As a horror film fan, Mai Nakanishi is talking my language. When I first saw HANA at Osaka Asian Film Festival 2019, it stood out to me as an expertly crafted minimalist horror film given depth by having a subtext about motherhood and career pressure. When news of her latest film came to me, I was very much excited at the prospect of seeing more of her work and that work is… SWALLOW
SWALLOW is Nakanishi’s sophomore short film where the rivalry between two actresses culminates in them attending a banquet which one believes holds the promise of providing food that can sustain her youth. Underneath a bit of body horror lies a satire of our beauty-obsessed world which drives women to pursue youth and good looks at any cost. Expertly shot, this Taiwan-set film features an exquisite horror atmosphere of lavish sets drenched in red and a gripping short character study brought to life by excellent dialogue and performances.
This is just the next step for Nakanishi who has worked in various roles, including as an assistant director for Eric Khoo and as a producer on the Japanese segments for the horror anthology ABCs of DEATH 2. Most tellingly, she is a founder and director of Scream Queen FilmFest Tokyo, an event which champions horror movies from a female perspective.
In the run-up to SWALLOW playing at forthcoming Skip City D-Cinema Festival, both online (July 21 – 27) and also on site (Convention Hall – 7/18, 13:50 – and the Audio Visual Hall – 7/22, 11:0o), as well as playing online at the Bucheon International Fantastic Film Festival (July 07-17). She generously allowed me the chance to watch her latest work and interview her about her fascination with horror, life after HANA, and the making of SWALLOW in Taiwan during Covid conditions, and much more.
Thanks for allowing me to watch “SWALLOW”. I was really impressed by “HANA” – congratulations on “Hana” winning the Goule D’or Directors Award at the 2019 Portland Horror Film Festival and Best Short Film at the 2018 Monsters of Film in Sweden! – and I was intrigued to find out where your career would go next, especially because I am also a fan of horror films. “SWALLOW” is your second work and it has won an award already – at the Tampere Film Festival 2022 where it won a Special Mention in the Generation XYZ competition – so congratulations go out for that, too!
I’m grateful to get the chance to interview you and have a number of questions.
Looking at your career, horror films are your chosen metier. What inspired you to become a filmmaker and why focus on horror movies?
I actually started my career in film business with experiences ranging from marketing, programming and acquisitions of films for pay-TV broadcaster and international sales and acquisitions for film distribution companies. I’ve only been involved in filmmaking since 2013, where I had the opportunities to work with international genre stalwarts as a producer, assistant director and assistant production designer and before I knew it, I was directing “HANA”.
I’ve been a huge of fan of the horror genre since I was small. There are many great horror films containing hidden subtext and relevant social commentary beneath the thrills and scares which fascinate me.