoplifters.

Hirokazu Koreeda Cannes 2018 Shoplifters Palme d'or
(Photo by Arthur Mola/Invision/AP)

Congratulations, Hirokazu Kore-eda!

This was his fifth time in the competition section and his win marks, to quote the critic Peter Debruge over at Variety,

“just the second time this century that an Asian film has claimed the festival’s top prize (the other being Apichatpong Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives” in 2010).”

This latest drama features an unconventional family living happily together on the margins of Japanese society through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. It marks yet another film where Kore-eda has worked with child actors and got amazing results as the different reviews have pointed out (round-up of reviews post).

Cate Blanchett, the Cannes Jury president said, “We were completely bowled over by ‘Shoplifters.’ How inter-meshed the performances were with the directorial vision”.

The film has already been picked up for US distribution thanks to Magnolia Films. The company’s president, Eamon Bowles said,

“In a long career of incredible peaks, Hirokazu Kore-eda has delivered one of his best works. ‘Shoplifters’ is an incredible story that deals with familial bonds in a way I’ve never seen before”. SOURCE

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Japanese Films at the Cannes Film Festival 2018 Review Round-Up: Ryusuke Hamaguchi’s “Asako I & II”

Making his Cannes debut is Ryosuke Hamaguchi who came to the world’s attenton with his five hour film Happy Hour (2015) which took a top prize at the Locarno Film Festival. Here, he adapts

Asako I & II

Asako I and II Film Image

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Japanese Films at the Cannes Film Festival Review Round-Up: Hirokazu Kore-eda’s “Shoplifters”

There is a small selection of Japanese films at the Cannes Film Festival 2018 with two in the Competition section. The biggest name is Hirokazu Kore-eda who has appeared at Cannes six times in the Competition and Un Certain Regard sections, picking up the Jury Prize for Like Father, Like Son (2013). Due to his focus on families in films like I Wish (2011) and Our Little Sister (2015), he is often called the Ozu of modern Japanese cinema by critics and this one features an unconventional family by normal Japanese standards since it features a group of people living happily together on the margins through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. So, what are the highlights of the reviews?

SHOPLIFTERS

Shoplifters Film Image 2

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