Ryushi Lindsay (website) is an Anglo-Japanese filmmaker working in both Japan and the UK. He currently has two very different films on the festival circuit, the experimental documentary Kokutai (2019) and the drama Idol (2020). The former’s examination of baseball is delivered with a more expressionistic quality created by the rigorous use of formalist aspects of film while the latter is more naturalistic with carries a critique of social conditions in Japan as well as the idol industry. It is clear that underlying it all is a keen awareness of the world which is refreshing to see and engaging to view. Lindsay took the time to answer questions via email about his background, his inspirations as a filmmaker, his motivation for making Kokutai, and the many ideas and collaborations that went into making Idol.