Girls for Keeps, Kotsutsubo, My House, Still Human Beings Trailers and Japanese box-office Charts

The Cannes film festival is winding down and critical responses have been mixed for Japanese films. Abbas Kiarostami’s latest film, Like Someone in Love, has had praise for the performances of the actors (particularly the gorgeous Rin Takanashi) but the story with its ambiguous ending has upset many. Thankfully Takashi Miike rescued proceedings with Ai to Makoto. Also flying the flag for Japan was Koji Wakamatsu with his Mishima biopic which has garnered a good review (more on that tomorrow).  I also had the pleasure of seeing the Olympic Flame pass by and managed to get a picture of the young lady carrying it. And all of the sponsors. And the Metropolitan Police Escort.

What is dominating the Japanese movie box-office charts?

1.  Dark Shadows
2.  Thermae Romae
3.  Sadako 3D
4.  Space Brothers
5.  Detective Conan: The Mystery of the Eleventh Striker

Tim Burton storms to the top of the charts of the charts as the newest entry at number one while familiar franchise entries make up the rest of the top ten. Thermae Romae is doing excellent business as it remains in the top three  for the fourth week in a row. Enough of that… what Japanese films get released today?

Girls for Keeps                                            

Japanese Title: ガールGaru

Release Date: 26^th May 2012 (Japan)

Running Time: 124 mins.

Director: Yoshihiro Fukagawa

Writer: Hideo Okuda (Novel)  

Starring: Kumiko Aso, Karina, Yuka Itaya, Rei Dan, Rosa Kato, Michiko Kichise, Osamu Mukai, Yusuke Kamiji, Jun Kaname, Kento Hayashi, Eriko Hatsune, Mei Kurokawa, Kenichi Yajima

Based on the 2006 anthology novel Girl, the movie adapts a number of short stories that follow women in their romantic lives and so on. Obviously I’m not the target audience but I recognise a lot of the names involved: Kumiko Aso (Pulse), Yuka Itaya (Suvive Style 5+, Apartment 1303). Eriko Hatsune (Norwegian Wood, Spiral) head the list of beautiful ladies while the handsome men include Kento Hayashi (Arakawa Under the Bridge), Jun Kaname (Casshern), and Kenichi Yajia (Sonatine, Kamikaze Taxi).

 

Red Seas Under Red Skies Read Along Part 5

It is the final part of the Red Seas Under Red Skies Read Along and as we prepare to bid farewell to Locke and Jean I think I know what lures sailors to their doom in the Parlour Passage – not rebel bondsmagi but sexy mermaids.

Anyway I have had another great time conversing with book bloggers and I would like to thank the #lynchmob leader Little Red Reviewer for organising the whole thing. This week’s questions come from Lynn who told me that mermaids are dangerous last week which saved my life on a recent coastal walk. Anyway these readalong have been a lot of fun thanks to the exciting books and the book bloggers who offer up a variety of weird and wonderful opinions.

1.       Oh my god, such a lot going on I thought the showdown between the Poison Orchid and the Sovereign was brilliantly written and they were holding their own until Utgar and his nasty device turned up.  Well a lot of you had kind of predicted it, and I suppose we’d been let off too easy so far in terms of deaths of well-liked characters  – but come on,  did you expect something like that?  And how on earth will Jean ever recover?

Talk about nerve wracking battle – kids in danger, ship could sink while there is a sea-monster swimming around, half the crew dead, and evil birds flapping about pecking eyes out. I did not see the situation with Utgar coming up – his alchemical  device was really evil and ingenious. I honestly thought that the situation might have evolved differently. I thought Jean might save the kids and the whole crew would surrender to Rodanov and get sent to prison. When Ezri sacrificed herself it was horrific. Like others I felt that Ezri and Drakasha were marked for death because they occupied a similar position to Nazca – strong characters who have a major influence on the GB’s. Will Jean recover? Not entirely. It will haunt him. Perhaps make him more reckless and nihilistic.