Japanese Title: リアル 完全なる首長 竜の日
Romaji: Riaru Kanzen’naru Shuchou Ryuu no Hi
Release Date: June 01st, 2013 (Japan)
Running Time: 127 mins.
Director: Kiyoshi Kurosawa
Writer: Kiyoshi Kurosawa (Screenplay), Rokuro Inui (Original Novel)
Starring: Takeru Sato, Haruka Ayase, Jo Odagiri, Miki Nakatani, Shota Sometani, Keisuke Horibe, Kyoko Koizumi, Keisuke Horibe, Yuki Kan
Ramble alert (I ramble because I love the subject!)
I am a big Kiyoshi Kurosawa fan. Massive. I have pretty much bought and reviewed most of his major titles available in the west and not one of them disappointed me. His critically acclaimed drama Tokyo Sonata I consider one of the most important films I have ever seen while I think highly of his divisive experimental film Bright Future. I really love his J-horror like Cure and Retribution which run along more fiendishly intelligent and psychologically disturbing lines than your average horror movie. Even films he rejects I find a lot to like about! Each title contains his unique aesthetics and deliberate approach to his subject matter. I am really excited about 2013 because he has a new film getting a release in Japan and the UK gets two of his 90’s crime thrillers thanks to Third Window Films.
Colour me happy when I caught a new trailer and teaser for his latest film Real. It is a title with a sci-fi edge that reminds me a little of Inception what with its concept of entering a person’s subconscious, tilting camera angles, fantasy creatures, gravity defying stationary and ruined coastal town (Atsumi’s mind is the scene of the crime!). This also looks like a really big-budget title which is something Kurosawa tends not to handle but his critical cachet has never been higher. Check out the trailer!
Here is a shorter teaser released a bit earlier. It’s more action packed:
Koichi (Sato) and Atsumi (Ayase) are childhood friends who have become lovers. Despite this closeness when Atsumi attempts suicide Koichi is at a loss as to what the reason that drove her to do such a thing could be. Now she is in a coma and Koichi needs to find out the reason. Since Koichi is a neurosurgeon he has access to the latest studies and so he takes part in a medical procedure that will allow him to enter Atsumi’s subconscious through her central nervous system.
When he arrives she asks him to find a picture of a plesiosaur she drew as a child. It is the key to a suppressed memory connected to a childhood trauma. Finding this picture will allow Koichi to truly get close to knowing his love.