The 57th BFI London Film Festival is running from Wednesday 09th October to Sunday 20th October, a mere week after the end of the Raindance Film Festival. The London Film Festival programme was announced earlier today and the Japanese selection is rather good. The big news for me is that Sion Sono’s latest film, Why Don’t You Play in Hell? has been selected to play! Other entries include Yuya Ishii’s Great Passage and Hirokazu Koreeda’s Like Father, Like Son. The latter was probably the most obvious choie for inclusion but it’s great to see Ishii getting noticed.
Here are the films (click on the titles for more info like dates and times):
Why Don’t You Play in Hell?
Japanese Title: 地獄 で なぜ 悪い Why Don’t You Play in Hell?
Romaji: Jigoku de Naze Warui Why Don’t You Play in Hell?
Running Time: 126 mins
Director: Sion Sono
Writer: Sion Sono (Screenplay),
Starring: Jun Kunimura, Shinichi Tsutsumi, Fumi Nikaido, Tomochika, Hiroki Hasegawa, Kotou Lorena, Gen Hoshino, Tak Sakaguchi
Why Don’t You Play in Hell? is coming to the UK? OHMYGOD! YES! SONOOOOOO is here and the day is won. So does this prove that if I cry loud enough and often enough about something, some big festival will pick it up? Because I posted about three different versions of the trailer before it was screened at Venice and then Toronto and finally London. I’m a Sion Sono fan and while I may not be the most eloquent, handsome or talented, I at least try to keep track of what he’s doing and covering his titles so it’s gratifying to see that in the year of release I get to see it and on the big screen. I get to see the blood slide on screen!
He has had a short run of issue films. The critically lauded Himizu and The Land of Hope are serious dramas that look at the after-effects of the Tohoku Earthquake and Tsunami and radiation in Japan. Now he’s back making entertainment films like Love Exposure and Strange Circus , films that play with cinematic techniques, genre tropes, the audience and are bloody fun. The festival page has this descriptive line: “ingenious slice of high-octane insanity that is both a fresh take on the yakuza film and an affectionate tribute to the death of celluloid.” It forgot to mention the blood slide and the fact it’s probably God-tier entertainment as other reviewers have noted. Check out Bonjour Tristesse’s coverage of the critical reaction from the Venice Film Festival for more. Let’s go!
Muto (Kunimura) and Ikegami (Tsutsumi) are rival gangsters who despise each other especially since Muto’s wife Shizue (Tomochika) butchered a boss in Ikegami’s gang. She gets sent to prison and jeopardises her daughter’s acting career. Ten years later and days before Shizue is due to be released, Muto is desperate to make his daughter a big-screen star and recruits Koji (Hoshino), a timid passer-by who is mistaken for being a film director.
When dealing with gangsters you don’t mess about so Koji gets a cinephile friend named Hirata (Hasegawa) who dreams of being a movie director and has a ragtag film crew named The Fuck Bombers. Hirata seizes his chance and loses his mind as he casts Mitsuko in a fictional gang war but it soon goes wrong when it turns real.
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