Noriko Yuasa is a director who hails from Okayama, Japan. She graduated from Tokyo Metropolitan University with a BA in Architecture before she entered Kinoshita Production, in 1999, to train as a TV Drama Director. In 2013, she went freelance as a director/producer and, since then, she has worked in both TV drama and film, specializing in project planning, directing and producing.
2015 saw her make her theatrical feature film debut, Udagawacho de matteteyo (Wait in Udagawacho), a romance which was released nationwide. This was followed by a brace of short films which showed growing confidence in her visual storytelling and approach to narrative construction, starting with Looking For My Sunflowers (2014), a story of a salaryman experiencing a shot of nostalgia in his hometown. This was followed by Girl, Wavering (2015), which used contrasting colours and poetic imagery to initiate severe tonal changes in a dramatic story of a high school girl’s life. The next film, Ordinary Everyday (2017), was a psychological horror set in downtown Tokyo that used visual and aural tricks like suddenly swathing the screen in vibrant colours to create an off-kilter atmosphere with ambiguous threats that burst out in a bonkers climax.
Yuasa’s works all feature vibrant use of colors and this factors in with her latest work, Coming Back Sunny, a short film about first love as experienced by a color-blind schoolgirl which pops and fizzes with different colors that are used to emotionally expand the story. Yuasa recently raised funds through Kickstarter to help pay for festival fees to bring the film to more audiences around the world but this campaign came at the start of the Covid-19 crisis which saw film production and exhibition around the world postponed, cancelled or forced to go online. This was something of an unprecedented event for the global film industry and so, this interview, conducted by email, was a chance to talk about the film as well as find out how the crisis has affected Yuasa’s project, and the importance of festivals.
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