“No idea’s original, there’s nothing new under the sun. It’s never what you do, but how it’s done,” Nas from the album Best of Nas
While every country around the world has its organised crime gangs, few hold the level of mystique and infamy that Japan’s Yakuza does. Their style, codes, hierarchies, history, and their full-body tattoos have long been the subject of books, video games, news articles, and films to the point that they have become part of global popular culture. In Japan, many directors have either worked in the genre of used elements of it in their own films. Consequently, unless a director has a strong story, style, or philosophy, films based on the nefarious activities of Japan’s criminal underworld have a have a feel of deadened familiarity. This familiarity was not what I felt when watching JOINT.
JOINT tells the story of a guy trying to get clear of the criminal underworld but getting caught up in a gang war. While its story has many plot points familiar from other films, the realistic way it is shot, the details in the narrative and the performances of its cast created an atmosphere that was unlike many other contemporary Japanese crime films and so it felt different. More importantly, the atmosphere was so strong it made the film gripping and I felt that I was taken into a different world, one better reflective of Japanese criminal gangs operating today. It’s pretty remarkable considering that JOINT is the debut feature of director Oudai Kojima.
Born in Kobe in 1994, Oudai Kojima is a director, cinematographer, and editor who makes music videos, commercials, and, now, fiction films. He was raised in New York from the age of 3 to 13. After returning to Japan he studied architecture at the University of Tokyo. His entry into the film world began by studying under filmmaker Tomokazu Yamada for a year and a half before he began production on JOINT, his debut feature. I saw it when it was played at the Osaka Asian Film Festival 2021. He kindly took part in an email interview where he answered questions about his background, the work put in to JOINT to create its realistic atmosphere, and how he got such convincing performances from his cast.
My questions were translated into Japanese by Takako Pocklington while director Kojima answered in both English and Japanese.
The Japanese transcript is first and it is followed by English. Click on a link below to be taken to one or the other.
Japanese | English
Continue reading “An E-mail Interview with Oudai Kojima, Director of JOINT [Osaka Asian Film Festival 2021]”