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An Interview with Moët Hayami, director of “Kushina, what will you be” at the Osaka Asian Film Festival 2018

Moët Hayami is an indie filmmaker who was born in Shiga Prefecture. She began her career by graduating from Ritsumeikan University’s visual department and Waseda University graduate school. Since then, she has worked on many films and commercials in different positions from production design/management, art direction, costume design, and as an assistant director. Projects include West North West (2015), directed by Takuro Nakamura, and Ryutaro Nakagawa’s award-winning film Summer Blooms (2017). She has written and directed shorts of her own and with Kushina, what will you be she has made her debut feature film.

Kushina tells the story of the inhabitants of a village of women hidden from the world in a forest somewhere in Japan. Their peaceful existence is disturbed when an idealistic anthropologist (Yayoi Inamoto) arrives and becomes attached to a girl named Kushina (Ikumi Satake). This connection deepens making tensions rise between Kushina’s mother Kagu (Tomona Hirota) and her grandmother Onikuma (veteran actress Miyuki Ono) who disagree over the future of the girl.

(from left) FUJIWARA Eri (藤原絵里), INAMOTO Yayoi (稲本弥生), ONO Miyuki (小野みゆき), HIROTA Tomona (廣田朋菜), Director: HAYAMI Moët (速水萌巴)

The film received its world premiere at the Osaka Asian Film Festival 2018 where it went on to win the Japan Cuts Award. The interview took place after the first screening.

The penultimate question features a bit of a mood spoiler so consider skipping it to get the maximum emotional punch.

Continue reading “An Interview with Moët Hayami, director of “Kushina, what will you be” at the Osaka Asian Film Festival 2018″

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Hirokazu Kore-eda wins the Palme d’Or for “Shoplifters” at Cannes 2018

Hirokazu Kore-eda won the Palme d’Or at the 71st Cannes Film Festival for his latest film, Shoplifters.

Hirokazu Koreeda Cannes 2018 Shoplifters Palme d'or
(Photo by Arthur Mola/Invision/AP)

Congratulations, Hirokazu Kore-eda!

This was his fifth time in the competition section and his win marks, to quote the critic Peter Debruge over at Variety,

“just the second time this century that an Asian film has claimed the festival’s top prize (the other being Apichatpong Weerasethakul’s “Uncle Boonmee Who Can Recall His Past Lives” in 2010).”

This latest drama features an unconventional family living happily together on the margins of Japanese society through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. It marks yet another film where Kore-eda has worked with child actors and got amazing results as the different reviews have pointed out (round-up of reviews post).

Cate Blanchett, the Cannes Jury president said, “We were completely bowled over by ‘Shoplifters.’ How inter-meshed the performances were with the directorial vision”.

The film has already been picked up for US distribution thanks to Magnolia Films. The company’s president, Eamon Bowles said,

“In a long career of incredible peaks, Hirokazu Kore-eda has delivered one of his best works. ‘Shoplifters’ is an incredible story that deals with familial bonds in a way I’ve never seen before”. SOURCE

Continue reading “Hirokazu Kore-eda wins the Palme d’Or for “Shoplifters” at Cannes 2018″

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Nomitori Samurai, Mori, The Artist’s Habitat, SUKITA: The Shoot Must Go On, Kamen Rider Amazons the Movie: The Last Judgement, Godzilla: City on the Edge of Battle, Gifted Freeman and Milk Selling Woman, Kokoro no furusato aru wansei no ayunde kita michi, Samurai and Idiots: The Olympus Affair, Mabuigumi New Caledonia hikisakareta iminshi, No Place to Return Japanese Film Trailers

Happy Weekend, people!

Shoplifters Film Image 2

I spent this week writing when I said I wouldn’t because I need to focus on learning Japanese. I rounded up the better reviews of the Japanese films at the Cannes film festival with Ryusuke Hamaguchi’s Asako I&II and Hirokazu Kore-eda’s Shoplifters and I’m waiting for reviews of Mamoru Hosoda’s latest feature, Mirai to be published so I can collect them in one post. I also posted a preview of Nippon Connection 2018. I also posted my review of Kushina which was originally published on V-Cinema. My review for the film, Goodbye Silence was published on V-Cinema as well. Right, I’ll be doing work for some classes I have to deliver late next week!

What’s released this weekend?

Continue reading “Nomitori Samurai, Mori, The Artist’s Habitat, SUKITA: The Shoot Must Go On, Kamen Rider Amazons the Movie: The Last Judgement, Godzilla: City on the Edge of Battle, Gifted Freeman and Milk Selling Woman, Kokoro no furusato aru wansei no ayunde kita michi, Samurai and Idiots: The Olympus Affair, Mabuigumi New Caledonia hikisakareta iminshi, No Place to Return Japanese Film Trailers”

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A Preview of Nippon Connection 2018

NC18_animation_The Night Is Short Walk on Girl_504

The 18th edition of the Nippon Connection Film Festival (NCFF) runs from May 29th to June 03rd in Frankfurt am Main and it continues to be the biggest and best event to see Japanese films in the world. That’s no exaggeration because it has more than 100 short and feature length films ranging from documentaries to anime to indie films and there will be an incredible slate of supporting programmes aimed at a wide range of people. Not only that, there will be many Japanese and international filmmakers, musicians, and artists travelling to the event as guests who will introduce their works and talk about films. This year’s guest of honour is the renowned actress Shinobu Terajima who will receive the NIPPON HONOR AWARD 2018.

There are lots of films programmed and just as many events and with so much to see, I’ll try and cover everything in one post. To find out more about a film, click on section titles to be taken to the festival page. Here are some highlights of what’s on offer:

Continue reading “A Preview of Nippon Connection 2018”

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Japanese Films at the Cannes Film Festival 2018 Review Round-Up: Ryusuke Hamaguchi’s “Asako I & II”

Making his Cannes debut is Ryosuke Hamaguchi who came to the world’s attenton with his five hour film Happy Hour (2015) which took a top prize at the Locarno Film Festival. Here, he adapts

Asako I & II

Asako I and II Film Image

Continue reading “Japanese Films at the Cannes Film Festival 2018 Review Round-Up: Ryusuke Hamaguchi’s “Asako I & II””

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Japanese Films at the Cannes Film Festival Review Round-Up: Hirokazu Kore-eda’s “Shoplifters”

There is a small selection of Japanese films at the Cannes Film Festival 2018 with two in the Competition section. The biggest name is Hirokazu Kore-eda who has appeared at Cannes six times in the Competition and Un Certain Regard sections, picking up the Jury Prize for Like Father, Like Son (2013). Due to his focus on families in films like I Wish (2011) and Our Little Sister (2015), he is often called the Ozu of modern Japanese cinema by critics and this one features an unconventional family by normal Japanese standards since it features a group of people living happily together on the margins through a mixture of grit and graft. Initially a gentle and heartwarming film, the tone changes as it shines a light on the failings of society and individuals. So, what are the highlights of the reviews?

SHOPLIFTERS

Shoplifters Film Image 2

Continue reading “Japanese Films at the Cannes Film Festival Review Round-Up: Hirokazu Kore-eda’s “Shoplifters””

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KUSHINA, what will you be クシナ Dir: Moët Hayami (2018) Osaka Asian Film Festival 2018

KUSHINA, what will you be

クシナ Kushina

Running Time: 68 mins.

Release Date: 2018

Director: Moët Hayami

Writer: Moët Hayami (Screenplay),

Starring: Miyuki Ono, Tomona Hirota, Yayoi Inamoto, Ikumi Satake, Suguru Onuma,

Website

Director Moët Hayami’s Kushina received its world premiere at the Osaka Asian Film Festival 2018 where it won the Japan Cuts award, an accolade given to films that display a unique vision. It was a well-deserved win because it is a drama put together with such profound vision and dedication that it creates a world wholly different from what many people will expect from Japanese cinema and features a beautifully realised tale about three women fighting over the fate of a pure girl.

Continue reading “KUSHINA, what will you be クシナ Dir: Moët Hayami (2018) Osaka Asian Film Festival 2018”

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The Blood of Wolves, Sweating the Small Stuff, Summer Blooms, Garden in Movement, Mifune: The Last Samurai, Hiragana Danshi – Prelude -, Kamen Rider Amazons Season 2 the Movie: Reincarnation, Kujira no Shima no Wasuremono, Love x Doc, Kuchisan, Technology, SHOOT X Spiritual Game, Butterfly Sleep, Last Hold!, Clingy Girlfriend Japanese Film Trailers

Happy weekend!

Night Working Film Image

I hope everyone is well!

I’m in work but I have an art talk at an embassy to attend in London on Monday which is my next day off. I’m putting the finishing touches to a review and studying Japanese regularly. This week I posted reviews for Night Working and Filled with Steam here and Jimami Tofu over at V-Cinema. The Cannes film festival has kicked off and there are a lot of interesting titles to read about once the reviews come through.

What’s released this weekend in Japan?

Continue reading “The Blood of Wolves, Sweating the Small Stuff, Summer Blooms, Garden in Movement, Mifune: The Last Samurai, Hiragana Danshi – Prelude -, Kamen Rider Amazons Season 2 the Movie: Reincarnation, Kujira no Shima no Wasuremono, Love x Doc, Kuchisan, Technology, SHOOT X Spiritual Game, Butterfly Sleep, Last Hold!, Clingy Girlfriend Japanese Film Trailers”

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Filled with Steam 湯気満ちて Dir: Rina Tanaka (2017) Osaka Asian Film Festival 2018

Filled with Steam

湯気満ちて Yuge michite

Running Time: 30 mins.

Release Date: 2017

Director: Rina Tanaka

Writer: Ryota Kato (Screenplay),

Starring: Ayako Mizuno, Takehito Sato, Yoko Kakegawa, Shigeru Harihara, Hisato Hayashi, Kaori Takeda,


And oh, after the love has gone

How could you lead me on

And not let me stay around?

Oh, after the love has gone

What used to be right is wrong

Can love that’s lost be found?

AFTER THE LOVE IS GONE / Earth,Wind & Fire

Filled with Steam is one of the latest works by Rina Tanaka, an up-and-coming filmmaker with a Masters from Tokyo University of the Arts, Film & New Media’s Directing course who already has a feature film to her name and is developing a distinct style. With this short, audiences at the Osaka Asian Film Festival 2018 got to taste her sensibility, which favours creating ambiguity through the use of clashing tones. Here we see quite a clash. Filled with Steam is a tale of love on life-support featuring a visceral undercurrent of tragedy masked by comedic elements that culminates in a powerful ending.

Continue reading “Filled with Steam 湯気満ちて Dir: Rina Tanaka (2017) Osaka Asian Film Festival 2018”

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Night Working 夜間勤務 Dir: Kim Jung-eun (2017) Osaka Asian Film Festival 2018

Night Working

夜間勤務 Yakan kinmu

Running Time: 27 mins.

Director: Kim Jung-eun

Writer: Kim Jung-eun (Screenplay),

Starring: Sreng Vuchny, Kim Yae-eun, Gil Hae-yeon,

The Osaka Asian Film Festival is a fun event to attend and also serves as a highly informative window into migration of Asians around the world. One short film that really struck a chord with me was Night Working (2017). Set in Korea, it takes two women, Lyn, a young Cambodian migrant worker, and a working-class Korean named Yeonhee, and shows how the youthful generation are facing the same hardships and have the same desires and are looking for hope elsewhere.

Their stories are told with simplicity and heartfelt kindness through mirroring and parallelism of lives and actions. Both work the night shift at a small port-side factory in Incheon. They are trying to earn as much money as possible to send back to their families and better their lives.

Narration from a letter Lyn is in the process of writing to her mother opens the film along with scenes of her daily life and as she narrates we see how she overcame initial fears of being alone and established a bond with Yeonhee and we get a lovely shot of them cycling to work during the onset of dusk.

Night Working Film Image2

The story shows the friendship the two have built and how, for Lyn, her shared sense of kinship with the seemingly confident Yeonhee helps her cope with their boss’ unfair treatment at work. Lyn is in a stable place. Lyn is happy. This connection means a lot. All she wants is simple. She tells Yeonhee:

“I want to go to the sea. With you.”

Continue reading “Night Working 夜間勤務 Dir: Kim Jung-eun (2017) Osaka Asian Film Festival 2018”