It has been a while since I last did a review round-up of any festival but fellow cinephile and Twitter-user FelixAguirre regularly collects links to reviews and alerts them to me and with such a treasure-trove of opinions from the most recent Cannes Film Festival on offer, I’d be mad to turn them down. Following on from Blade of the Immortal, Radiance, and Before We Vanish is…
It has been a while since I last did a review round-up of any festival but fellow cinephile and Twitter-user FelixAguirre regularly collects links to reviews and alerts them to me and with such a treasure-trove of opinions from the most recent Cannes Film Festival on offer, I’d be mad to turn them down. Following on from Blade of the Immortal and Before We Vanish is…
The 2017 edition of JAPAN CUTS, is the 11th since the creation of the festival and it takes place from July 13th to the 23rd.
It is one of the best places not in Germany (Nippon Connection) or Holland (Camera Japan) to see the latest and most interesting contemporary films with experimental indies programmed alongside big-budget titles, as well as documentaries, shorts and recently restored classics. Not only is this a place to view films, the festival also hosts special guest filmmakers and stars, post-screening Q&As, parties and more. I have covered it in the past to help people get in contact with great films and this year’s edition has lots of great titles on offer that show the diversity of talents operating in the country and reveal that, contrary to what I have felt recently, the Japanese film industry has the potential to tell more than the same stories over and over (if only Japanese financiers could see beyond adapting manga and anime and take risks). Here’s more from the organisers of the festival:
“For ten years, JAPAN CUTS’ richly diverse slates have offered audiences a window into the breadth and depth of contemporary Japanese cinema. This eleventh installment of JAPAN CUTS presents a wide-ranging selection of films across each programming section that reveal the multiplicity of identities and layers of culture that shape Japanese film today—including international co-productions and adaptations, new LGBTQ cinema, female directors, and deeply relevant histories of WWII and nuclear trauma.”
I have pulled together a preview of the full line-up from old previews I have written and from the festival’s website to show potential audience members that there is so much worth going to see. Thanks go out to the people at Japan Society New York for making things a easier and creating the event!
I hope this helps inform you about the films and inspires you to go and see some and if you do, please come back and tell me what you think. You might also want to check out the Japanese films screening at the New York Asian Film Festival. After a long period of writing news stories, I will be writing reviews for various films that have screened and will be screening at various festivals and ones in my collection.
Here’s the full line-up:
The Annecy International Film Festival is one of the biggest animated film festival in the world and anime have taken top awards in this year’s edition. The “Cristal for a Feature Film” award went to Masaaki (Mind Game, Tatami Galaxi, Ping Pong the Animation) Yuasa’s Lu Over the Wall.
It has been a while since I last did a review round-up of any festival but fellow cinephile and Twitter-user FelixAguirre regularly collects links to reviews and alerts them to me and with such a treasure-trove of opinions from the most recent Cannes Film Festival on offer, I’d be mad to turn them down. Following on from Blade of the Immortal and Radiance is…
Before We Vanish
The 16th New York Asian Film Festival takes places from June 30th until July 16th. There are almost 60 films on the programme with many highlights from Hong Kong, Japan, Taiwan, China, South Korea and elsewhere.
This year’s festival features a new Main Competition from which seven films from first- and second-time directors are receiving their Nort American premiere and the festival will honour many actors such as the Star Asia Lifetime Achievement awardee Tony Leung Ka-fai (Hong Kong).
I am interested in the Japanese films on the bill and have watched a few. All of the Japanese films screen in July and there are some really good titles on offer. Not only that but some directors and an actor will be in town. People, if you love films and want to find out more, go see Naoko Ogigami when she does her Q&A.
Here are more details (click on the titles to be taken to the festival page for the film you want to find out more about):
The Barbican’s exhibition about Japanese homes and domestic architecture, The Japanese House: Architecture and Life after 1945, began on March 23rd and it finishes on June 25th with this special film which is one of Ozu’s earliest and his held in high regard by film critics.
Actually, every film screening has been well-picked and seems well-placed to compliment the exhibition by giving a myriad of stories connected to the Japanese home and show different living environments. The films that have been screened so far are Princess Kaguya, An Autumn Afternoon, Woman in the Dunes, The Crazy Family, Whisper of the Heart, and Only Yesterday. The final film is Yasujiro Ozu’s 1932 black-and-white silent film I Was Born, But… and it will be screened on June 25th at 16:00. What makes this screening even more special is that there will be benshi at the screening.
Here is the information:
The 2017 edition of the Edinburgh International Film Festival takes place from June 21st until July 02nd and the films have been announced. There is a mix of titles that give a good indication of what is happening with the Japanese film industry – the best film is an anime, all the rest are adaptations of books and familiar stories.
Here’s what’s on offer.
Running Time: 110 mins.
Director: Sunao Katabuchi
Writer: Sunao Katabuchi (Screenplay), Fumiyo Kono (Original Creator)
Animation Production: MAPPA
Starring: Rena Nounen (Suzu Urano), Daisuke Ono (Akira), Mayumi Shintani (San), Shigeru Ushiyama (Entaro), Megumi Han (Sumi), Minori Omi (Michiko), Natsuki Inaba (Harumi), Yoshimasa Hosoya (Shuusaku),
This is the UK premiere of an award-winning film that I had the pleasure of seeing in Hiroshima, the setting for part of the film, a couple of months ago. It took the Animation of the Year award at the 40th annual Japan Academy and I am not surprised since it is a beautiful and stately film about an absent-minded artistic young woman trying to survive the hardship of war. I wasn’t the only one impressed since the film won the Hiroshima Peace Film Award at the Hiroshima International Film Festival in November last year and the film magazine Kinema Jump named it the best Japanese movie of 2016 and it awarded Katabuchi the Best Director Award.
The film was orchestrated by Sunao Katabuchi who directed the awesome Mai Mai Miracle and the TV anime Black Lagoon. It was animated by the studio MAPPA (Shingeki no Bahamut: Genesis, Terror in Resonance).
Synopsis: Suzu Urano is a Hiroshima girl from a close-knit family but when she marries a naval officer, she has to move from Hiroshima City to Kure, the city which launched the battleship Yamato and the site of one of Japan’s largest naval bases. As a new housewife, she encounters uncertainty in her new family, her new city, and her new world but she perseveres and finds happiness even as the war grinds on and comes closer to home.
The Barbican is running an exhibition about Japanese homes and domestic architecture called The Japanese House: Architecture and Life after 1945. It began on March 23rd and lasts until June 25th. There will be films screened as part of the exhibition. I’ve already written about Princess Kaguya, An Autumn Afternoon, Woman in the Dunes, and Sogo Ishii’s (now known as Gakuryu Ishii) The Crazy Family. The most recent film was Studio Ghibli’s 1995 title Whisper of the Heart and Ghibli leads the way again with Only Yesterday which will be screened on June 24th at 16:00.
Here is the information:
It has been a while since I last did a review round-up of any festival but fellow cinephile and Twitter-user FelixAguirre regularly collects links to reviews and alerts them to me and with such a treasure-trove of opinions from the most recent Cannes Film Festival on offer, I’d be mad to turn them down. First up…