Genkina hito’s Top Ten Films of 2017

Welcome to my top ten films of 2017.

The Long Excuse Mistress

LAst year was dominated by work/fun at two festivals. There was the Osaka Asian Film Festival at the start of the year while I was in Japan and the Kotatsu Japanese Animation Festival 2017 during the autumn when I returned to the UK. Both experiences were great because I got to do what I love the most, writing about films. I also got to work with some really great people and made friends. I have to say thank you to all of them. I hope these people stay with me. As far as I’m concerned, they have my loyalty for what it’s worth. Once I got back from Japan, I made sure to take my family to see as many films as possible. Going to the cinema was something we already did as a family but spending more time together is important. As a result of all this activity, I saw lots of films this year. Due to the type of films I cover or circumstances or pure choice, I flit between years so not everything has been released in 2017. Here’s an article on VCinema I contributed to about a year in cinema and here are my top ten for 2017:

I hope you discover something in this list that interests you.

I’ve updated my Top Ten Films page for these entries.

FINAL JUSTICE

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A Room of Her Own – Rei Naito and Light あえかなる部屋 内藤礼と、光たち Dir: Yuko Nakamura (2016)

A Room of Her Own – Rei Naito and Light   

A Room of Her Own – Rei Naito and Light Film Poster
A Room of Her Own – Rei Naito and Light Film Poster

あえかなる部屋 内藤礼と、光たち「ae ka naru Heya Naitō Rei to, kotachi

Running Time: 87 mins.

Director: Yuko Nakamura

Writer: N/A (Screenplay),

Starring:  Rei Naito, Hina Yukawa, Ran Yaniguchi, Keiko Oyama, Kyoko Tanaka,

Website IMDB

Art is life and life is art. That sounds like hyperbole but Yuko Nakamura’s documentary, A Room of Her Own – Rei Naito and Light, takes a look at a remarkable artist’s extraordinary installation work which uses light and delicate objects to make life-affirming works that give insight into the world and human existence. Again, sounds like hyperbole but this film is inspirational in the way its shot and reveals a lot about its subject even if she remains a mysterious figure.

Nakamura takes audiences to the genesis of this project, when she learned she would have to support her terminally ill mother. While contemplating how to look after her parent and feeling the serious weight of her connection, she took a trip to Teshima Art Museum, on an island in the Seto Inland Sea, and she encountered an integrated artwork named “Matrix” by architect Ryue Nishizawa and artist Rei Naito (more info). The visit was a profound moment that gave Nakamura an insight into life but how to explain it? How to understand it? How to understand the artist, Rei Naito? A film had to be made.

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Japan Cuts 2016 Preview

Japan Cuts 2016 Banner

Japan Cuts 2016 takes place from July 14th to the 24th and there are lots of familiar titles, many of which I’ll put as shorter entries to save space. However you cut it the line-up is really good with a diverse mixture of genres and stories. The guestlist is absolutely fantastic with the likes of Lily Franky, Atsuko Maeda, Ryuichi Sakamoto, Sion Sono, and so many more talented filmmakers descending upon the festival! Here’s hoping Adam Torel of Third Window Films gets to attend the festival to introduce three films he has helped come into being. There’s also Japan Cuts Microcinema which sees some of the best short films from the last ten years played throughout the festival. Each film lasts around 30 minutes and people can jump in and watch whichever title takes their fancy between films. There’s also an interesting talk which analyses the Japanese film industry and how films get made.

What is on the programme, then? This is a quick preview but there’s a lot. I’ll break it down into sections and you can view trailers and more details for each on the films by clicking on the links:

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