The Rotterdam International Film Festival 2013 takes place from January 23rd to February 03rd. There is a fair-sized contingent of Japanese films at the Rotterdam International Film Festival. Some look absolutely brilliant (particularly GFP Bunny) and others look rather challenging!
Some, if not all but one of these have already been released in Japan and some have already had their European premieres (For Love’s Sake, 11:25) but overall it is a good line-up with a mixture of enjoyable titles and we get to see the latest titles from filmmakers like Hideo Nakata of Ringu fame and Masahiro Kobayashi who specialises in bleakies.
There is no common thread in the subject matter although two do deal directly with the March 11th disaster. The festival has proven to be the place where titles and filmmakers from Asia break out on the international stage. Will Ryutaro Ninomiya gain anything like the prominence of Kiyoshi Kurosawa? Is Yutaka Tsuchiya the next Sion Sono? Are these comparisons glib? Yes to all of them because there is a new generation of indie talent on display alongside some familiar names and it is too early to make any comparisons. So early, there are trailers and posters missing because nobody has thought to make one easily available!
Of all of the films on offer I know I’d want to see all but Japan’s Tragedy. If I had a choice of three I would settle for GFP Bunny, The Complex and 11:25 because I have not seen them and they appeal to me the most.
Here are the films on offer!
Japanese Title: 魅力 の 人間
Romaji: Miryoku no Ningen
Running Time: 89 mins.
Director: Ryutaro Ninomiya
Writer: Ninomiya Ryutaro
Starring: Yoshitaka Hosokawa, Ryutaro Ninomiya, Kensuke Ashihara, Daisuke Udagawa, Keisuke Minakawa, Takuya Makino
This indie film premiered at last year’s Vancouver International Film Festival. I am really not all that familiar with it and used the wrong Kanji when typing the title! The film deals with the loneliness felt by people in their day-to-day lives. No poster but an excerpt from the film.
The action takes place at a vending machine repair workshop in Yokohama. Yoda (Hosokawa) is the outsider there and doesn’t fit in with the other guys. As a result he gets picked on by some of the knuckleheads. The only person who goes out of his way to befriend Yoda is Sakata (Ninomiya) but this causes Yoda a degree of discomfort.
Japanese Title: GFP BUNNY タリウム少女のプログラム
Romaji: GFP Bunny Tariumu Shoujo no Puroguramu
Running Time: 82 mins.
Director: Yutaka Tsuchiya
Writer: Yutaka Tsuchiya
Starring: Kanji Furutachi, Makiko Watanabe, Takahashi, Yuka Kuramochi
Yutaka Tsuchiya is considered one of the more interesting names amongst indie film makers in Japan and scored major kudos with his film Peep “TV” Show. He has been largely silent since then but now he has released this interestingly titled film which stars Kanji Furutachi who has appeared in trashy genre pieces like Dead Waves and Joker Game and has appeared in major titles like My Back Page and indie films like Being Mitsuko, The Woodsman and the Rain, Dreams for Sale and Odayaka. He is supported by Odayaka co-star and Sion Sono regular Makiko Watanabe (Himizu, Love Exposure). Here is the Trailer.
Apparently based on a true story (with some key facts changed), we follow the actions of Thallium Girl (Kuramochi) who is slowly poisoning her mother with thallium and records her detached world view in her diary. It is clear she has some mental problems which are exacerbated by bullying at school. This just causes her to retreat from reality into a darker place.
Japanese Title: クロユリ 団地
Romaji: Kuroyuri Danchi
Running Time: N/A
Director: Hideo Nakata
Writer: Hideo Nakata, Junya Kato, Ryuta Miyake
Starring: Atsuka Maeda, Hiroki Narimiya
It might be fair to say that Hideo Nakata has never been able to capture the same success that he had with Ringu. He has tried his hand at other genres like thrillers but he keeps returning to horror with mixed results. The only other title in his filmography that can compare to Ringu is Dark Water. The Complex sounds a bit like that film in so far as it takes place in a haunted apartment building but what else does it offer? It stars the beautiful Atsuka Maeda who is a former member of AKB48 and starred in The Drudgery Train, one of the more interesting titles released in Japan last year. Here is a CM/trailer fresh from Japanese television.
Asuka (Maeda) has moved into the Kuroyuri apartment complex. It is a place with a chequered history as mysterious deaths occurred there 13 years ago. It isn’t long before she starts hearing the sound “garigarigari” from the apartment next door where an old man lives and it isn’t long before he is found dead! This is the start of a series of horrifying events that strike the apartment. Asuka calls upon Sasahara (Narimiya), a man who cleans up the homes of the recently deceased, to help solve the mystery.
Japanese Title: 日本 の 悲劇
Romaji: Nihon no Higeki
Running Time: 101 mins.
Director: Masahiro Kobayashi
Writer: Masahiro Kobayashi
Starring: Tatsuya Nakadai, Shinobu Terajima, Kazuki Kitamura, Akemi Ohmori
Japan’s Tragedy looks like the ultimate bleakie. The film’s synopsis reads like an absolute misery-fest and the black and white imagery looks gruelling as opposed to attractive. It deals with dark subject matter from disease to the March 11th earthquake and tsunami and it is directed by Masahiro Kobayashi whose last film, Women on the Edge also involved the repercussions of said disaster. He is not one to shrink from tough subject as proven with the film that allowed him a degree of international recognition Bashing which followed the homecoming of a Japanese hostage released by terrorists in Iraq. He has worked with great Japanese actors like Teruyuki Kagawa (Key of Life, Tokyo Sonata), Shinobu Terajima (The Millennial Rapture, Vibrator), Ryo Ishibashi (Audition, Suicide Club, Koroshi), Makiko Watanabe (Love Exposure) and Nene Otsuka (The Foreign Duck, the Native Duck). No trailer but shaky footage from a recent festival screening.
Fujio Murai (Nakadai) is unemployed and a widower. Although living with his son Yoshio (Ohmori) life seems bleak as he has been diagnosed with lung cancer and Yoshio’s wife and daughter have not been seen since the 2011 earthquake. Fujio decides to lock himself in his room and mummify himself. Trapped in the room, he thinks back over the course of his life.
Japanese Title: 愛 と 誠
Romaji: Ai to Makoto
Running Time: 134 mins.
Director: Takashi Miike
Writer: Takayuki Takuma (script), Ikki Kajiwara (manga)
Starring: Satoshi Tsumabuki, Emi Takei, Takumi Saito, Sakura Ando, Ito Ono, Tsuyoshi Ihara, Kimiko Yo, Ken Maeda, Yo Hitoto, Masachika Ichimura
For anybody who has not seen For Love’s Sake, they are in for a treat as it is one of the most enjoyable films released last year. Miike brings a satirical touch to the much loved and classic fighting youth/romance story Ai to Makoto, using kitschy but infectious 70’s pop and his exuberant visual style and brand of highly dark humour to make a rich treat for the senses. It is packed with brilliant performances from the entire cast with Satoshi Tsumabuki wowing as the delinquent youth Makoto and getting brilliant support from Ando, Ihara and Saito. As my review showed I was wowed by it. If you need relief from all of the serious subject matter then this is the one for you.
1972, Tokyo, Ai Satome(Takei) is an angelic high school student who comes from a respectable family. She leads a charmed life until Makoto Taiga (Tsumabuki), the boy who stole Ai’s heart as a child and an ultra-delinquent, arrives in Tokyo to settle a score from his past. He soon gets arrested after a rumble with some local toughs and is sent to reform school. Ai is still in love with Makoto and manages to get him released. She brings him to Aobodai Prep School where she studies. Ai’s love for Makoto inspires jealousy in Iwashimizu (Saito), the President of the Student Council, who loves Ai. Soon Makoto is sent to Hanazono Trade School where girl gang leader Ango Gumko (Ando) and Yuki, a “sad chick”, soon develop feelings for him. With Makoto in the centre of this tangled web of love things get extremely complicated and melodramatic.
Japanese Title: １１. ２５自決の ひ 三島 由紀夫 と 若者 たち
Romaji: 11.25 Jiketsu no Hi: Mishia Yukio to Wakamono-Tachi
Running Time: N/A
Director: Koji Wakamatsu
Writer: Masayuki Kakegawa
Starring: Arata, Shinnosuke Mitsushima, Tasuku Nagaoka, Takatsugu Iwama
Koji Wakamatsu is one of the big figures of Japanese cinema but he tragically died last year. This is a politically charged movie which tackles the writer, critic, and nationalist Yukio Mishima. The film screened at Cannes in the Un Certain Regard category and managed to collect mixed reviews but it should be worth going to see one of the last few films from an important voice in Japanese cinema.
Taking place in 1960’s Japan at a time when economic growth sky-rocketed but the nation was wracked by political turmoil and social changes from sexual liberation to student riots over individual’s rights and the US military presence in Japan, author and intellectual Yukio Mishima was a major voice, a nationalist who espoused traditional values based on the Bushido code while having a controversial private life. He and his militia will attempt a coup d’Etat by taking a military commander hostage.
Japanese Title: おだやか な 日常
Romaji: Odayaka na Nichijou
Running Time: 102 mins.
Director: Nobuteru Uchida
Writer: Nobuteru Uchida (Script),
Starring: Kiki Sugino, Yukiko Shinohara, Takeshi Yamamoto, Ami Watanabe, Ami Watanabe, Yu Koyanagi, Makiko Watanabe, Maho Yamada, Susumu Terajima, Maki Nishiyama, Kotaro Shiga, Kanji Furutachi, Yuko Kibiki, Yuya Matsumura, Kan Takashima, Eriko Oguchi,
This is the second film which uses the March 11th earthquake and tsunami as part of its story and was originally released at the end of last year. It follows Women on the Edge (a Masahiro Kobayashi film which also has Makiko Watanabe), The Ear Cleaner and The Land of Hope (Sion Sono). It is written and directed by Nobuteru Uchida (Love Addiction).
Saeko (Sugino) and Yukako (Shinohara) are neighbours in a Tokyo apartment complex. Following the March 11th Tohoku Earthquake and Tsunami both find their lives affected by newfound fears. Saeko is undergoing a divorce and fears her daughter may get radiation exposure. Yukako also fears the radiation and asks her husband to move. When Saeko saves Yukako from suicide, the two become close.