Japanese Films at the New York Asian Film Festival (June 29 – July 15)

The 17th edition of the New York Asian Film Festival (NYAFF) will run from June 29 – July 15, 2018 and there are 14 Japanese films programmed for the event. There are many guests arriving in New York and a real variety of films which makes the Japanese content really exciting to see.

Indeed, the Opening Night film is the North American premiere of Tominaga Masanori’s Dynamite Graffiti, an earthy dramedy about the life of Suei Akira, who is described as “Japanese porn mag king”.

Dynamite Graffiti Film Image

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A Preview of Japan Cuts 2018 (JULY 19–29)

Japan Cuts 2018 is due to kick off in New York soon! This is the 12th edition of the festival which screens the largest collection of contemporary Japanese films in North America. It runs from JULY 19–29 and there is everything from indies to blockbusters, anime to documentaries and short films, and lots of off-screen action like parties, live music and more over a 10-day festival.


The full list of films can be found here and some features are preceded by short films. There is an impressive list of films covering a variety of topics from refugee-life to the fight for equality by people facing discrimination due to sexual orientation, the desire to create new worlds by travelling to places mainstream films never go, to a much-anticipated adaptation of a popular manga/anime. These films are made by people from different backgrounds and the guests at the festival include a lot of female filmmakers, proving that Japan is a hotbed of talent from all sorts of places.

There will be many guests including legendary screen veteran Kirin Kiki who will receive the 2018 CUT ABOVE Award for Outstanding Performance in Film.

Here is what has been programmed!

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Bad Poetry Tokyo 東京不穏詩 Dir: Anshul Chauhan (2017) Osaka Asian Film Festival 2018

Bad Poetry Tokyo    Bad Poetry Tokyo Film Poster

東京不穏詩 Tōkyō fuon uta

Running Time: 114 mins.

Release Date: 2018

Director: Anshul Chauhan

Writer: Anshul Chauhan, Rand Colter (Screenplay), Anshul Chauhan (Original Story)

Starring: Shuna Iijima, Orson Mochizuki, Takashi Kawaguchi, Nana Blank, Kohei Mashiba, Kento Furukoshi,

Website    IMDB

Fake it till you make it. It’s a useful mantra to live by. Appear confident and people will accept it. We all do it, but every once in a while the mask will slip. What happens when you simply run out of energy to hold that mask up?

Jun Fujita (Shuna Iijima) is 30 years old. She majored in English at Tokyo University and dreams of appearing in Hollywood movies. For the time being, though, she works as a hostess at a shady club where her boyfriend Taka (Orson Mochizuki) is employed as a barman. Some of that is true, some of that is false. Life hasn’t turned out the way Jun imagined when she fled her home in Nagano Prefecture five years ago. Still, she yearns to be an actress and is about to make it when betrayed by her lover. Broken and made savage by the experience, she heads back to her sleepy countryside hometown to lick her wounds. As far as she can tell, things seemingly haven’t changed much when she first arrives and is reunited with her father and her old lover Yuki (Takashi Kawaguchi), which is a problem because there are ugly secrets about her past that made her flee in the first place.CO01_BadPoetryTokyo

The drama of Bad Poetry Tokyo opens with a sequence showing Jun perpetrating a violent attack while her narration tells us some of what has driven her to this point. It then cuts back to an earlier period of time so viewers can trace the sequence of events that has to the moment that the weight of the world has become too heavy for Jun to bear.

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Yosuke Takeuchi Interview at the Osaka Asian Film Festival 2018

Yosuke Takeuchi is an award-winning independent filmmaker based in Japan. Born Yosuke Takeuchiin 1978, he graduated from Shibaura Institute of Technology in 2000 and, in 2002, went to France to learn painting. In 2003, his work won the Jury’s Special Award at the exhibition of the Academie de Port-Royal before he took to travelling to various places in Europe and Africa. In 2004, Takeuchi returned to Japan and started his career as a filmmaker, debuting with Segutsu which was nominated for the Short Shorts Film Festival in Tokyo in 2008. His short film Katsuko won the Associate Grand Prix at the Mito Short Film Festival and his screenplay for People’s Vanity won an award at a contest for new writers in 2012.

His time in Paris proved to be very influential since it was there that he first encountered the works of Vincent van Gogh and was inspired by them. That inspiration went into The Sower, his first feature film which transplanted aspects of the tragic artist into characters seen on the screen and tackled issues surrounding mental illness. Made in 2016, this drama has been screened at Nippon Connection 2017 as well as the 57th Thessaloniki Film Festival where it won Takeuchi the Best Director award as well as netting the Best Actress award for its young lead Suzuno Takenaka. It received its Japan Premiere at the 2018 Osaka Asian Film Festival which is where this interview took place.

This interview was conducted with the help of the interpreter Mana Kukimoto, a volunteer at the Osaka Asian Film Festival whose help proved important for the development of the conversation that took place.

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Japanese Films at the Edinburgh International Film Festival 2018

Party Round the Globe Film Image

Japanese Films at the Edinburgh International Film Festival (June 20th to July 01st) and while compared to past editions of the festivals it’s disappointing, these are two top titles the event presents probably the best chance to see them in the UK.

Here they are!

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A Preview of Nippon Connection 2018

NC18_animation_The Night Is Short Walk on Girl_504

The 18th edition of the Nippon Connection Film Festival (NCFF) runs from May 29th to June 03rd in Frankfurt am Main and it continues to be the biggest and best event to see Japanese films in the world. That’s no exaggeration because it has more than 100 short and feature length films ranging from documentaries to anime to indie films and there will be an incredible slate of supporting programmes aimed at a wide range of people. Not only that, there will be many Japanese and international filmmakers, musicians, and artists travelling to the event as guests who will introduce their works and talk about films. This year’s guest of honour is the renowned actress Shinobu Terajima who will receive the NIPPON HONOR AWARD 2018.

There are lots of films programmed and just as many events and with so much to see, I’ll try and cover everything in one post. To find out more about a film, click on section titles to be taken to the festival page. Here are some highlights of what’s on offer:

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Osaka Asian Film Festival 2018 Round-Up

It’s the month of May!

I hope everybody is feeling top of the line!

After the chaos of April which turned out to be a bit of a Sion Sono month, I’m reaching back into March and my film work in Japan.

Thanks to the kindness of the organisers I worked at the Osaka Asian Film Festival as a writer/journalist again and I dove deep into finding out more about the Japanese indie film scene. To do this, I watched many films and interviewed directors, actors, and editors. It was a great experience meeting so many gifted people. Inspiring, uplifting, and fun!

I beat my last attempt and hit a new year’s resolution!

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Japanese Films at Annecy International Animation Film Festival 2018

Annecy 2018 Banner

The Annecy International Animation Film Festival is back from June 11th to the 16th and it’s packed with anime feature films, TV anime, and conferences. The Japanese presence is heavy this year and everything looks high quality from the student works to the feature films from the likes of Naoka Yamada (A Silent Voice) and Mamoru Hosoda (The Wolf Children)! Netflix has a presence here thanks to their positive contribution to anime and it’s an exciting TV anime. The student works look equally enticing with one from Tokyo University of the Arts. I feel glad to see so much diversity in content and approach!

Here are the titles:

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