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Hana Dir: Mai Nakanishi (2018) Osaka Asian Film Festival 2019

Hana    Hana Film Poster

Running Time: 13 mins.

Release Date: 2019

Director: Mai Nakanishi

Writer: Mai Nakanishi (Screenplay), 

Cinematography: Jun-sang Lee 

Starring: Jeong-bi Lee, Hee-Jin Jean, Do-Eun Kim,

Website IMDB

This is a re-write of my review that was published on V-Cinema a month ago. Corrections and a bit more thoughtful analysis were made as well as references to favourite directors. I want to see more from Mai Nakanishi.

Hana is a Korea-Japan co-production from newbie director Mai Nakanishi. Originally from Tokyo, she has spent much of her career abroad working in various roles on a wide range of international projects including working as an assistant director for Eric Khoo and as producer for Sion Sono. Nakanishi has also worked as producer on the Japanese segments for the horror anthology ABCs of DEATH 2. Most tellingly, she is a founder and director of Scream Queen FilmFest Tokyo, the only female-centric genre film festival in Asia. In short, she is a horror fan, and when she was selected by the Busan International Film Festival to be a fellow at the Asian Film Academy 2016, she produced this short film under the mentorship of the world-renowned Taiwanese master Tsai Ming-Liang. The final product is very much rooted in horror, her favourite playground, and is an effective short.

A home is a reflection of who lives there and how it is decorated and lived in says a lot about a person and how they want to shape their lives (which is why it can be terrifying entering one if you stop and think about it long enough). Couple that idea with the existential one of how we can never truly know another person, pressures and desires and all, then someone seemingly normal can actually be stranger than imagined which is what happens in this neat horror short.

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